background image

7

EFX

MON

HI

12kHz

HI

12kHz

MID

2.5kHz

MON

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

LOW

80Hz

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

1

EFX

LOW

80Hz

2

2

EFX

LOW

80Hz

3

3

EFX

LOW

80Hz

4

4

EFX

LOW

80Hz

5

5

EFX

LOW

80Hz

6

6

EFX

LOW

80Hz

7

8

7

EFX

LOW

80Hz

8

EFX BYPASS

EFX DRIVE

LEVEL

12

0

NORMAL

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

EFX

CLIP

PARAMETERS

10

0

10

0

REVERBS

DELAYS

CHORUS

FLANGE

DAMPING

DEPTH

PHASER

TIME

RATE

NORMAL

NORMAL

CUSTOM 32-BIT PRECISION

DIGITAL STEREO EFFECTS PROCESSING

EFX WIDE

MAIN EQUALIZER

30

CLIP

5

5

0

10

15

20

EFX FOOT

SWITCH

RETURN

SEND

MIXER LINE OUT

POWER

AMP 1 IN

POWER

AMP 2 IN

EFFECTS

(OVERRIDES INTERNAL EFX)

MONITOR

MAINS

TAPE IN

TAPE OUT

LEVEL

MIC

 

1

MIC

 

2

MIC

 

3

MIC

 

4

MIC

 

5

MIC

 

6

INSERT

INSERT

INSERT

INSERT

INSERT

LINE

LINE

LINE

LINE

LINE

LINE

INSERT

+15

U

O

O

1K

500

250

63

125

1

6K

LEVEL

30

CLIP

5

5

0

10

15

20

LEVEL

2K

4K

8K

MAIN 

MASTER

EFX TO

MAIN

U

O

O

+10

MASTER OUTPUT SECTION

LINE 

U

+12dB

O

O

L

R

R

L

POWER

OUT

COMPRESSOR

2 X 250 WATTS

MONITOR EQUALIZER

15-

15+

5

10

0

5

10

-15

+15

5

10

0

5

10

15-

15+

5

10

0

5

10

-15

+15

5

10

0

5

10

1K

500

250

63

125

1

6K

2K

4K

8K

MONITOR

MASTER

EFX TO

MON

U

O

O

+10

U

+12dB

O

O

75Hz RUMBLE

REDUCTION

LEFT

RIGHT

LEFT

RIGHT

MIC

 

7

MIC

 

8

75Hz RUMBLE

REDUCTION

PHANTOM

POWER CH 1

-8

BREAK

(MUTES CH 1-6)

408M   

POWER AMP ROUTING

SUM

MONO

MIC/

LINE

HI-Z

SUM

MONO

MIC/

LINE

HI-Z

AMP 1

MAIN

MAIN    MONITOR

AMP 2

MAIN

SM. ROOM

MD.  

PLATE

LG. 

 PLATE

LG.  

 HALL

GATED

REVERSE

CATHEDRAL

MD. 

  HALL

SPRING

PHASER

DELAY  4

CHORUS

DELAY  3

DELAY  1

FLANGE

DELAY  2

IN

OUT

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

1

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

Vocal

Mics

M

onitor

Speaker

M

onitor

Speaker

Stereo Processor

Processor

Direct Box

FOH Speaker

FOH Speaker

Fr

om MAIN

SPEAKER OUT

Fr

om MAIN

SPEAKER OUT

Fr

om MONIT

O

R

SPEAKER OUT

Fr

om MONIT

O

R

SPEAKER OUT

P

OWER AMP R

OUTING 

Button P

ushed IN 

(MAIN/MONIT

OR)

This is how to pow

er the Main F

ront 

of H

ouse (FOH) speakers and the 

monitor speakers with the built-in 

amplifiers

.

N

ote: Since each amplifier is driving 

two speakers in par

allel, each 

speaker must be 4 ohms or gr

ea

ter

.

408M — Small Club Gig using a Mono PA System

APPLICATION DIAGRAMS

Summary of Contents for PPM Series

Page 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Page 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Page 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Page 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Page 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Page 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Page 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Page 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Page 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Page 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Page 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Page 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Page 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Page 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Page 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Page 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Page 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Page 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Page 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

Reviews: