background image

23

EFFECTS SEND and RETURN

EFX FOOT

SWITCH

RIGHT RETURN

LEFT RETURN

SEND

EFFECTS

(OVERRIDES INTERNAL EFX)

The 

EFFECTS SEND

 jack is a 1/4" connector

that produces an unbalanced line-level signal.
This signal is fed from the internal EFX bus,
just after the 

EFX DRIVE LEVEL

 control.

Use a cable with 1/4" TS plugs to connect the

EFFECTS SEND

 jack to the input of an external

effects processor. Use a similar cable (or cables)
to return the external effects processor’s signal
to the 

EFFECTS RETURN

 jack(s).

The mono versions (406M, 408M, 808M)

have one 

EFFECTS RETURN

 jack and the stereo

versions (408S, 808S) have two 

RETURN

 jacks.

These are 1/4" connectors that accept an un-
balanced line-level signal.

The 

EFFECTS SEND 

and

 RETURN

 are

normalling jacks, so with nothing plugged into
the 

SEND 

or

 RETURN

 jacks, the internal ef-

fects signal from the 

EMAC

 is routed to the

EFX TO MON

 and 

EFX TO MAIN

 controls. If

you plug a 1/4" TS plug into the 

EFFECTS RE-

TURN

 jack(s), the effects signal from the

EMAC

 is disconnected from the signal path.

Instead, the external effects signal is routed to
the 

EFX TO MON

 and 

EFX TO MAIN

 controls.

Note:

 If you want to use the internal 

EMAC

and an external effects processor at the same
time, you have two options.

Serial effects device:

 The 

EFFECTS SEND

jack is wired the same as the channel 

INSERT

jacks, so you can use it to insert a processor in
series with the 

EMAC

 effects. Refer to the

“Channel Inserts” section 

 to see how to

make this connection.

Parallel effects device:

 Plug a TS plug half-

way into the 

EFFECTS SEND

 jack (to the first

click). This allows you to use the 

EFFECTS

SEND

 jack as a direct out without affecting the

signal going to the 

EMAC

. However, you must

use one of the 

LINE

 inputs (or one of the stereo

channel’s stereo line inputs if it’s a stereo pro-
cessor) to return the signal from the external
effects processor. If you plug into the 

EFFECTS

RETURN

 jack, the signal from the 

EMAC

 is dis-

connected from the signal path.

EFX FOOT SWITCH

You can connect a normally-open foot

switch to this connector to duplicate the
function of the 

EFX BYPASS

 switch. Closing

the switch connection causes the 

EFX BYPASS

indicator to light and mutes the effects signal.
This affects both the internal 

EMAC

 and an

external effects processor (if connected) using
the 

EFFECTS SEND

 and 

RETURN

 jacks.

Note:

 When a foot switch is plugged into the

FOOT SWITCH

 jack, the 

EFX BYPASS

 switch

is disabled.

POWER AMP IN 1 and 2

This is a 1/4" connector that accepts an un-

balanced line-level signal. Whatever signal you
plug into these jacks is routed to the power
amplifier inputs. This provides the ability to in-
sert a processor in the signal path between the

MIXER OUT

 and the 

POWER AMP IN

.

EFX FOOT

SWITCH

RIGHT RETURN

LEFT RETURN

SEND

L MIXER OUT

R MIXER OUT

COMPRESSOR

L POWER

AMP IN

R POWER

AMP IN

EFFECTS

(OVERRIDES INTERNAL EFX)

MONITOR

MAINS

TAPE IN

TAPE OUT

LEVEL

+15

U

O

O

LINE 

L

R

R

L

OUT

408S   

POWER AMP ROUTING

IN

OUT

STEREO MAINS
LEFT = MAIN
RIGHT = MONITOR

2 X 250W STEREO

Stereo Version Connector Section

Summary of Contents for PPM Series

Page 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Page 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Page 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Page 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Page 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Page 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Page 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Page 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Page 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Page 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Page 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Page 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Page 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Page 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Page 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Page 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Page 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Page 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Page 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

Reviews: