IMG STAGE LINE DMIX-20 Instruction Manual Download Page 27

27

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rectly connected or operated, or if it is not repaired in an expert 
way� Likewise, no liability will be accepted for data loss caused by 
a defect or operating errors and for any consequential damage of 
this data loss�

If the unit is to be put out of operation definitively, take it 
to a local recycling plant for a disposal which is not harmful 
to the environment�

4  Setting Up and Connections

Place the mixer on a flat surface� As an alternative, attach the brackets 
supplied to the mixer and then install the mixer in a rack� In order to 
ensure sufficient cooling of the amplifier, air must always be able to 
flow freely through all air vents�

It is recommended to make or change connections with the units 

switched off; always mute the inputs and turn back the outputs to 
minimum; otherwise, signal peaks that occur when connections are 
made at a high gain may damage the speakers, for example�

4.1 Microphones

Connect microphones with an XLR plug to the jacks MIC / LINE (27)� For 
microphones that require phantom power, a separate 48 V phantom 
power supply can be activated for each channel during operation 
(

 chapter 5�1�1)�

4.2 Audio sources with line level

Connect audio sources with line level (e� g� CD/MP3 player, tuner, 
keyboards, effect units) to the 6�3 mm jacks of the connections MIC/
LINE (27)�

Stereo audio sources can be connected to the stereo inputs 17/18 

or 19/ 20 or to two adjacent mono channels (e� g� 1/ 2, 3/4, …, 15 /16) 
that can be linked as a stereo pair� To use the stereo channels 17/18 
or 19/ 20 with a mono signal, only connect the jack L; the signal will 
then be routed to both stereo channels�

4.3 Computer for stereo recording/reproduction

To reproduce, for example, audio files stored on a computer via the 
mixer or to record the signal of the stereo sum MAIN by means of 
the computer, connect the jack USB AUDIO (35) to a USB port of 
the computer� When making the connection for the first time, make 
the connection during operation: The computer will recognise the 
switched-on mixer as the USB audio unit for audio input and audio 
output� The required drivers (standard drivers of the operating system) 
are available on the computer�

Note:

 If the required drivers are not available on the computer, install them, e� g� 

by means of the original operating system CD� If necessary, reboot the computer 
after the installation�

4.4 Computer for multi-channel recording / reproduction

For multi-channel recording via a computer, an additional module is 
required� To install the module, disconnect the mains cable from the 
mains socket and then remove the cover plate (41) from the module 
compartment� Push the module into the compartment to the stop so 
that the PCB of the module fits into the left and right guides of the 
compartment�

Connect the USB jack of the module to a USB port of the com-

puter� 

4.5 Front-of-house PA system

Connect the front-of-house PA system to the XLR jacks or the 6�3 mm 
jacks of the output MAIN OUT (37)� The outputs are balanced� In 
addition to the main speakers, specific areas may be provided with 
support speakers whose amplifiers are controlled via the subgroup 
outputs SUB OUT (29) of the mixer� The subgroup signals can be 
separately delayed to compensate sound delay times� 

4.6 Amplification system for stage monitors

The Aux ways are designed for stage monitors� Connect the amplifiers 
for the monitor speakers, the active monitors or the in-ear monitor 
systems to the jacks AUX OUT (30)� If more than four Aux ways 
are required, the four subgroups can be converted into Aux ways 
(

 chapter 6�2�1) so that the jacks SUB OUT (29) are available as 

AUX 5 – 8  for  additional  monitors� 

4.7 Effect unit

Various options for integrating external effect units are available:
–  Connect an AUX output (30) to the input of the effect unit and 

return the output of the effect unit to an input channel LINE IN 
(

 chapter 4�2)� 

Thus, the AUX Send control can be used to adjust the part of each 
channel in the effect signal� To add the effect signal to the signal 
of the sum channel MAIN, of a subgroup or of another Aux way, 
adjust the level of the input channel of the respective effect signal� 

–  Connect a SUB output (29) to the input of the effect unit and 

return the output of the effect unit to an input channel LINE IN 
(

 chapter 4�2)�

Thus, the effect can be applied for all channels that are assigned to 
the corresponding subgroup� To add the effect signal to the signal 
of the sum channel MAIN, of a subgroup or of another Aux way, 
adjust the level of the input channel of the respective effect signal� 

