manualshive.com logo in svg

GRASS VALLEY Ignite HDC Series, Instruction Manual

Share
Download
GRASS VALLEY Ignite HDC Series Instruction Manual Download Page 7

Ignite SDC/HDC Robotic Camera Instruction Manual

7

Contents

 

Iris, Shutter, Gain Settings Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

69

Color Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

71

G/L Adjustment Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

72

Detail Settings  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

72

Color Matrix Settings  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

73

Other Settings   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

74

Initial Settings  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

75

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

78

Appendix C — HD Camera Block

 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

79

Controls and Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

79

Menu Selections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

80

Setting by Camera   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

80

Maintenance Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

81

Black Shading Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

82

Pedestal, Gamma Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

82

Flare Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

84

Knee, White Clip Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

85

R/B Gain Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

86

Detail Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

87

Skin Tone Detail Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

88

Gain, Auto Iris Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

89

Super Gain Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

90

Frame Mode Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

91

Matrix Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

92

Color Correction Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

93

Setting Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

93

Mode Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

94

Shutter Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

96

Gen-Lock Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

97

Pix Defect Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

98

Protocol Menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

99

Camera ID Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

100

File Operation Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

101

Time Code Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

102

Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

103

Shooting Mode Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

103

White Balance Adjustment   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

103

Black Balance Adjustment  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

103

Gen-lock Adjustment  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

103

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

105

Appendix D — Robotic (Pan/Tilt Head)

 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

107

Controls and Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

107

Default and Recommended Camera ID and IP addresses . . . . . . . . . . . . . . . . . .  

108

Setting Soft Stops. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

109

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

109

Glossary

 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

111

Index

 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  

117

Summary of Contents for Ignite HDC Series

Page 1: ...Ignite LIVE PRODUCTION CONTROL SYSTEM SDC HDC Robotic Camera Instruction Manual 071849200 SEPTEMBER 2006 ...

Page 2: ... Blvd Salt Lake City UT 84119 United States 7140 Baymeadows Way Suite 101 Jacksonville FL 32256 United States Including its implementation meets the requirements of the standard ISO 9001 2000 Scope The design manufacture and support of video hardware and software products and related systems This Certificate is valid until June 14 2009 This Certificate is valid as of August 30 2006 Certified for t...

Page 3: ...Ignite LIVE PRODUCTION CONTROL SYSTEM SDC HDC Robotic Camera Instruction Manual 071849200 SEPTEMBER 2006 ...

Page 4: ... can be downloaded FAQ Database Solutions to problems and troubleshooting efforts can be found by searching our Frequently Asked Questions FAQ database Software Downloads Software updates drivers and patches can be down loaded Region Voice Fax Address Web Site North America 800 547 8949 Support 530 478 4148 Sales 530 478 3347 Support 530 478 3181 Grass Valley P O Box 599000 Nevada City CA 95959 79...

Page 5: ...an Certified AC Adapter 16 Certification 16 Section 1 Overview 17 Introduction 17 Hardware Description 18 Additional Equipment Required 18 SHOT Director Robotics Camera Controller 18 Ethernet Hub 19 Optional Mounting Hardware 19 Functional Description 19 Robotic Camera 19 Robotic Camera and SHOT Director 20 Robotic Camera and Ignite Automated Production Control System 21 Section 2 Installation 23 ...

Page 6: ...ng 47 Sharpness DTL Setting Overview 47 Other Settings Overview 48 User Mode Submenus Overview 50 Iris Shutter Gain Settings Overview 50 Color Settings 52 G L Color Bar Settings 53 Detail Settings 53 Color Matrix Settings 54 Other Settings 55 to Return to Initial Settings 56 Specifications 60 Appendix B SD PAL Camera Block 61 Controls and Indicators 61 Menu Selections 62 Use Mode Setting 62 Haloge...

Page 7: ...B Gain Menu 86 Detail Menu 87 Skin Tone Detail Menu 88 Gain Auto Iris Menu 89 Super Gain Menu 90 Frame Mode Menu 91 Matrix Menu 92 Color Correction Menu 93 Setting Menu 93 Mode Menu 94 Shutter Menu 96 Gen Lock Menu 97 Pix Defect Menu 98 Protocol Menu 99 Camera ID Menu 100 File Operation Menu 101 Time Code Menu 102 Adjustments 103 Shooting Mode Adjustments 103 White Balance Adjustment 103 Black Bal...

