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Lexicon

Using TDM

The NuVerb TDM Option Advantage

Unlike other outboard gear, the NuVerb TDM option does not use the inputs and outputs on
your Audio Interface(s), leaving them free for use with other equipment.

Digital signal processing in the NuVerb TDM option uses 20-bit data paths. This permits you
to  employ  Lexicon’s  PONS  (Psychoacoustically  Optimized  Noise Shaping)  program  for
dithering before audio signals are truncated to 16-bit sound files, or before audio is output from
your digital or analog outputs. Application of the PONS program in mastering applications is
discussed further in the Appendix.

Summary of Contents for NUVERB TDM - REV

Page 1: ...NuVerb TM U s e r G u i d e TDM ...

Page 2: ...ures Reorient the receiving antenna Relocate the computer with respect to the receiver Move the computer away from the receiver Plug the computer into a different outlet so that the computer and receiver are on different branch circuits If necessary the user should consult the dealer or an experienced radio television technician for additional suggestions The user may find the following booklet pr...

Page 3: ...NuVerb TM U s e r G u i d e TDM ...

Page 4: ...ation 11 3 Using TDM 13 Opening the NuVerb TDM Plug In 14 Opening pre 1 5 Libraries 15 Plug In Functions 15 Hot Faders Save Functions Using Multiple NuVerb Cards 17 The NuVerb TDM Option Advantage 18 4 Using NuVerb in Third Party TDM Systems 19 Traditional Reverb or Effects Send 19 The NuVerb Insert used as a Shared Resource to all Tracks in a Submix 20 Applying a NuVerb Insert to a Mixer Channel ...

Page 5: ...behavior are given here In addition this manual contains descriptions of all of the NuVerb programs For your convenience your software package includes an On Line version of the installation procedures and operational information contained here An Installer Read Me file is also provided to alert you to any changes which may have been incorporated since this manual was printed Please check this fil...

Page 6: ...e RAM An installed TDM compatible software application such as Digidesign s Pro Tools Lexicon s NuVerb TDM Option If you have problems loading Plug Ins you may need to increase the memory allocation of the DAE To do this quit Pro Tools and DAE and select the DAE icon from the DAE folder inside your System folder Select Get Info from the File menu or press Command I to open the memory allocation wi...

Page 7: ...cintosh or Digidesign Expansion Chassis before you begin NuVerb installation If you have not yet installed the Digidesign TDM system refer to Section B of the Digidesign TDM Bus Software User Guide for installation instructions Once you have successfully installed your Digidesign TDM system you can proceed with the NuVerb installation If you already have a Digidesign TDM system with NuVerb install...

Page 8: ...Be careful to avoid touching the pins on the bottom edge of the cards Save the anti static bags containing your NuVerb card and NuVerb TDM module These special bags prevent static electricity from damaging sensitive electronic components on the cards Always store your cards in these anti static bags when the cards are removed from the Macintosh Put the anti static bags containing the cards near yo...

Page 9: ...face next to your Macintosh Any flat piece of foam with similar dimensions to the NuVerb card can be used 2 Turn off and unplug your Macintosh 3 Remove the Macintosh top cover and slot cover s of those NuBus slot s you ve selected for installation Although the illustrations shown here depict installation in a typical Quadra Centris 650 model Macintosh your installation should be similar If you are...

Page 10: ...o discharge any personal static 7 Remove the NuVerb TDM card from its anti static bag Hold the card by its edges and orient it so that the component side faces away from the palm of your hand 8 With the TDM card in one hand pick up the NuVerb card in your other hand Orient the cards so that the component sides are facing each other Carefully line up the black connectors at the top of each card Fir...

Page 11: ... you wish to install Place each card assembly in an anti static bag until you are ready to install it Installing TDM enhanced NuVerb card s into your Macintosh The TDM equipped NuVerb card should be installed in the NuBus slot immediately adjacent to the last of your TDM ready Digidesign NuBus Cards If you are installing more than one NuVerb card install them next to each other If you are unsure o...

Page 12: ...Power PC 7100 Macintosh IIvx and Quadra Centris 650 Users The TDM Option board can short against the edge of the hard drive assembly To avoid potential damage place non conducting UL approved insulating tape provided by Lexicon with the NuVerb TDM Option as shown ...