–  Use a Y cable (e� g� MCA-202 from MONACOR) to connect an effect 

unit to one of the jacks INSERT (31)�

RETURN SEND

RETURN

SEND

red

black

black

input 

effect unit

output 

effect unit

insert jack  

mixer

Fig. 3  Configuration of the insert cable

Thus, the input signal of the respective channel will, after passing the 
input gain, be routed through the effect unit and will then, ahead 
of dynamic-range processing and sound adjustment, be returned 
to the same input channel�

4.8 Recorder

To record the stereo sum, connect a recorder to the 6�3 mm jacks 
of the output MAIN (37)� These jacks are balanced� For a separately 
mixed recording signal, use the Aux ways; in this case, connect the 
recorder to the unbalanced jacks AUX OUT (30)�

4.9 Headphones, monitoring system

To monitor the signals via the Solo bus, connect stereo headphones 
to the 6�3 mm jack HP1 (26) or HP2 (28)� To send the same signal with 
a separate level setting to a monitor system in the control room, for 
example, use the outputs CTRL OUT (36)� 

4.10  Computer/ Network for remote control

For future remote-control options of the mixer via a computer, use 
the jack USB (39) or the jack ETHERNET (40)� To update the firmware 
of the mixer, connect the computer to the jack USB (39)�

4.11  Power supply

Connect the mains cable supplied with the mixer to the mains jack (33) 
and a socket (230 V/50 Hz)�

Summary of Contents for DMIX-20

Page 1: ...CTRONICS FOR SPECIALISTS ELECTRONICS FOR SPECIALISTS ELECTRONICS FOR SPECIALISTS BEDIENUNGSANLEITUNG INSTRUCTION MANUAL MANUAL DE INSTRUCCIONES Digitales Audiomischpult Digital Audio Mixer DMIX 20 Bes...

Page 2: ...Gate 14 5 4 2 Kompressor 14 5 5 Klangbearbeitung eines Signals 14 5 5 1 Parametrischer Equalizer 14 5 5 2 Grafischer Equalizer 15 5 6 bersicht der Signalbearbeitung 15 5 6 1 Kanaleigenschaften kopier...

Page 3: ...al 32 5 4 1 Noise gate 32 5 4 2 Compressor 32 5 5 Adjusting the sound of a signal 32 5 5 1 Parametric equalizer 32 5 5 2 Graphic equalizer 33 5 6 Overview of the signal processing 33 5 6 1 Copying cha...

Page 4: ...e gate 50 5 4 2 Compresor 50 5 5 Ajustar el sonido de una se al 50 5 5 1 Ecualizador param trico 50 5 5 2 Ecualizador gr fico 51 5 6 Esquema del procesamiento de se al 51 5 6 1 Copiar las caracter sti...

Page 5: ...ELECTRONICS FOR SPECIALISTS ELECTRONICS FOR SPECIALISTS ELECTRONICS FOR SPECIALISTS ELECTRONICS FOR SPECIALISTS 5...

Page 6: ...instellung der Taste PFL 17 ob der Pegel vor der Pegeleinstellung des Kanals Taste leuchtet oder nach der Pegeleinstellung Taste leuchtet nicht angezeigt wird Ist kein Kanal als Solo gew hlt die Taste...

Page 7: ...sicht umgeschaltet werden GATE COMP Einstellungen der Dynamikprozessoren Noise Gate Kom pressor f r den gew hlten Kanal Bei den Eingangskan len und den Effektwegen FX1 2 kann bei wiederholtem Dr cken...

Page 8: ...40 C Stellen Sie keine mit Fl ssigkeit gef llten Gef e z B Trinkgl ser auf das Ger t Die im Ger t entstehende W rme muss durch Luftzirkulation abge geben werden Decken Sie darum die L ftungs ffnungen...

Page 9: ...inem USB Anschluss des Com puters verbinden 4 5 Verst rkeranlage f r die Saalbeschallung Die Verst rkeranlage f r die Saalbeschallung an die XLR Buchsen oder Klinkenbuchsen des Ausgangs MAIN OUT 37 an...

Page 10: ...i eingeschalteter Phantomspannung kommt es zu Signalspitzen die wenn sie verst rkt auf die Ausg n ge gelangen die Lautsprecher oder das Geh r sch digen k nnen Schalten Sie darum den betreffenden Kanal...

Page 11: ...er die Tasten 8 w hlen Beim W hlen beachten Alle Einstellungen des gew hl ten Kanals werden beim Verbinden der beiden Kan le von dem anderen Kanal bernommen Ausnahmen Eingangsverst rkung GAIN Phantoms...