Page 8: ...8 Ignite SDC HDC Robotic Camera Instruction Manual Contents ...

Page 9: ...xible design of the Ignite SDC HDC robotic camera allows opera tion in stand alone manual control ProAV environments or as an inte grated component of a fully automated Ignite Live Production Control System This manual provides information to install and operate the camera in either environment For specific details about Ignite systems refer to the Ignite Live Production Control System documentati...

Page 10: ...10 Ignite SDC HDC Robotic Camera Instruction Manual Preface ...

Page 11: ...lified to do so Safety Terms and Symbols Terms in This Manual Safety related statements may appear in this manual in the following form WARNING Warning statements identify conditions or practices that may result in per sonal injury or loss of life CAUTION Caution statements identify conditions or practices that may result in damage to equipment or other property or which may cause equipment crucia...

Page 12: ...und Indicates that dangerous high voltage is present within the equipment enclosure that may be of sufficient magnitude to constitute a risk of electric shock Indicates that user operator or service technician should refer to product manual s for important operating maintenance or service instructions This is a prompt to note fuse rating when replacing fuse s The fuse referenced in the text must b...

Page 13: ... or equipment failure have the equipment inspected by qualified service personnel Ensure mains disconnect If mains switch is not provided the power cord s of this equipment provide the means of disconnection The socket outlet must be installed near the equipment and must be easily accessible Verify that all mains power is disconnected before installing or removing power supplies and or options Rou...

Page 14: ...y Do not touch the surface of the lens or prism Do not aim the camera toward the sun Even with power off the camera optics could be damaged Use caution when operating the camera in the vicinity of spot lights or bright lights as well as light reflecting objects and surfaces Do not use the camera in high temperatures or high humidity environments Use the camera in an environment where the temperatu...

Page 15: ...r will be required to correct the interference at his own expense Changes or modifications not expressly approved by Grass Valley Group can affect emission compliance and could void the user s authority to operate this equipment Canadian EMC Notice of Compliance This digital apparatus does not exceed the Class A limits for radio noise emissions from digital apparatus set out in the Radio Interfere...

Page 16: ... America power network All other AC adapters supplied are approved for the country of use Certification Category Standard Designed tested for compliance with Safety UL1950 Safety of Information Technology Equipment including Electrical Busi ness Equipment Second edition 1993 IEC 950 Safety of Information Technology Equipment including Electrical Busi ness Equipment Second edition 1991 CAN CSA C22 ...

Page 17: ...speed 90 s maximum 300 location presets 600 seconds of movement recalls super quiet operation 30 dBm 1 m integrated dual color light emitting diode LED tally light optional JSC 2300 SHOT Director robotics camera controller optional 17 high brightness through the lens TTL prompter assembly and optional inverted mounting for ceiling and track installations The SDC standard definition camera model fe...

Page 18: ...te SDC HDC robotic camera models and their features are listed in Table 1 Additional Equipment Required SHOT Director Robotics Camera Controller The JSC 2300 SHOT Director robotics camera controller is a unique multiple camera control device combining pan tilt and CCU control The SHOT Director provides professional quality fingertip control of up to 16 Ignite SDC HDC robotic cameras Note At least ...

Page 19: ...od mounting plate Wall mount Environmental dome Functional Description Robotic Camera The SDC HDC robotic camera receives TCP IP control inputs pan tilt zoom focus from the JSC 2300 SHOT Director robotics camera controller Figure 2 Figure 2 SDC HDC Robotic Camera Functional Block Diagram PAN TILT ROBOTIC HEAD LENS SDC HDC CAMERA BLOCK PROMPTER UP TO 15 ADDED CAMERAS JSC 2300 SHOT DIRECTOR ROBOTIC ...

Page 20: ...ment Robotic Camera and SHOT Director Robotic camera control requires connection to a JSC 2300 SHOT Director robotics camera controller through a network hub Figure 3 Figure 3 SDC HDC Robotic Camera and JSC 2300 SHOT Director Functional Block Diagram The SHOT Director can control up to 16 cameras It provides the camera trigger and preset manual control commands pan tilt zoom focus to the robotic h...

