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SLEEVE (SHIELD)

TIP (HOT)

TIP

SLEEVE

TIP

SLEEVE

Unbalanced 1/4" TS Plug

The 

INSERT

 jack can also be used as a di-

rect out from the mic preamps to tape. If you
insert a TS (mono) 1/4" plug halfway into the

INSERT

 jack (to the first click), the plug will

not activate the jack switch and will not open
the insert loop in the circuit (thereby allowing
the channel signal to continue on its merry way
through the mixer). This allows you to tap the
channel signal at that point in the circuit with-
out interrupting normal operation.

If you push the 1/4" TS plug in to the second

click, you will open the jack switch and create
a direct out, which 

does

 interrupt the signal in

that channel.

Do not overload or short-circuit the signal

you are tapping from the mixer. Doing so will
affect the internal signal.

Direct out with no signal interruption.

Insert only to first “click.”

Channel Insert jack

Channel Insert jack

Channel Insert jack

Direct out with signal interruption.

Insert all the way in to the second “click.”

For use as an effects loop.

(TIP = SEND to effect, RING = RETURN from effect.)

MONO PLUG

MONO PLUG

STEREO 

PLUG

Unbalanced TS (tip-sleeve) lines can be ac-

commodated via the TRS jack. Make sure the
cord terminates with a TS plug (like a guitar
plug), or if it’s a TRS plug (like a headphone
plug), make sure the ring is tied to the shield,
preferably at the source.

You can connect an input signal to both the

MIC

 input and the 

LINE

 input. The signals are

summed together prior to the 

INPUT LEVEL

SET 

control so they are both affected by it. On

the stereo channels 7 & 8, the inputs are
summed after the 

INPUT LEVEL SET

 control

and only the 

MIC

 input is affected by it.

Channel Inserts

The mono channels are equipped with 

INSERT

jacks for connecting external processors into
each channel’s signal path. The insert point
comes after the Mic/Line preamp’s 

INPUT LEVEL

SET

 control and just before the EQ controls.

This is a TRS jack specially configured as a

combination Send/Return connection point. It is
configured with the Tip = Send, Ring = Return,
and Sleeve = Ground. This has become some-
what of a standard in the industry, and many
cable manufacturers make cables especially
for this purpose. With nothing plugged into the

INSERT

 jack, the send signal is directly connected

to the return pin via the normalling jack.

“tip”

This plug connects to one of the 
mixer’s Channel Insert jacks.

“ring”

tip

ring

sleeve

SEND to processor

RETURN from processor

(TRS plug)

Tip = Send (output to effects device)

Ring = Return (input from effects device)

Sleeve = Common ground (connect shield to all

three sleeves)

MIC 

1

INSERT

LINE

Mono Channel Strip

Summary of Contents for PPM Series

Page 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Page 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Page 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Page 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Page 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Page 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Page 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Page 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Page 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Page 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Page 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Page 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Page 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Page 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Page 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Page 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Page 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Page 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Page 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

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