Page 12: ...angezeigt Durch Tippen auf diese Schalt fl che kann zwischen diesen Optionen umgeschaltet werden Hinweis F r die Auskopplung eines Monitorsignals empfiehlt sich die Ein stellung PRE damit die Lautst r...

Page 13: ...ting PEQ GEQ FX 1 FX 2 Gate Comp Link Load Save Copy Long Mixer DCA Faders DCA Assign DCA 1 DCA 2 DCA 3 DCA 4 DCA 5 DCA 6 POST POST Select Channel 9dB CH08 Left Right Pan Parameter Mute Solo CH08 Aux...

Page 14: ...ew hltem Summenkanal AUX SUB oder MAIN die Taste GATE COMP 22 einmal bei einem gew hlten Eingangskanal oder Effekt kanal FX1 oder FX2 zweimal dr cken sodass die Bildschirm ansicht des Kompressors Abb...

Page 15: ...T 18 oder mit den Tasten 18 die Verst rkung einstellen 6 Zum schnellen Zur cksetzen der Equalizer Einstellung die Taste FLAT EQ 19 dr cken und die eingeblendete Sicherheitsabfrage mit der Taste ENTER...

Page 16: ...hrend der Klangeinstellung der Summenkanal MAIN bedient wird um ber die Verst rkeranlage etwas von dem einzustellenden Kanal zu h ren Zum anderen muss auch w hrend der Mischung gelegentlich etwas in d...

Page 17: ...usgeschaltet Rot Gate geschlossen Gr n Gate ge ffnet Assign Channel System Routing PEQ GEQ FX 1 FX 2 Gate Comp Mixer DCA Long Faders 3 0dB CH01 3 0dB CH10 3 0dB CH02 3 0dB CH03 3 0dB CH04 3 0dB CH05 3...

Page 18: ...DelayRev Echo Nachhall Pre Delay Rev Decay Room Size Rev Hi Rev Out Echo Time Echo F B Echo Hi Echo out Dry Out StDelayRev Stereo Echo Nachhall Pre Delay Rev Decay Room Size Rev Hi Rev Out L Time R T...

Page 19: ...DCA 4 DCA 5 DCA 6 In der Abbildung links ist der Kanal den DCA Gruppen 1 und 4 zugewiesen Abb 27 5 8 2 Mit DCA Gruppen mischen Gruppen stummschalten 1 Zur Pegelsteuerung einer DCA Gruppe die Taste DCA...

Page 20: ...chaltfl che verwenden 9 ber die Schaltfl che Save rechts unten das Preset speichern Ist der gew hlte Speicherplatz bereits belegt das berschreiben der dort gespeicherten Einstellungen in der angezeigt...

Page 21: ...Sub Modus Je nach Bedarf l sst sich das Pult mit 4 Aux Wegen und 4 Subgruppen oder mit 8 Aux Wegen ohne Subgruppen verwenden In der Betriebs art mit 8 Aux Wegen werden die Anschl sse und Bedienelement...

Page 22: ...700mV Line 1 16 100mV 12k 6 3 mm Klinke symmetrisch max 7 75V Line 17 18 19 20 stereo 750mV 12k 6 3 mm Klinke symmetrisch max 7 75V INSERT 800mV 2 5k 6 3 mm Klinke asymmetrisch Phantomspeisung 48V f r...

Page 23: ...e Kopfh rerbuchsen HP1 2 T R S T SignalL R SignalR S Masse 7 2 bersicht aller Kanaloptionen Signalbearbeitung Zuweisungsziel Kan le Gate Compressor PEQ GEQ Polarity Pan Balance Delay Link MAIN SUB 1 4...

Page 24: ...ill be indicated The setting of the key PFL 17 will determine if the level is indicat ed ahead of level setting of the channel key illuminated or after level setting key not illuminated If Solo is not...

Page 25: ...P Settings of the dynamic range processors noise gate compressor for the channel selected For the input channels and the effect ways FX1 2 press the key repeatedly to go from the noise gate to the com...

Page 26: ...mono inputs that can also be used for microphones and 2 stereo inputs Via a USB port a stereo input and a stereo output for recording and reproduction by means of a computer are available The colour...