Page 21: ...onal Block Diagram IGNITE CPU NETWORK HUB 16 PORT JSC 2300 SHOT DIRECTOR SUBNET HUB PAN TILT ROBOTIC HEAD LENS SDC HDC CAMERA BLOCK PROMPTER KAYAK VIDEO SWITCHER VIDEO MONITOR TALLY CONTROL GPI DRY CONTACT SCRIPT VIEWER OPTIONAL UP TO 5 ADDED SHOT DIRECTORS 6 TOTAL UP TO 15 ADDED CAMERAS 16 TOTAL IGNITE AUTOMATED PRODUCTION CONTROL SYSTEM COMPLETE SYSTEM NOT SHOWN SHOT DIRECTOR ROBOTIC CAMERA CONT...

Page 22: ...22 Ignite SDC HDC Robotic Camera Instruction Manual Section 1 Overview ...

Page 23: ...Contacting Grass Valley on page 4 Keep all manuals supplied with your equipment You will need them to complete the installation procedures Installation Procedures General Before you can use your Ignite SDC HDC robotic camera you must 1 Mount the robotic assembly onto a tripod or other mounting surface 2 Install the optional prompter onto the robotic pan tilt head assembly 3 Install the camera lens...

Page 24: ...n tilt head soft stops via the SHOT Director controller Refer to the JSC 2300 SHOT Director Robotics Camera Controller Instruction Manual Figure 5 Clearance Diagram 2 On the stationary ring at the top of the pedestal mount Figure 6 locate the zero degree pan position labeled FRONT Point the FRONT label in the direction that best reflects the center of travel in which the camera will be used usuall...

Page 25: ...Remove the L bracket rotate it 180 degrees then re attach it to the robotic pan tilt head Attach a safety wire or chain that can support the 55 lb 29 95 kg weight of the fully assembled unit to one of the bolts in the pedestal mount flange and secure the other end to a rigid part of the ceiling mounting location 4 Attach the robotic pan tilt head assembly to the selected mounting location Use the ...

Page 26: ...mera Instruction Manual Section 2 Installation Figure 7 Robotic Pan Tilt Head Mounting Tripod Tripod adapter plate Tripod Mount Safety Wire Safety Wire L bracket must be inverted L bracket must be inverted Ceiling Mount 8492_07_r0 ...

Page 27: ...ach camera adapter plate to prompter adapter plate Figure 8 Figure 8 Prompter and Camera Adapter Plates 2 Attach the main body of the prompter adapter plate to the robotic pan tilt head assembly L bracket so that the T bolt end of the two rods attached to the mounting plate extend to the front of the robotic pan tilt head assembly Mounting plate rods Prompter adapter plate Camera adapter plate Fro...

Page 28: ...oward the front of the pan tilt head assembly 2 Mount the camera lens assembly to the camera adapter plate if installing prompter or directly to the robotic pan tilt head assembly L bracket with two 3 8 16 x 0 5 socket head screws Figure 9 Camera Lens Assembly Mounting Camera mounting screws 3 8 16 x 0 5 socket head Flat washers 8492_70_r0 ...

Page 29: ... shown in Figure 11 Figure 11 Drop Plates 3 Attach drop plates to extrusion and tighten red fixing screws A choice of mounting holes are provided to raise and lower the monitor in relation to the hood to prevent the outer edge of the TFT screen from appearing in the shot 4 Attach the hood to the extrusion and rotate hood columns to tighten 5 Move prompter unit back on the support rods until the le...

Page 30: ...PLY AMP CIRC CAM CTRL PWR ZOOM FOCUS GEN LOCK FACILITY PROVIDED CAT 5 DB9 CAMERA BLOCK DB15 VID OUT CAT 5 CAT 5 CAT 5 HARD WIRED HIROSE CIRC IP CONTROL G L BNC IGNITE CPU CAT 5 CAT 5 CAT 5 CAT 5 IP CONTROL IP CONTROL HIROSE CIRC HD15 SCSI 50 HARD WRED DIN8 HARD WRED SHOT DIRECTOR SDC HDC ROBOTIC CAMERA P O IGNITE LIVE PRODUCTION CONTROL SYSTEM ENET HUB VIDEO MONITOR CAT 5 CAT 5 KAYAK VIDEO SWITCHE...