Page 13: ... card assembly over the slot you ve chosen Make sure that the connector on the bottom of the card is aligned directly over the slot and that the rear edge is aligned with the tab on the inside of the back panel 4 Place one hand along the top edge of the card and push down firmly until the card is fully seated in the slot Do not force the card Repeat steps 1 4 for any additional cards you wish to i...

Page 14: ...t the TDM ready NuBus cards of your TDM system with the TDM ribbon cable beginning with the card closest to the Macintosh power supply case or slot 1 of the Digidesign Expansion Chassis Connect each TDM ready card to the next available node on the TDM ribbon cable until all of the cards are connected If you have a Digidesign terminator it belongs in the last node of the ribbon cable Refer to Secti...

Page 15: ...ided with your system into your Macintosh 2 Double click on the Installer Read Me file and review the latest information about your NuVerb software This file also gives you detailed information on what new files and folders have been created and where they are located on your system 3 Double click the NuVerb Installer icon When the program opens click OK to continue When asked to select the disk o...

Page 16: ...ur computer After restarting your computer check the Installer Read Me text included on your floppy disk for detailed information on what new files and folders have been created and where they are located on your system You will also find an On Line User Guide for convenient access to much of the operational information found in this manual ...

Page 17: ...sign TDM Bus Software User Guide to learn how to use your TDM system before trying to use the NuVerb TDM option If you are a new NuVerb owner please refer to the NuVerb User Guide to learn how to use NuVerb application The NuVerb TDM Plug In allows fast editing of program settings but libraries can only be built in the NuVerb application In order to take full advantage of the NuVerb TDM option you...

Page 18: ...e to mute all audio through NuVerb Click and hold to pop up a menu of programs from the current library Click here to mute NuVerb processed audio Click here to select another NuVerb library Libraries are created in the NuVerb application a default library is located in your NuVerb folder From the Inserts menu select Nuverb to open the Plug In click here to return to the Inserts menu When multiple ...

Page 19: ...rent program Click on any parameter box to pop up its fader Use the mouse to move the fader and adjust the parameter value You can redefine the parameter assignment at any time on a scrolling menu of parameters To open the parameter menu press Command then click and hold on a parameter box Continue holding down the mouse button to scroll through the parameters which are sequentially highlighted as...

Page 20: ...ments If no parameters are assigned the parameter box will be labeled Unused Save Functions Save is displayed as an option whenever a hot fader value is changed Click on Save to store the current library and any current program changes to disk replacing the old library of the same name If you change a program and do not deliberately store your changes the parameters will revert to their original s...

Page 21: ...card and Dly Fdbck to the first fader on a second card When you adjust the first fader on either insert reverb time and delay feedback will respond linearly With the ability to assign 8 10 parameters to any given fader two linked faders can give you single fader control over as many as 20 parameters This is a very powerful function but it must be used with extreme caution as linking certain parame...

Page 22: ... equipment Digital signal processing in the NuVerb TDM option uses 20 bit data paths This permits you to employ Lexicon s PONS Psychoacoustically Optimized Noise Shaping program for dithering before audio signals are truncated to 16 bit sound files or before audio is output from your digital or analog outputs Application of the PONS program in mastering applications is discussed further in the App...

Page 23: ...tracks and the output from NuVerb is returned to the mix outputs This setup is optimized for applying a NuVerb program when you want individual control of the proportion of wet dry for each of the individual tracks The stereo image and sends level assigned to NuVerb can be independently adjusted for each track The term Main Mix as used below refers to the outputs you have selected to use for liste...

Page 24: ...ary input receiving the bussed signals from several tracks In this case the NuVerb Insert is simultaneously applied to the mixed signals of several inputs This is useful as it maximizes the available DSP resources of the NuVerb TDM option The following two examples illustrate the application of NuVerb as a shared resource They are each optimized for different effects applications TDM Mix Setup Thi...

Page 25: ...ary included in your NuVerb folder or any library you have created with the NuVerb application 7 Select the desired program from the Plug In pop up menu and adjust the available effect parameters as desired Applying a NuVerb Insert to a Mixer Channel You can apply a NuVerb insert to one track when you select NuVerb on a stereo or mono mixer channel NuVerb will only be available to this individual ...

Page 26: ...22 22 Lexicon Using NuVerb in Third Party TDM Systems ...

Page 27: ...Name Type 1 IN TO OUTPUT SINGLE This program is a strong mastering tool It contains the large Stereo Adjust algorithm with all settings set to zero Stereo Adjust offers fine adjustments of level and equalization as well as manipulation of stereo width Faders All faders come up unused 2 LARGE HALL SINGLE Used as a great standard reference point The hall size is big with a gentle bloom in the reverb...

