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21

POWER switch

The 

POWER

 switch is located on the rear

panel of the mixer, near the linecord socket.
Switch up to turn the mixer on, and switch
down to turn it off.

The 

TAPE IN LEVEL

 control ranges from off

through unity (the center detent position) on
up to +15 dB of extra gain. Note that this
control only affects the 

TAPE IN

 level and not

the 

TAPE OUT

 level (there is no tape out level

control). The 

TAPE OUT

 level is pre-fader

(actually pre-Master in this case) and is not
affected by the 

MAIN MASTER

 control.

Caution:

 When using the

TAPE OUT

 connectors for

recording, don’t connect
the output of the tape deck
to the 

TAPE IN

 connectors.

If you do, 

MAKE SURE

 the 

TAPE IN LEVEL

control is turned all the way down or you will
create a feedback loop that will suddenly make

you

 the focus of attention.

POWER

120 VAC 60HZ 320W

ON

MIC 

1

INSERT

LINE

RIGHT

MIC 

8

LEFT/MONO

STEREO

MIC/
LINE

HI-Z

Stereo Channel Strip

Mono Channel Strip

2

2

3

1

1

SHIELD

COLD

HOT

SHIELD

COLD

HOT

3

SHIELD

COLD

HOT

3

2

1

Balanced XLR Connectors

SLEEVE (SHIELD)

TIP

SLEEVE

TIP (HOT)

RING (COLD)

RING

TIP

SLEEVE

RING

Balanced 1/4" TRS Plug

MAKING THE CONNECTIONS

Front Panel Connections

Connecting Microphones and Line-Level
Signals

Each channel has both an XLR 

MIC 

input and a 1/4" TRS 

LINE 

 input. In

addition, the two stereo channels on the 408M,
408S, 808M, and 808S each have two 1/4" TRS
line inputs, left and right 

. These two inputs

are summed together in the 408M and 808M,
and are routed to the left and right buses
respectively in the 408S and 808S. You can plug
a mono signal into the 

LEFT

 stereo input and

the signal is automatically routed to both the
left and right inputs.

Mackie mixers have 3-pin female XLR con-

nectors on all microphone inputs, so use a
male XLR connector to connect to the mixer’s
mic preamps.

The XLR and 1/4" TRS inputs are balanced

analog inputs. When connecting a balanced
signal using the XLR or 1/4" jacks, be sure
they’re wired — per AES (Audio Engineering
Society) standards — like this:

XLR

TRS

Hot (+)

Pin 2

Tip

Cold (–)

Pin 3

Ring

Shield (Ground)

Pin 1

Shield

Summary of Contents for PPM Series

Page 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Page 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Page 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Page 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Page 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Page 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Page 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Page 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Page 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Page 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Page 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Page 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Page 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Page 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Page 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Page 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Page 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Page 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Page 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

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