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Make Noise DPO

Complex Dual VCO Module

The 

DPO

 is a dual VCO designed for generating complex waveforms and implementing FM synthesis in the analog domain. Expanding on the classic arrange-

ment of primary and mod oscillators, the DPO has both of the VCOs operable as complex signal sources. It is, in essence, a Dual Primary Oscillator. Dynamic 

FM, Circular FM, Hard Sync and Additive Harmonic synthesis processes are all achieved with internal routing on the DPO. The DPO has two modulation buses 

(Mod & FM), each with multiple destinations, the depth of which is adjustable per destination. The DPO is a 100% analog, vintage voiced musical instrument.

OSCILLATOR 

A WAVEFORM 

OUTS:

 Triangle 

wave output. 

10Vpp. Sawtooth 

wave output. 

9Vpp. Sine wave 

output. 10Vpp.

SHAPE ROTARY, SHAPE CV IN & ATEN-

UATOR:

 The 

Shape Rotary

 is a unipolar control 

that determines the shape of the waveform feed-

ing the Fold circuit. Morphs from 

Sine

 to 

Spike

 to 

Glitched Triangle

. The 

Shape CV In

 is a unipolar 

control signal input normalled into the Mod Bus. 

Range: 0V to +5V. The 

Shape Attenuator

 is a 

unipolar level control for the Shape CV Input.

OSCILLATOR B 

WAVEFORM OUTS:

  

Sine wave output. 

10Vpp. Square wave 

output. 9Vpp. Final wave 

output is processed by 

the Shape, Angle & Fold 

circuits. 10Vpp.

ANGLE ROTARY, AN-

GLE CV IN & ATTENU-

ATOR:

 The 

Angle Rotary

 

tilts the added harmonics to 

either end of the wave-cycle. 

The 

Angle CV In

 is a bipolar 

control signal input normalled 

into the Mod Bus. Range: 8V. 

The 

Angle Attenuator

 is a 

unipolar level control for the 

Angle CV Input.

FOLD ROTARY, FOLD 

CV IN, FOLD ATTENU-

ATOR & STRIKE GATE IN:

 The 

Fold Rotary

 

is a unipolar control that continuously varies the 

low-order   harmonics of the signal by folding the 

waveform into itself. 

Fold CV In

 is a unipolar control 

signal input normalled into the Mod Bus. 

Fold At-

tenuator

 is a unipolar level control for the Fold CV 

Input. The 

Strike Gate In

, when patched, briefly 

opens the Fold circuit to 100%. Requires an 8V - 

10V gate or clock to operate.

VCO A COARSE TUNE RO-

TARY:

 Controls coarse tuning for 

oscillator A frequency. Range: 9.5 

octaves; 12hz-6khz.

VCO B COARSE TUNE 

ROTARY & VCO B 1V/

OCT SCALE TRIM:

 Con-

trols coarse tuning for oscil-

lator B frequency. Range: 9.5 

octaves; 12hz-6khz. The 

1V/

Octave Scale Trim

 control is 

used to calibrate VCO B.

VCO A FINE TUNE ROTARY:

 

Controls fine tuning for oscillator A 

frequency. Range: 1.75 octaves.

VCO B FINE TUNE RO-

TARY:

 Controls fine tuning 

for oscillator B frequency. 

Range: 1.75 octaves.

VCO A 1V/OCT SCALE TRIM:

 

Used to calibrate VCO A.

VCO A 1V/OCTAVE CV IN:

 

Bipolar pitch control for VCO A. 

Optimal range: +/-5V.

VCO B 1V/

OCTAVE CV IN:

 

Bipolar pitch control 

for VCO B. Optimal 

range: +/-5V.

VCO A EXPONENTIAL CV IN 

& ATTENUATOR:

 Bipolar expo-

nential frequency CV input for VCO 

A. Normalled to FM Bus. Range: 

10V. The associated 

Exponential 

Attenuator

 acts as a unipolar level 

control for the Exponential CV Input.

VCO B EXPONENTIAL CV IN & ATTENUATOR:

 Bipolar exponen-

tial frequency CV input for VCO B. Normalled to FM Bus. Range: 10V. The 

Exponential Attenuator

 acts as a unipolar level control for the CV Input.

MOD BUS INDEX ROTARY, EXTERNAL SOURCE IN, 

INDEX IN, ATTENUVERTOR & LED:

 The 

Mod Bus Index 

Rotary

 is a unipolar control that sets the depth of the Mod Bus. 