Page 28: ...old standard comes back to the future Faders Predelay 0m RTIME 1 0s TDCY 8 9k Diffusion 73 SIZE 24 2M 5 RVB RVB 1 DUAL MONO Two independent reverberators run this dual mono program Effect A is a relatively large room with clean acoustics Warm yet not too much of a tail on the reverb time Effect B has similar settings but with a smaller room size Faders A Mix WET B Mix WET RTIME 2 4s RTIME 2 4s Pre...

Page 29: ...1 compressor preset to the right effect input output Effect A is a clear and vibrant reverb with no Predelay at all Effect B is a nice preset to add to an overall mix You may need to adjust the Threshold parameter to make it work for the particular signal you re feeding it Release is set to abruptly fall away after 181ms Faders A Mix WET B Mix WET RTIME 1 5s TDCY 2 2k Threshold 12dB 8 DLY DLY 1 DU...

Page 30: ... Attack 7ms 10 COMP COMP DUAL MONO Two independent compressors run this dual mono program Effect A has a Slope of 2 57 1 and a moderate Release of 142m Effect B is similar but with a much higher slope Faders A Mix WET B Mix WET Threshold 12dB CompGain 9 dB Threshold 11dB 11 VERB AND ECHOES CASCADE This is a rich reverb with a slight delay tail With fader manipulation you can lengthen out the delay...

Page 31: ... achieve low reverb time with a moderate Spread and large Size Effect B is a compressor set to a dramatic 3 59 1 Slope While compressing it is also strongly expanding the signal CompGain is set 9dB up Faders A Mix WET B Mix WET RTIME 0 7s Threshold 12dB CompGain 9 dB 14 GTR COMP RVB CASCADE This effect provides a room with a warm tone and slight compression Effect A is a compressor with only a 1 4...

Page 32: ...s huge compression feeding the compressed signal into a standard delay The compressor in Effect A takes the signal and crushes it With a high Slope of 4 25 1 this compressor presses almost all dynamics out Effect B is a standard delay effect defaulted to have a small Delay Time and small Feedback levels The Multiples on the Plug In allow you to easily change that however Faders A Mix WET B Mix WET...

Page 33: ...B has PONS Psycoacoustically Optimized Noise Shaping turned on and dither is set to a level of 21 Experiments have shown this to be an optimum starting level of dither Faders A Mix WET B Mix WET RTIME 36 7s TDCY 1 6k Dither 21 20 ST COMPRESSOR CASCADE This Program is a good mastering tool A gentle 2 1 Slope in compression as well as a zeroed stereo adjust lend many possibilities for an overall mix...

Page 34: ... to make it work for the particular signal you re feeding it Release is set to fall away after 222ms Effect B has PONS Psycoacoustically Optimized Noise Shaping turned on and dither set to a level of 25 Faders A Mix WET Multiple Threshold CompGain 38 Attack 15m Dither 25 Unused 23 XFADE REVERB 1 CASCADE This program is set up so that A Mix and B Mix and inversely proportionate When Effect A is at ...

Page 35: ...DCY 3 6k SHAPE 126 25 MEDIUM HALL SINGLE Similar to Large Hall but the size is not as big 29 8 and the reverb time is proportionately shorter The same arrangement exists for the pre echoes Faders SIZE 29 8M RTIME 1 3s Rolloff 4 0k TDCY 3 6k SPREAD 96 26 MEDIUM HALL STAGE SINGLE Settings much like Medium Hall but added reflections of a nearby stage can be heard Faders SIZE 29 8M RTIME 1 2s Rolloff ...

Page 36: ...EAD 83 R Level FULL 28 SMALL HALL STAGE SINGLE Similar settings to Small Hall but Reverb Level is set 2dB down Faders SIZE 24 2M RTIME 0 9s Rolloff 4 4k TDCY 3 6k R Level 2dB 29 PIANO HALL SINGLE This is a Random Hall effect The short reverb tail and small delay taps make this program ideal for piano Faders SIZE 24 2M RTIME 0 9s Rolloff 4 4k Diffusion 73 R Level FULL ...