Page 27: ...of house PA system Connect the front of house PA system to the XLR jacks or the 6 3mm jacks of the output MAIN OUT 37 The outputs are balanced In addition to the main speakers specific areas may be pr...

Page 28: ...the outputs may damage the speakers or your hearing Therefore first mute the cor responding channel with the key MUTE 23 chapter 5 3 5 and use the controls HP1 HP2 and CTRL ROOM 15 to turn back the vo...

Page 29: ...he channels cannot be linked when one of the channels is assigned to a DCA group chapter 5 8 In this case a corresponding message will be displayed 3 To unlink the channels press with the two channels...

Page 30: ...To configure an Aux way press the key AUX FX MODE 12 again so that it extinguishes 6 Use one of the keys AUX1 4 11 to select the Aux way desired and then if required use the key MAIN 23 to route the A...

Page 31: ...Pan Parameter Mute Solo CH08 Aux 1 10 5dB 48V INV Fig 9 Assign The screen view Routing provides an excellent overview of all as signed signal paths within the mixer related to a sum channel 1 Press t...

Page 32: ...FX2 selected press the key twice the screen view of the compressor fig 13 will be displayed 2 Tap the button OFF to switch the compressor on The lettering of the button will change to ON and the butto...

Page 33: ...mpt will appear Press the key ENTER 20 to confirm 7 To deactivate the equalizer tap the button ON again Note Even when two Aux ways or subgroups are linked as a stereo pair the graphic equalizers of b...

Page 34: ...during sound adjustment in order to monitor via the amplifier system the channel to be set on the other hand it is sometimes necessary to adjust the settings of an input channel during mixing 5 7 1 Su...

Page 35: ...reen gate open Assign Channel System Routing PEQ GEQ FX 1 FX 2 Gate Comp Mixer DCA Long Faders 3 0dB CH01 3 0dB CH10 3 0dB CH02 3 0dB CH03 3 0dB CH04 3 0dB CH05 3 0dB CH06 3 0dB CH07 3 0dB CH08 3 0dB...

Page 36: ...erberation Pre Delay Rev Decay Room Size Rev Hi Rev Out Echo Time Echo F B Echo Hi Echo out Dry Out StDelayRev Stereo echo reverberation Pre Delay Rev Decay Room Size Rev Hi Rev Out L Time R Time L De...

Page 37: ...5 8 2 Mixing by means of DCA groups muting groups 1 To control the level of a DCA group press the key DCA 1 6 10 for the group desired The screen will display the view Mixer fig 20 the key will be il...

Page 38: ...Enter To cancel the entry and to exit the keyboard use the button 9 Use the button Save lower right on the screen to save the preset If the storage location selected is already used a confirmation pro...

Page 39: ...the mixer can be either used with 4 Aux ways and 4 subgroups or with 8 Aux ways and no subgroups In the operating mode with 8 Aux ways the connections and operating elements of the subgroups are used...

Page 40: ...3mm jack balanced 7 75 V max Line 17 18 19 20 stereo 750mV 12k 6 3mm jack balanced 7 75V max INSERT 800mV 2 5k 6 3mm jack unbalanced Phantom power supply 48V for Mic 1 16 can be activated individually...

Page 41: ...d Headphone jacks HP1 2 T R S T SignalL R SignalR S Ground 7 2 Overview of all channel options Signal processing Assignment target Channels Gate Compressor PEQ GEQ Polarity Pan Balance Delay Link MAIN...

Page 42: ...l Cuando el bot n SOLO METER est iluminado se indi car n las se ales de los canales para los que se haya seleccionado Solo El ajuste del bot n PFL 17 determinar si el nivel se indica antes del ajuste...

Page 43: ...eversa ASSIGN Vista general de los ajustes del canal seleccionado Para los canales de entrada y v as de efectos FX1 2 pulse repetidamente el bot n para ir a una segunda vista GATE COMP Ajustes de los...

Page 44: ...utilizar para micr fonos y 2 entradas est reo Mediante un puerto USB tiene disponibles una entrada est reo y una salida est reo para grabaci n y reproducci n a trav s de un ordena dor La pantalla t c...

Page 45: ...las tomas XLR o a las tomas 6 3mm de la salida MAIN OUT 37 Las salidas son sim tricas Adem s de los altavoces principales se puede proporcionar a zonas espec ficas altavoces de soporte cuyos amplific...

Page 46: ...cuando se conecta un micr fono con la alimentaci n phantom activada apa recen picos de se al cuando se amplifican y se env an a las salidas pueden da ar los altavoces o sus o dos Por lo tanto primero...

