Lexicon PCM 81 - REV, User Manual

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Lexicon
4-26
PCM 81 User Guide
1.6 FootPdlEkos ADJUST: Detune 0–100
Designed to be used with a foot pedal. A detune chorus is routed through stereo delays
and reverb. The pedal controls the input level to the delays and reverb. Use the pedal to
capture specific phrases in the delays/reverb. Great with guitar and other solo instru-
ments.
1.7 DualDTuneDly ADJUST: cents +/- 0–100
This preset combines two detuned voices with delays. ADJUST controls the amount of
detune. Controls for the delays (and reverb too) are in the Soft row.
1.8 QuaDTuneDly1 ADJUST: TuneKnob 0–100
For thicker detune and delay effects, this preset uses four pitch shifters for detuning.
ADJUST controls the pitch spread of the four shifters. Delay and reverb controls are in
the Soft row.
1.9 QuaDTuneDly2 ADJUST: TuneKnob 0–100
Similar to QuadTuneDly1 with the delays set to rhythmic values (eighths and triplets).
Press Tap to synchronize the rhythms to the beat.
2.0 Major Across ADJUST: MasterDly 0–100
A major triad is arpeggiated across the stereo field. ADJUST controls the overall timing
of the arpeggiation.
2.1 Minor Across ADJUST: MasterDly 0–100
A minor triad is arpeggiated across the stereo field. ADJUST controls the overall timing
of the arpeggiation.
2.2 Dim hARP ADJUST: GlissRate 0–100
The inputs rise in a diminished arpeggiated scale. This preset turns one harp note into
a glissando, or one quarter note into a harp chord. Individual voices are panned across
the stereo field. Stereo In/Stereo Out.
2.3 Dim hARP Vrb ADJUST: GlissRate 0–100
Similar to Dim hARP with an added reverb.
2.4 DimScaleDown ADJUST: ScaleRate 0–100
The inputs descend into a diminished arpeggiated scale. This preset turns one note into
a scale or glissando. Individual voices are panned across the stereo spectrum. A little
reverb is added.
2.5 GlassCascade ADJUST: MasterDly 0-100
A glassy, chime-like tail makes this preset great for sustained single-note melodies.
Spooky and pretty at the same time. Stereo In/Stereo Out.
2.6 Carnival ADJUST: MstrFdbk 0–100
Turns guitar or piano into steel drums, especially if you play diatonic thirds, as steel
drummers have been known to do. Stereo In/Stereo Out.
2.7 Sequence 1 ADJUST: MasterFbk 0–100
Play single note lines. Adds M6 and M9. Tap tempo-driven. Stereo In/Stereo Out.
2.8 Sequence 2 ADJUST: MasterFbk 0–100
Similar to Sequence1 with a very different sound.
2.9 Pentatonics! ADJUST: MasterFbk 0-100
A sequence of notes from the minor pentatonic scale are played for each input note. The
input note is treated as the root of the scale. ADJUST controls the amount of feedback.
Pitch & Delay
(P5 1.0 – P5 1.9) cont'd.
Pitch Sequences
(P5 2.0 – P5 2.9)