Page 31: ...ct the camera control and power harness from the camera block to the pan tilt head DB15 SHOT DIRECTOR PAN TILT HEAD LENS ZOOM FOCUS POWER IRIS VIDEO IP CONTROL SUBNET HUB 48 VDC PWR SUPPLY AMP CIRC CAM CTRL PWR ZOOM FOCUS GEN LOCK FACILITY PROVIDED CAT 5 DB9 CAMERA BLOCK DB15 VID OUT CAT 5 CAT 5 CAT 5 HARD WIRED HIROSE CIRC IP CONTROL G L BNC HIROSE CIRC HD15 SCSI 50 HARD WRED DIN8 HARD WRED SHOT ...

Page 32: ...minated tally wires from the camera block to a tally controller using 16AWG wire or provide contact closure control Tally control wiring should not exceed 200 60 96 m Prompter Optional 1 Connect a VGA video cable not supplied between the prompter and the script generator 2 Attach the prompter tally optical sensor to the camera block tally light cover Power 1 Connect the 48 V dc power cord to the p...

Page 33: ...er Instruction Manual for procedures and Appendix A SD NTSC Camera Block Appendix B SD PAL Camera Block or Appendix C HD Camera Block for adjustment options You should adjust the following items the first time the camera is used a Camera ID and IP address The pan tilt head and JSC 2300 SHOT Director are factory set to default IP addresses to allow the units to communicate initially If you are conn...

Page 34: ...ormed in the field unless it is necessary to change the lens Fully open the iris by shooting a dark object from a distance of at least 6 6 ft 2 m Loosen the flange back fixing knob Figure 14 Zoom Lens Adjustments Set the lens to maximum zoom and adjust the focus by turning the focus ring Set the lens to widest angle and adjust the focus by turning the flange back adjust ring Repeat adjustment of f...

Page 35: ...ck in and video out signals Figure 15 by adjusting the camera H Phase setting of the GEN LOCK or G L menu Figure 15 Gen Lock Horizontal Phase Adjustment Waveform 3 Adjust the lighting for the object 4 Start shooting Refer to the Ignite Live Production Control System User Manual for automated camera control procedures Refer to the JSC 2300 SHOT Director Robotics Camera Controller Instruction Manual...

Page 36: ...36 Ignite SDC HDC Robotic Camera Instruction Manual Section 3 Operation ...

Page 37: ...er supply not connected to Mains Connect power supply to Mains Power supply failure If power supply LED is NOT illumi nated replace the power supply Power supply not connected to pan tilt head Ensure power supply is properly con nected to the pan tilt head amphenol circular connector Pan tilt head failure Use the SHOT Director to pan tilt the camera If the pan tilt head responds properly continue ...

Page 38: ...omer Service before pressing the RESET switch on the pan tilt head Press the pan tilt head RESET switch Item 2 Figure 74 on page 107 to set the pan tilt factory default IP address 192 168 0 126 and subnet mask 255 255 255 0 Then set the SHOT Director to default address 192 168 0 100 Refer to JSC 2300 SHOT Director Robotics Controller Instruction Manual Replace pan tilt head Camera block communicat...

Page 39: ... connector at the back of the camera block Use the SHOT Director to access the camera Settings menu and verify all menu selections Refer to the JSC 2300 SHOT Director Robotics Con troller Instruction Manual and Appendix A SD NTSC Camera Block Appendix B SD PAL Camera Block or Appendix C HD Camera Block Replace camera lens assembly Tally Tally does not illuminate Ensure the tally light is properly ...

Page 40: ...40 Ignite SDC HDC Robotic Camera Instruction Manual Section 4 Service ...