Page 47: ...ar mayor ser el canal derecho 1 Utilice los botones 8 para seleccionar uno de los canales de en trada que hay que enlazar Recuerde que los ajustes de este canal los adoptar el otro canal excepciones g...

Page 48: ...o de Sends Pulse el bot n para cambiar entre estas dos opciones Nota Para extraer una se al monitor se recomienda el ajuste PRE Con este ajuste se puede ajustar el volumen del escenario independientem...

Page 49: ...nel System Routing PEQ GEQ FX 1 FX 2 Gate Comp Link Load Save Copy Long Mixer DCA Faders DCA Assign DCA 1 DCA 2 DCA 3 DCA 4 DCA 5 DCA 6 POST POST Select Channel 9dB CH08 Left Right Pan Parameter Mute...

Page 50: ...canal de entrada o canal de efectos FX1 o FX2 seleccionado pulse el bot n dos veces Se mostrar la vista de pantalla del compresor fig 13 2 Pulse el bot n OFF para activar el compresor La inscripci n d...

Page 51: ...l bot n FLAT EQ 19 Aparecer un mensaje de confirmaci n Pulse el bot n ENTER 20 para confirmar 7 Para desactivar el ecualizador pulse de nuevo el bot n ON Nota Incluso cuando se enlazan dos v as Aux o...

Page 52: ...onido para monitorizar mediante el sistema amplificador el canal que hay que ajustar por otra parte a veces es necesario regular los ajustes de un canal de entrada durante la mezcla 5 7 1 Suma de se a...

Page 53: ...g PEQ GEQ FX 1 FX 2 Gate Comp Mixer DCA Long Faders 3 0dB CH01 3 0dB CH10 3 0dB CH02 3 0dB CH03 3 0dB CH04 3 0dB CH05 3 0dB CH06 3 0dB CH07 3 0dB CH08 3 0dB CH09 SUB1 3 0dB 3 0dB SUB2 3 0dB SUB3 3 0dB...

Page 54: ...beraci n Pre Delay Rev Decay Room Size Rev Hi Rev Out Echo Time Echo F B Echo Hi Echo out Dry Out StDelayRev Eco est reo reverberaci n Pre Delay Rev Decay Room Size Rev Hi Rev Out L Time R Time L Deca...

Page 55: ...e ha asig nado a los grupos DCA 1 y 4 Fig 27 5 8 2 Mezclas mediante grupos DCA silenciar grupos 1 Para controlar el nivel de un grupo DCA pulse el bot n DCA 1 6 10 para el grupo deseado La pantalla mo...

Page 56: ...ce el bot n Save parte inferior derecha de la pantalla para guardar el preajuste Si la memoria seleccionada est en uso aparecer un mensaje de confirmaci n Pulse Yes para sobrescribir los ajustes actua...

Page 57: ...subgrupos o con 8 v as Aux sin subgrupos En el modo de funcionamiento con 8 v as Aux las conexiones y los elementos de funcionamiento de los subgrupos se utilizan para las v as Aux 5 8 En la vista Sy...

Page 58: ...20 est reo 750mV 12k jack 6 3mm sim 7 75V m x INSERT 800mV 2 5k jack 6 3mm asim Alimentaci n phantom 48V para Mic 1 16 conmutable individualmente Salidas Nivel de potencia conexi n MAIN OUT 775mV XLR...

Page 59: ...ulares HP1 2 T R S T Se alL R Se alR S Masa 7 2 Esquema de todas las opciones de canal Procesamiento de la se al Destino Canales Gate Compressor PEQ GEQ Polarity Pan Balance Delay Link MAIN SUB 1 4 AU...

Page 60: ...AUX1 MAIN L MAIN R LEFT RIGHT SUB1 SUB2 SUB3 SUB4 SOLO L SOLO L SOLO R SOLO R MAIN MAINL R MAIN AUX2 AUX3 AUX4 FX1 FX2 PAN PFL PRE ASSIGN MAIN L R BUS SUB1 4 BUS AUX1 4 BUS SOLO L R BUS FX1 2 BUS MAI...

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Page 64: ...MONACOR INTERNATIONAL GmbH Co KG Zum Falsch 36 28307 Bremen Germany Copyright by MONACOR INTERNATIONAL All rights reserved A 1725 99 01 06 2016...

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