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24

When a 1/4" plug is inserted in the POWER

AMP IN jacks, the internal connection between
the mixer section and the amplifier section is
cut.

This completely separates the mixer from

the amplifiers, and it allows you to connect an
external equalizer, compressor or effects pro-
cessor in-line between them as shown.

With a plug inserted in the POWER AMP IN

jacks, the amplifiers will only play the external
signals plugged into them. With no plug in-
serted, the mixer section and the amplifier
section are joined and the amplifiers play the
mixer signals as normal.

External equalizer,

compressor, or processor

OUT

IN

L MIXER OUT

R MIXER OUT

COMPRESSOR

L POWER

AMP IN

R POWER

AMP IN

MONITOR

MAINS

TAPE IN

TAPE OUT

LEVEL

+15

U

O

O

LINE 

L

R

R

L

OUT

408S

IN

OUT

2 X 250W STEREO

If you have an external device in-line as

shown in the diagram above, make sure it does
not increase the signal gain too much, or it may
overload the amplifier section. The PPM
meters only show the signal level coming from
the internal mixer section; they will not show
any changes in gain due to the external device.

You might use these inputs to connect the

outputs from the opening band’s mixing board.
This way you don’t have to set up two sets of
speakers; the other band can plug right into
the PPM Series and use its amplifiers and con-
nected speakers (see application diagram on
page 13).

MIXER LINE OUT

This is a 1/4" connector that produces an

unbalanced line-level signal. This signal is fed
from the internal mixer bus, just after the

MAIN MASTER

 control and 

MAIN EQUALIZER

,

and just before the 

POWER AMP IN

 jacks.

You can use the 

MIXER

LINE OUT

s to connect a sec-

ond power amplifier, giving
you the option of adding more
power and more speakers
(see application diagram on
page 10).

MONITOR LINE OUT

This is a 1/4" connector

that produces an unbalanced
line-level signal. This signal is
fed from the internal monitor

bus, just after the 

MONITOR MASTER

 control

and

MONITOR EQUALIZER

.

Use this connection to drive an external

monitor amplifier and speakers, or to supple-
ment the PPM Series’ monitor amplifier (when
the 

POWER AMP ROUTING

 switch 

 is

pushed in) with another amplifier and speakers
(see application diagram on page 8).

TAPE IN and TAPE OUT

These are unbalanced RCA-type connectors

that match those typically used on tape decks
and CD players. Use RCA-to-RCA patch cables
to make these connections.

EFX FOOT

SWITCH

RETURN

SEND

MIXER LINE OUT

POWER

AMP 1 IN

POWER

AMP 2 IN

EFFECTS

(OVERRIDES INTERNAL EFX)

MONITOR

MAINS

TAPE IN

TAPE OUT

LEVEL

+15

U

O

O

LINE 

L

R

R

L

OUT

POWER AMP ROUTING

AMP 1

MAIN
MAIN    MONITOR

AMP 2

MAIN

COMPRESSOR

IN

OUT

2 X 250 WATTS

408M   

Mono Version Connector Section

Summary of Contents for PPM Series

Page 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Page 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Page 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Page 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Page 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Page 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Page 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Page 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Page 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Page 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Page 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Page 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Page 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Page 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Page 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Page 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Page 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Page 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Page 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

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