Page 41: ...cap Mount the lens on the camera and rotate the lens fixing ring knob clock wise in order to fix the lens securely 3 Zoom Focus connector Not Used 4 Video Output connector VIDEO OUT Composite video output 5 G L Input connector G L IN Gen lock input 6 I F Remote connector I F REMOTE Input terminal dedicated to control signals from an optional remote control box 7 Iris connector IRIS Input terminal ...

Page 42: ...ts SDI Option card 11 NO BAR switch NO BAR When the camera is in shooting mode menu not displayed the color bar and shooting conditions are alternately indicated by pressing the switch With the Main Menu displayed you can scroll down to any Sub Menu With a Sub Menu displayed you can reduce the value of any setting 12 YES ABC switch YES ABC When the camera is in shooting mode menu not displayed the...

Page 43: ...ng the MENU switch Figure 16 depressed 2 The use mode setting menu Figure 17 appears on the monitor screen and one of the use mode blinks Figure 17 Use Mode Setting Menu 3 Press the MENU switch ITEM AWC switch or NO BAR switch to let the desired use mode blink MENU switch The blinking item moves up one ITEM AWC switch NO BAR switch The blinking item moves down one 4 Press the YES ABC switch The bl...

Page 44: ... the YES ABC switch is pressed after selecting the desired item to blink the submenu for the selected item appears on the screen 4 Select the desired item to be changed in its settings using the MENU switch and ITEM AWC switch 5 Press the YES ABC switch or NO BAR switch to change the settings 6 Select Return using the MENU switch and ITEM AWC then press the YES ABC switch to return to the main men...

Page 45: ...he right and left portions of the screen are excluded from measurement Top Cut About one third of the top part of the screen is excluded from measurement BTM Cut About one third of the bottom portion of the screen is excluded from measurement R L Cut About one third of both the right and left portions of the screen are excluded from measurement Auto ND ELC OFF Luminance is not automatically adjust...

Page 46: ... the black levels of two or more cameras Table 5 Color Settings Selection Description Chroma Level 3 to 3 Chroma Level can be decreased or increased to any of three lev els each Flesh Tone 3 to 3 Skin color can be decreased or increased to any of three levels each White Bal ATW The white balance is automatically adjusted to be always right AWC A AWC B Once the white balance is adjusted with the IT...

Page 47: ...olor Bar Set 0 0 IRE 7 5 IRE The setup level of color bar can be adjusted Color Bar Set2 0 0 IRE 7 5 IRE Set 0 0 IRE for the SDI card Table 7 Sharpness DTL Settings Selection Description DTL Select Sharpness Super DTL If contour correction is not sufficient at the Sharp ness position when Detail Level setting is set to Low or High select the Super DTL position Neither Sharpness nor Super DTL is va...

Page 48: ... Mid High Contrast can be adjusted to any of three levels Shutter Speed OFF Electronic shutter is turned off 1 100 1 250 1 500 1 1000 1 2000 1 4000 1 10000 Electronic shutter operates at one of these speeds as selected S Scan Synchro Scan Electronic shutter operates at the speed set with the Synchro Scan setting Auto ND Electronic shutter is controlled to automatically adjust the lumi nance Flicke...

Page 49: ...00bps Select a communication speed in controlling the camera from the com puter Component This enables RGB Y Pr Pb or Y C to be selected as the component signals which are to be output from the I F REMOTE connector Aspect Ratio Aspect ratio can be selected from 16 9 or 4 3 Fan SW OFF Select this setting to stop the fan when its operating sound is found to be bothersome in a studio or other such en...

Page 50: ... in the center area about one third of both the top and bottom and one third of both the right and left portions of the screen are excluded from measurement Top cut About one third of the top portion of the screen is excluded from measurement BTM cut About one third of the bottom portion of the screen is excluded from measurement R L cut About one third of both the right and left portions of the s...

Page 51: ...in Auto The light quantity is adjusted automatically 0 dB 0dB should be selected in normal cases 1 dB to 30 dB Use this range if sufficient video output cannot be obtained even when the lens iris is opened in shooting dark scenes N Eye L Night Eye L Use this mode if sufficient video output cannot obtained even if 30 dB gain up should be selected N Eye H Night Eye H Use this setting if it is not po...