Page 37: ...SIZE 19 7M RTIME 0 8s Rolloff 5 1k TDCY 4 4k SPREAD 36 31 GOTHIC HALL SINGLE Suitably large space 29 8M filtered medium bright as in a space made of rock and stone A hefty sound is an understatement Smaller sizes make beefy dense spaces Faders SIZE 29 8M Diffusion 90 Rolloff 6 6k TDCY 4 4k R Level FULL 32 GATED HALL SINGLE If one existed this is what it would sound like Very diffused strong and ab...

Page 38: ...hedral reverb Beautiful for choirs and organs Faders SIZE 38 8M RTIME 3 7s Rolloff 2 9k TDCY 3 6k SPREAD 228 35 NUBRICKS SINGLE Medium large room size adds width and body to this program but the extremely short Reverb Time makes the reverb appear to be somewhat gated Good for adding a reverberant feel without muddying the sound with a long reverb tail Faders Predelay 0m RTIME 0 1s BASS 1 5X TDCY 2...

Page 39: ...ers SIZE 23 6M Rolloff 5 1k TDCY 4 4k Diffusion 90 SPREAD 100 37 VOCAL SPACE SINGLE Medium Reverb Time and large Size lends this program for use with human voice Faders SIZE 32 1M RTIME 1 8s Rolloff 6 3k TDCY 2 9k R Level FULL 38 HOTEL LOBBY SINGLE You can hear the reflections off the floor tiles and hard wood check in desk Faders PreDelay 1 6m Rvb Lvl 10dB Rolloff 6 3k L Delay 85 0m Roomsize 20 8...

Page 40: ...7 2m Roomsize 13 0M 41 GATED AMBIENCE SINGLE This program adds large Room Size with extremely short Reverb Time to make a gated effect Faders PreDelay 5 9m Rvb Lvl OFF Rolloff 12 8k L Delay 0 0m Roomsize 32 1M 42 LECTURE AUDITORIUM SINGLE This program has a Reverb Time of 1 second and a relatively small Size of 16 9M The program reproduces the ambience of a lecture hall where the seats mop up most...

Page 41: ... 9dB Rolloff 2 9k L Delay 20 4m Roomsize 5 1M 44 SHORT AMBIENCE SINGLE This program features the Ambience algorithm with a short RTIME Faders Predelay 11 9m Rvb Lvl 5dB Rolloff 3 6k L Delay 22 9m Roomsize 21 4M 45 BATHROOM SINGLE A high diffusion of 66 and small Size recreate the sound of reflections off tile in a small room Faders Predelay 0 0m Rvb Lvl 4dB Rolloff 8 9k L Delay 13 6m Roomsize 5 1M...

Page 42: ...12dB Rolloff 4 4k L Delay 0 0m Roomsize 19 1M 47 REC ROOM SINGLE This program has the physical properties of an isolation booth at a recording studio Faders Predelay 19 5m Rvb Lvl 12dB Rolloff 2 9k L Delay 0 0m Roomsize 11 3M 48 WALK IN WARDROBE SINGLE No high end at all Sounds just like the title says with clothes and wall muffling the higher frequencies Faders Predelay 0 8m Rvb Lvl OFF Rolloff 0...

Page 43: ...SINGLE Reflections bounce off tile all over this medium large room Faders Predelay 22 9m Rvb Lvl 10dB Rolloff 5 5k L Delay 48 4m Roomsize 28 7M 51 STAGE SCORE SINGLE Sound from on the stage not off it Performance perspective is changed Faders Predelay 9 3m Rvb Lvl 10dB Rolloff 2 9k L Delay 0 0m Roomsize 25 3M 52 MEDIUM AMB SINGLE Similar characteristics but smaller sound than Ambience Faders PreDe...

Page 44: ...TDCY 7 5k Diffusion 25 SIZE 21 4M 54 DENSE PLATE SINGLE Delay taps are further apart which makes for deeper reflections than from the Dirty Plate Faders Predelay 6m RTIME 1 1s TDCY 10 6k Diffusion 95 SIZE 19 1M 55 SALAD PLATE SINGLE Smaller than a dinner plate Very bright and somewhat thin Medium reverb time Faders Predelay 0m RTIME 1 0s TDCY 10 6k Diffusion 46 SIZE 17 5M ...

Page 45: ... SINGLE Medium large Size and moderate Reverb Time lend this program for use with vocals Faders Predelay 46m RTIME 1 5s TDCY 6 3k Diffusion 46 SIZE 30 4M 58 ROUND PLATE SINGLE Soft but articulate Faders Predelay 22m RTIME 1 0s TDCY 8 9k Diffusion 76 SIZE 25 9M 59 MINI PLATE SINGLE An extremely short Reverb Time and small Size makes for a small plate sound Faders Predelay 6m RTIME 0 7s TDCY 8 9k Di...

