Parrot ANAFI USA, User Manual

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56
V
IDEOS AND
P
HOTOS
ANAFI USA
is equipped with a state-of-the-art 3-axis-stabilized gimbal, which delivers
astoundingly sharp motion and still pictures, through two 1/2.4’’ CMOS 21MP sensors.
The lenses of the cameras include low dispersion aspherical elements, that reduce chromatic
aberrations and flare, and guarantee optical excellence to such a small, smart and versatile
airborne imaging system.
Making videos
By default,
ANAFI USA
and FreeFlight 6 are set to start recording a video as soon as
ANAFI USA
takes off. This literally means all you have to do, to start filming, is to fly
ANAFI USA
into the sky!
However, depending on your filming objectives,
ANAFI USA
and FreeFlight 6 offer a wealth of
settings, from full auto to manual professional options, for you to make the most of every
situation.
If required, tap the photo/video toggle in the middle of the bottom bar of the HUD, to circle
the film camera (right icon) in white.
Main filming options are twofold, and accessible from the HUD of FreeFlight 6.
-
First, select a video mode by tapping the corresponding box of the HUD.
The options appear on your screen, as they do on the screen capture below. Tap a
video mode to select it and tap the video mode box again to confirm your choice.
-
Second, select a video resolution and a framerate (fps – frames per second) value
from the corresponding box of the HUD.
Tap the video settings box to call the individual video resolution and fps boxes.
Tap the video resolution box to access the available video resolutions and tap one to
select it.
Tap the fps box to access the available fps values and tap one to select it.
Tap the video settings box again to close the sub-boxes and confirm your choices.
Available video resolutions and fps values depend on the video mode you have selected:
Standard: all-round 4K, 2.7K or 1080p filming, at 24, 25 or 30fps.
Cinema: spectacular 4K cinema filming, at 24fps.
Hyperlapse: time-lapse video with a configurable speed factor (x15, x30, x60,
x120, x240), in 4K, 2.7K or 1080p, exported at 24, 25 or 30fps.
Slow-Motion 1080p filming at 48, 50 or 60fps, automatically slowed down by a
factor of 2 (x0.5) and exported at 24, 25 or 30fps.
Slow-Motion 720p filming at 96, 100 or 120fps, automatically slowed down by a
factor of 4 (x0.25) and exported at 24, 25 or 30fps.
High-Framerate: 1080p filming at 48, 50 or 60fps (ideal for post-processing) and
720p filming at 96, 100 or 120fps.