Page 52: ... adjustment can be made after setting AWC by red blue gain adjustment in User Mode 3200K The white balance is adjusted to 3200K illumination 5600K The white balance is adjusted to 5600K illumination ATW Speed Slow 2 Slow 1 Mid Fast 1 Fast 2 ATW Speed can be set Pedestal 150 to 150 The black level pedestal of the luminance Y signal can be set Used in adjusting the black levels of two or more camera...

Page 53: ...r phase can be made when a genlock signal is supplied Color Bar Set 0 0 IRE 7 5 IRE The setup level of color bar can be adjusted Color Bar Set2 0 0 IRE 7 5 IRE Set to 0 0 IRE for the SDI card Table 12 Detail Settings Selection Description Detail OFF Low High Contour correction quantity can be selected Detail set tings made using the Horizontal Vertical Detail Level High Low setting Detail level ca...

Page 54: ...hroma Detail 0 to 15 The contours of high hue portions of an object can be empha sized Flesh Noise Sup OFF Low High Flesh noise is suppressed in two steps when the Detail setting is at High or Low Precision Detail OFF Low High This setting is to narrow detail width and suppress detail glare Table 13 Color matrix Settings Selection Description B_Mg Gain Increases or decreases the hue of the interme...

Page 55: ... Other Settings Selection Description Gamma 0 35 to 0 55 Gamma correction level can be set Knee Point 88 to 98 The level of video signals subject to knee knee point can be set Dynamic Knee level is automatically adjusted according to the scene White Clip 95 to 110 The peak level of video signals to be white clipped can be set Flare R G B 0 to 100 Flare correction level can be adjusted Black Stretc...

Page 56: ... 31 Data Initialized Screen 3 If the NO BAR switch is pressed or if the YES ABC switch is not pressed within about 10 seconds Figure 32 and the camera returns to main menu then the existing settings are not initialized Aspect Ratio Aspect ratio can be selected from 16 9 or 4 3 Fan SW OFF Select this setting to stop the fan when its operating sound is found to be bothersome in a studio or other suc...

Page 57: ... Level Flesh Tone White Bal ATW Speed 0 0 AWC A 0 0 AWC A 0 0 ATW Mid G L Color Bar Set H Phase SC Coarse SC Fine Color Bar Set Color Bar Set 2 0 1 0 7 5 IRE 0 0 IRE 0 1 0 7 5 IRE 0 0 IRE 0 1 0 7 5 IRE 0 0 IRE Sharpness DTL Set DTL Select Level Noise Suppress Clean DNR Flesh Noise Sup Sharpness HIGH OFF OFF OFF Sharpness HIGH OFF OFF OFF Sharpness HIGH OFF OFF OFF Other Set Contrast Gamma Shutter ...

Page 58: ...oarse SC Fine Color Bar Set Color Bar Set2 0 1 0 7 5 IRE 0 0 IRE Detail Set 1 Detail H Detail Level H V Detail Level H H Detail Level L V Detail Level L Detail Band Noise Suppress Level Dependent Dark Detail High 20 19 13 8 5 3 0 0 Detail Set 2 Chroma Detail Flesh Noise Suppress Precision Detail 0 OFF OFF Color Matrix Set 1 B_Mg Gain B_Mg Phase Mg Gain Mg Phase Mg_R Gain Mg_R Phase R Gain R Phase ...

Page 59: ... 1 Gamma Knee Point White Clip Flare R Flare G Flare B Black Stretch Clean DNR 0 45 88 110 0 0 0 OFF OFF Other Set 2 Field Frame Baud Rate Component Aspect Ratio Fan SW Language Field 9600 bps Y Pr Pb 16 9 Auto English Table 16 Factory preset values for User Mode Item User mode ...

Page 60: ... 3 Contour Correction horizontal vertical 2H White Balance AWC A AWC B R B gain painting ATW 3200K 5600K preset Black Balance Auto R B pedestal painting function Chroma Variability 7 levels Encoding System Y R Y B Y Gain Selection 0 to 30 dB in step AGC Night Eye L H Electronic Shutter Speed 1 100 1 250 1 500 1 1000 1 2000 1 4000 1 10000 ELC Synchro scan 60 34 Hz to 15 75 kHz CCD Readout Selection...