The 

Mod Bus External Source Input

 interrupts internal routing 

of VCO A sine wave as a modulation source. Range: +/- 8V. The 

Mod Bus Index CV Input

 is a bipolar CV input signal. Range: 

+/- 4V. The associated 

Mod Bus Index Attenuvertor

 acts as a 

bipolar level control for the Mod Bus Index CV Input. The 

Mod 

Bus Index LED

 provides visual indication of the currently pro-

grammed Mod Index value.

FM BUS ROTARY, INDEX CV IN, ATTENUVER-

TOR & LED:

 The 

FM Bus Rotary

 is a unipolar control 

that sets the depth of the FM. The 

FM Bus Index CV Input

 

is a bipolar CV input. Range: +/-4V. The 

FM Bus Index 

Attenuvertor

 acts as a bipolar level control for the FM Bus 

Index CV Input. The 

FM Bus Index LED

 provides visual 

indication of the currently programmed FM Index value.

FOLLOW CV IN & ATTENU-

ATOR:

 The 

Follow CV Input

 is a 

unipolar control. Range: 0V to 5V. The 

Follow Attenuator

 determines how 

well VCO A follows VCO B. With noth-

ing patched to Follow CV In, it acts as 

a standard control. When patched, it 

acts as an attenuator for that signal.

BEAT FRE-

QUENCY 

LED:

 Provides 

visual indication 

of the phase 

difference 

between VCOs 

A & B.

VCO A LINEAR CV IN & ATTENUATOR:

 

Unipolar linear frequency CV input for VCO A. 

AC coupled. Normalled to FM Bus. Range: 10V. 

The associated 

Linear Attenuator

 acts as a 

unipolar level control for the Linear CV Input.

VCO B LINEAR CV IN, LINEAR ATTENUATOR & EXTERNAL LOCK 

IN:

 Unipolar linear frequency CV input for VCO B. AC coupled. Normalled to FM 

Bus. Range: 10V. The associated 

Linear Attenuator

 acts as a unipolar level 

control for the Linear CV Input. 

External Lock In

 allows VCO B to be phase 

locked to a hard-edged signal (square, pulse or Sawtooth) from other VCOs.

VCO MODE BUTTON:

 Cycles 

between 4 modes (indicated by 

LED): 

No LED

: Standard, 

Lock

 

(Blue LED): VCO A is phase locked 

to VCO B. 

Sync

 (Pink LED): VCO 

A is Hard Synced to VCO B. 

LFO

 

(Amber LED): VCO A acts as a low 

frequency oscillator.

Follow: 

Follow is useful in maintaining FM or Sync ratios while controlling the DPO with a sequencer or keyboard. The lag that occurs when Follow is set to 

less than 100% will introduce moments of dissonance and noise, due to the temporary tracking errors. This is a wonderful way to introduce uncertainty to an 

otherwise stable sequence of notes.

FM Bus: 

The internal FM bus is hardwired for Sine wave in both directions. With nothing patched to the Linear and/or Expo FM inputs, the associated 

attenuator sets the final index of FM applied to each destination. As you increase the Index level, the amplitude of VCO A sine bused to VCO B Linear FM 

and Expo FM attenuators is increased. At the same time, the amplitude of VCO B sine bused to VCO A Linear FM and Expo FM attenuators is increased. 

Therefore, you could have different amounts of Linear and Expo FM in both directions, all at once. At greater than 90% Index, all four FM bus lines (Linear 

& Expo for both VCOs) go into overdrive when the associated attenuators are set to beyond about 80%. The FM overdrive, combined with the bi-directional 

dynamic FM, results in some extreme circular FM capabilities. These sounds will get out of hand quickly. The key to controlled FM within the DPO is attenua-

tion, since setting the Index to 100% really does push the circuit to its limit.

Mod Bus: 

The internal Mod Bus Source is hardwired for VCO A Sine wave, with the power to use any external source by patching to the External Source 

CV In. With nothing patched to the Shape, Angle and Fold CV inputs the associated attenuator sets the final amount of modulation applied to the destination. 

As you increase the Index level, the amplitude of VCO A Sine bused to the Shape, Angle and Fold jacks is increased. Therefore, you could have different 

amounts of modulation at each of those three destinations (Shape, Angle, and Fold).

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

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