Page 46: ... 6M 61 LONG PLATE EKO SINGLE Large Delays 1 and 2 make for somewhat of an echo effect Faders Predelay 62m RTIME 1 4s TDCY 10 6k Diffusion 73 SIZE 31 5M 62 1 FRAME DLY SINGLE 30 ms of delay at 44 1 and 48kHz Faders All faders are unused 63 2 FRAME DLY SINGLE 60 ms of delay at 44 1 and 48kHz Faders All faders are unused 64 3 FRAME DLY SINGLE 90ms of delay at 44 1 and 48kHz Faders All faders are unus...

Page 47: ...ffect B is a nice bloomy sounding reverb Diffusion is set midway so there is some good articulation at the beginning of the reverb envelope Use this on most keyboards but those with a strong point may require a bit more Diffusion Faders Predelay 0m Predelay 0m RTIME 3 4s RTIME 2 5s SPREAD 93 67 DYNO VERB CASCADE Medium Reverb Time and large Size add width to the tone This cascade program feeds an ...

Page 48: ... is 66 4M As you adjust SIZE the Rt value will also change If you want to unlink this natural phenomena set LINK to Unlink In Effect B Delays 1 and 2 are programmable taps up to 2 5 seconds each Delays 3 and 4 are cross feedback delay lines Faders A Mix 75 B Mix WET SIZE 15 2M Delay 1 212m Delay 2 340m 70 RVB COMP CASCADE A medium sized reverb sound feeding into the EZ compressor Great standard fo...

Page 49: ...e of 3 4 seconds Effect A is a great general purpose reverb tail The size is set to 27 6M the largest value is 66 4M so the density is rather tight As you adjust SIZE the Rt value will also change If you want to unlink this natural phenomena set LINK to Unlink Effect B provides PONS Psycoacoustically Optimized Noise Shaping with dither set to 29 Faders A Mix WET B Mix WET SIZE 27 6M RTIME 3 4s Dit...

Page 50: ...can generate a chorus effect On it s own the Chorus in Effect A creates a doubling effect from the left and right delays With help from a MIDI sequencer this effect can generate chorus once it is receiving LFO Effect B is a cut down version of the larger Stereo Adjust program See the Application Notes provided with NuVerb TDM software for related information on virtual LFOs Faders A Mix WET B Mix ...

Page 51: ... make the wall appear larger or smaller The compressor in Effect A is nice to add to an overall mix You may need to adjust the Threshold parameter to make it work for the particular signal you re feeding it Release is set to gently fall away after 363ms In Effect B Delay 2 taps reflections off a wall to your right Relatively low level on Feedback 2 assures that the effect isn t too drastic Faders ...

Page 52: ...her set to 29 Faders A Mix WET B Mix WET PreDelay 6m Attack 7m Dither 29 81 RVB MIDI PAN CASCADE This program is a rectial hall feeding into a stereo adjust which is panned hard left By connecting NuVerb to a MIDI sequencer supplying virtual LFO you will hear the source pan left and right Effect A is a large space 44 5M that opens sound sources beautifully As you adjust SIZE the Rt value will also...

Page 53: ...s A Mix WET B Mix WET Rotate 0 SPATIAL FLAT Attack 7m 83 TUMBLEWEED CASCADE A bright rolling delay sound with panning delay taps Effect A provides Stereo Adjust with Bass boosted 6dB In Effect B all delay lines are set with different tap times and feedback levels resulting in delay taps answering one another as they fade Faders A Mix WET B Mix WET SPATIAL 4 0 Delay 1 21 2m Delay 2 42 4m 84 STADJ D...

Page 54: ...u adjust SIZE the Rt value will also change If you want to unlink this natural phenomena set LINK to Unlink Effect B is a nice bloomy sounding reverb Diffusion is set to zero Use this on most keyboards but those with a strong point may require much more Diffusion Faders A Mix WET B Mix DRY SIZE 58 5M RTIME 5 3s RTIME 0 2s 87 DRY TO WET CASCADE This program features a multiple of A Mix and B Mix in...

Page 55: ... RTIME 1 3s RTIME 7 5s SIZE 27 6M SIZE 60 2M 89 RVB RVB CASCADE This program consists of two split chamber reverbs making a fairly large room sound Effect A provides a great general purpose reverb tail The size is set to 27 6M the largest value is 66 4M so the density is rather tight As you adjust SIZE the Rt value will also change If you want to unlink this natural phenomena set LINK to Unlink Ef...

