13
EFX
MON
HI
12kHz
HI
12kHz
MID
2.5kHz
MON
MID
2.5kHz
MON
HI
12kHz
MID
2.5kHz
MON
HI
12kHz
MID
2.5kHz
MON
HI
12kHz
MID
2.5kHz
MON
HI
12kHz
MID
2.5kHz
MON
HI
12kHz
MID
2.5kHz
MON
HI
12kHz
MID
2.5kHz
LOW
80Hz
PAN
PAN
PAN
PAN
PAN
P
AN
PAN
P
AN
VOLUME CH.
VOLUME CH.
VOLUME CH.
VOLUME CH.
VOLUME CH.
VOLUME CH.
VOLUME CH.
VOLUME CH.
1
EFX
LOW
80Hz
2
2
EFX
LOW
80Hz
3
3
EFX
LOW
80Hz
4
4
EFX
LOW
80Hz
5
5
EFX
LOW
80Hz
6
6
EFX
LOW
80Hz
7
8
7
EFX
LOW
80Hz
8
EFX BYPASS
EFX DRIVE
LEVEL
12
0
NORMAL
INPUT
LEVEL
SET
INPUT
LEVEL
SET
INPUT
LEVEL
SET
INPUT
LEVEL
SET
INPUT
LEVEL
SET
INPUT
LEVEL
SET
INPUT
LEVEL
SET
INPUT
LEVEL
SET
EFX
CLIP
PARAMETERS
10
0
10
0
REVERBS
DELAYS
CHORUS
FLANGE
DAMPING
DEPTH
PHASER
TIME
RATE
NORMAL
NORMAL
CUSTOM 32-BIT PRECISION
DIGITAL STEREO EFFECTS PROCESSING
EFX WIDE
MAIN-STEREO/MONO EQUALIZER
30
CLIP
5
5
0
10
15
20
EFX FOOT
SWITCH
RIGHT RETURN
LEFT RETURN
SEND
L MIXER OUT
R
MIXER OUT
COMPRESSOR
L POWER
AMP IN
R POWER
AMP IN
EFFECTS
(OVERRIDES INTERNAL EFX)
MONITOR
MAINS
TAPE IN
TAPE OUT
LEVEL
MIC
1
MIC
2
MIC
3
MIC
4
MIC
5
MIC
6
INSERT
INSERT
INSERT
INSERT
INSERT
LINE
LINE
LINE
LINE
LINE
LINE
INSERT
+15
U
O
O
1K
500
250
63
125
16K
LEVEL
2K
4K
8K
MAIN
MASTER
EFX TO
MAIN
U
O
O
+10
MASTER OUTPUT SECTION
LINE
U
+12dB
O
O
L
R
R
L
POWER
OUT
MONITOR EQUALIZER
15-
15+
5
10
0
5
10
-15
+15
5
10
0
5
10
15-
15+
5
10
0
5
10
-15
+15
5
10
0
5
10
1K
500
250
63
125
16K
2K
4K
8K
MONITOR
MASTER
EFX TO
MON
U
O
O
+10
U
+12dB
O
O
75Hz RUMBLE
REDUCTION
RIGHT
R
IGHT
MIC
7
MIC
8
75Hz RUMBLE
REDUCTION
PHANTOM
POWER CH 1
-8
BREAK
(MUTES CH 1-6)
808S
POWER AMP ROUTING
SM. ROOM
MD.
PLATE
LG.
PLATE
LG.
HALL
GATED
REVERSE
CATHEDRAL
MD.
HALL
SPRING
PHASER
DELAY 4
CHORUS
DELAY 3
DELAY 1
FLANGE
DELAY 2
IN
OUT
STEREO MAINS
LEFT = MAIN
RIGHT = MONITOR
2 X 400W STEREO
PROFESSIONAL POWERED MIXER
LEVEL
30
CLIP
5
5
0
10
15
20
LR
LEFT/MONO
LEFT/MONO
STEREO
MIC/
LINE
HI-Z
STEREO
MIC/
LINE
HI-Z
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
1
U
+20dB
O
O
HI
LOW
NORMAL
U
O
O
+15
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
U
+20dB
O
O
HI
LOW
NORMAL
U
O
O
+15
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
U
+20dB
O
O
HI
LOW
NORMAL
U
O
O
+15
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
U
+20dB
O
O
HI
LOW
NORMAL
U
O
O
+15
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
U
+20dB
O
O
HI
LOW
NORMAL
U
O
O
+15
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
U
+20dB
O
O
HI
LOW
NORMAL
U
O
O
+15
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
U
+20dB
O
O
HI
LOW
NORMAL
U
O
O
+15
U
O
O
+10
U
+1
5
-1
5
U
+1
5
-1
5
U
+12
-12
U
+20dB
O
O
HI
LOW
NORMAL
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
U
O
O
+15
Vocal
Mics
M
onitor
Amplifier
M
onitor
Speakers
Stereo Processor
Processor
Direct Box
Le
ft
FOH
Speakers
Right FOH
Speakers
Fr
om
LEFT
SPEAKER
OUT
Fr
om
RIGHT
SPEAKER
OUT
P
O
WER AMP R
OUTING
Button OUT
(MAIN/MAIN)
This shows how to connect
another mix
er’
s output to the
PPM Series P
O
WER AMP IN
connectors
.
You might use this to pa
tch a
warm-up band’
s mix
er into the
PPM Series so they can use the
PPM amplifiers and P
A
speakers without having to set
up a separ
a
te P
A
system or
change the PPM mix
er settings
.
N
ote: Unplug the warm-up
band's mix
er when they'r
e
finished to allow the main band
to come thr
ough the FOH
speakers
.
N
ote: Since each amplifier is
driving two speakers in par
allel,
each speaker must be 4 ohms
or gr
ea
ter
.
W
arm-up band's mix
er
External Warm-up Band’s Mixer using 808S Amplifiers
