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DIGITAL RACK MIXER M32R User Manual
Rotary Speaker
Rotary Speaker emulates the sound of a Leslie rotating speaker. The M32’s Rotary
Speaker provides more flexibility than its electro-mechanical counterpart,
and can be used with a variety of instruments, and even vocals, to create a
whirling, psychedelic effect.
The
LO SPEED
and
HI SPEED
push encoders adjust the rotation speed of the
Slow and Fast speed selection, and can be toggled with the
FAST
button.
The
ACCEL
(eration) push encoder adjust how quickly the speed increases
and decreases from the Slow mode to the Fast mode. The rotation effect can
also be disengaged with the
STOP
button, which will stop the movement of
the speakers.
DISTANCE
adjust the perceived distance between the speakers and the virtual
microphone.
BALANCE
sweeps between low and high frequencies in the
output signal.
MIX
determines how much of the affected signal is present in the
output audio.
Tremolo / Panner
Stereo Tremolo creates an up and down volume change at a constant and even
tempo just like the guitar amps of yesteryear. Use the M32’s Stereo Tremolo to
add a unique ‘surf-music’ texture to a vocal or instrumental track.
SPEED
adjusts the LFO rate, and
DEPTH
sets the amount of modulation.
PHASE
can be used to set an LFO phase difference between the left and right
channels, which can be used for panning effects. The
WAVE
push encoder blends
the LFO waveform between triangular and square shapes. The signal envelope ,
shaped by
ATTACK
,
HOLD
and
RELEASE
, can be used to modulate the LFO speed
(
ENV SPD
) and the LFO modulation depth (
ENV DPTH
).
Suboctaver
The Octave Effect combines the input signal with a digitally synthesised sound
one or two octaves below the original signal. This can be used to thicken up
guitar sounds, or to add extra ‘punch’ to kick drums.
The controls for the Suboctaver are split between two discreet layers.
Pressing the first push encoder toggles the effect for each layer on or off.
The second encoder increases the amount of the affected signal that is present
in the output mix. The third encoder switches the range of the signal between
LO
,
MID
and
HI
. The fourth and fifth encoders adjust the level for each of the
individual lower octaves. To navigate between the two layers, use the up and
down navigational controls.
Delay + Chamber
Here we have combined Delay and Chamber reverb, so that a single device
can supply a variety of delay settings, plus add just the right amount of reverb
to the selected signal. This device only uses one effects slot.
Inspired by the
Lexicon PCM 70.
Use the
BALANCE
push encoder to adjust the ration between delay and reverb.
Low frequencies can be excluded with the
LO CUT
push encoder, and
MIX
adjust how much of the effect is added to the output signal. The
TIME
push
encoder adjusts the delay time for the left channel delay, and
PATTERN
sets
the delay ratio for the right channel delay. Adjust the
FEEDBACK
and trim some
high frequencies with the
FEED HC
(high-cut) push encoder. The
XFEED
push
encoder allows you to send the delay sound to the reverb effect, so instead of
running completely parallel, the reverb affects the echoes to a selected degree.
The
PREDELAY
push encoder determines the delay before the reverb affects
the signal. The
DECAY
push encoder adjusts how quickly the reverb fades.
SIZE
controls how large or small the simulated space (room, cathedral, etc.).
The
DAMPING
push encoder determines the decay of high frequencies within
the reverb tail.
Chamber
Taking up only one FX slot, the Chamber effect combines the shimmer
and doubling characteristics of a studio-grade chorus with the sweet sound of a
traditional chamber reverb.
Inspired by the Lexicon PCM 70.
The
BALANCE
push encoder adjusts the balance between chorus and reverb.
Low frequencies can be excluded with the
LO CUT
push encoder, and the
MIX
push encoder adjusts how much of the effect is added to the signal.
SPEED
,
DELAY
and
DEPTH
adjust the rate, delay and modulation depth of the
chorus. The LFO
PHASE
between the left and right channels can be offset by up
to 180°, and
WAVE
adjusts the LFO waveform from a sine wave to a triangular
wave. The
PREDELAY
push encoder determines the delay before the reverb
affects the signal. The
DECAY
push encoder adjusts how quickly the reverb
fades.
SIZE
controls the size of the simulated space (room, cathedral, etc.).
The
DAMPING
push encoder determines the decay of high frequencies within
the reverb tail.