Page 56: ...s A Mix WET B Mix WET SIZE 57 4M Delay 1 0 0m Delay 2 0 0m 91 DARK DELAY CASCADE Thisprogramhas deepbassequalization throughtheStereo Adjusteffect Alongwithdelay thiscreatesa dark eerietone Effect A is a Stereo Adjust program with equalization catering to a warmer tone with bass boost Delay 1 and Delay 2 taps in Effect B move the image from right to left Faders Delay 1 510m Delay 2 233m FBK 1 28 F...

Page 57: ...o a brighter treble boosted tone Effect B is a reverb with a great general purpose reverb tail The size is set to 26 5M the largest value is 66 4M so the density is rather tight As you adjust SIZE the Rt value will also change If you want to unlink this natural phenomena set LINK to Unlink Faders A Mix WET B Mix WET Rotate 0 SIZE 26 5M RTIME 0 2s 95 HOLD ON CASCADE Huge Room Size and unnatural del...

Page 58: ...he beginning of the reverb envelope Use this on most keyboards but those with a strong point may require a bit more Diffusion Faders A Mix WET B Mix WET SIZE 27 6M SIZE 43 3M Diffusion 65 97 RVB DLY 2 DUAL MONO Left Delay and Right Delay are selected on the Plug In As this is a dual mono program delay taps are only heard in their respective channels Effect A is a good starting point for acoustic d...

Page 59: ...lays with varying tap time lengths On the Hot Palette Delay 1 belongs to Effect A and Delay 2 belongs to Effect B Effect A is a delay with short tap time Effect B is a delay with long tap time Faders Delay 1 85 0m FBK 1 25 Delay 2 297m FBK 2 22 unused 100 DLY COMP 2 DUAL MONO A dramatic delaywith fairlyhard compression split dual mono Effect Aincorporates a bitof left rightdiffused delays along wi...

Page 60: ...ed to adjust the Threshold parameter to make it work for the particular signal you re feeding it Release is set to gently fall away after 363ms Faders A Mix WET B Mix WET Threshold 12 dB Attack 7m Release 363m 103 COMP 2 1 3 1 DUAL MONO This program has two different compressors each running their own respective channel 2 1 compression on the left and 3 1ontheright The compressorinEffect Aisnice t...

Page 61: ...f 24 dB Faders A Mix WET B Mix WET X Slope 2 65 ExpGain 15 dB Attack 7m 105 MOVE OVER DUAL MONO This dual mono program has a multiple of both effect s Reverb Times They scale linearly with one another as multiples should Effect A is a split chamber reverb with a Reverb Time of 1 1 seconds Large diffusion of 79 articulates this effect Effect B is a split chamber reverb with small Reverb Time With t...

Page 62: ...58 58 Lexicon Program Descriptions ...

Page 63: ... Adjust program can perform this matrixing in the digital domain 1 Connect the Mid signal to the right channel input and the Side channel to the left 2 Set the ROTATION control to maximum right 3 Use the BALANCE control to adjust the width of the stereo signal If the inputs are connected normally maximum right will produce Mid on both outputs Normally the correct output is obtained by feeding Side...

Page 64: ... equal mix produces back to back cardioids Note that the 11µs delay compenstation and the de emphasis controls also precede the ROTATION control If the tape was recorded on a recorder such as the PCM F1 which inserts a delay in the left channel relative to the right this control should be activated before decoding The resulting output will have the channels synchronized in phase as required for CD...

Page 65: ...r If you are employing other inserts on this Master Fader be sure that you select NuVerb on insert E 4 Click on Select Library and select the default library included in your NuVerb folder or any library you have created with the NuVerb application containing a program with PONS 5 Select a program with PONS from the Program pop up menu PONS is Effect B in the factory Cascade Programs Turn the OUTM...

Page 66: ...werful mastering tool For example select RVB PONS to add reverb to a classical music mix Select COMP PONS to compress a master mix for FM or TV broadcast or for audio cassette duplication Select STADJ PONS to apply spatial equal ization to enhance the stereo image of a master mix ...

Page 67: ...Lexicon Part 070 10752 Rev 1 Lexicon Inc 3 Oak Park Bedford MA 01730 Tel 781 280 0300 Fax 781 280 0490 ...

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