Page 61: ...cap Mount the lens on the camera and rotate the lens fixing ring knob clock wise in order to fix the lens securely 3 Zoom Focus connector Not Used 4 Video Output connector VIDEO OUT Composite video output 5 G L Input connector G L IN Gen lock input 6 I F Remote connector I F REMOTE Input terminal dedicated to control signals from an optional remote control box 7 Iris connector IRIS Input terminal ...

Page 62: ...the camera is in shooting mode menu not displayed the color bar and shooting conditions are alternately indicated by pressing the switch With the Main Menu displayed you can scroll down to any Sub Menu With a Sub Menu displayed you can reduce the value of any setting 12 YES ABC switch YES ABC When the camera is in shooting mode menu not displayed the automatic black balance control can be set with...

Page 63: ...ting menu Figure 34 appears on the monitor screen and one of the use mode blinks Figure 34 Use Mode Setting Menu 3 Press the MENU switch ITEM AWC switch or NO BAR switch to let the desired use mode blink MENU switch The blinking item moves up one ITEM AWC switch NO BAR switch The blinking item moves down one 4 Press the YES ABC switch The blinking use mode comes into effect After the use mode sett...

Page 64: ...ing item moves up or down 3 When the YES ABC switch is pressed after selecting the desired item to blink the submenu for the selected item appears on the screen 4 Select the desired item to be changed in its settings using the MENU switch and ITEM AWC switch 5 Press the YES ABC switch or NO BAR switch to change the settings 6 Select Return using the MENU switch and ITEM AWC then press the YES ABC ...

Page 65: ...ON The electronic shutter is controlled to automatically adjust the lumi nance ON is automatically selected when the Shutter Speed on the submenu Other Set is set to Auto ND OFF is selected when other than Auto ND is selected Auto Gain Up OFF The light quantity is not adjusted automatically ON The light quantity is adjusted automatically The maximum to which the gain can be increased using the Aut...

Page 66: ...it is no longer necessary to set the white balance again if you simply select AWC A or AWC B provided that the camera is used under the same conditions Fine color adjustment can be made after setting AWC by red blue gain adjustment in user mode 3200 K The white balance is adjusted to 3200 K illumination 5600 K The white balance is adjusted to 5600 K illumination ATW Speed Slow 2 Slow 1 Mid Fast 1 ...

Page 67: ... position Neither Normal nor Super DTL is valid for contour correction if Detail Level setting is in the OFF position Level Off Low High Detail level can be adjusted when Detail Select setting is at Normal Super DTL level can be adjusted when it is at Super DTL Noise Suppress Off Low High Screen noise can be reduced when Detail Level setting is at High or Low Clean DNR Off Low High This enables th...

Page 68: ...ynchro Scan 50 24 Hz to 15 63 kHz This setting is possible only when the Shutter Speed setting is at S Scan Horizontal bar noise can be reduced by synchro scan adjustment in shoot ing workstation scenes for example For luminance settings at each shutter speed and synchro scan shutter speed refer to the following table V Resolution Normal Normal image CCD storage will be by field storage Recom mend...

Page 69: ...IN UP ELC detected peak to average can be adjusted within a range Iris Area A photometric measurement method can be selected for AUTO IRIS AUTO GAIN UP ELC All All the screen is measured Center The screen is measured mainly in the center area about one third of both the top and bottom and one third of both the right and left portions of the screen are excluded from measurement Top cut About one th...

Page 70: ...elow Gain Auto The light quantity is adjusted automatically 0 dB 0dB should be selected in normal cases 1 dB to 30 dB Use this range if sufficient video output cannot be obtained even when the lens iris is opened in shooting dark scenes N Eye L Night Eye L Use this mode if sufficient video output cannot obtained even if 30 dB gain up should be selected N Eye H Night Eye H Use this setting if it is...

Page 71: ...ent can be made after setting AWC by red blue gain adjustment in User Mode 3200K The white balance is adjusted to 3200K illumination 5600K The white balance is adjusted to 5600K illumination ATW Speed Slow 2 Slow 1 Mid Fast 1 Fast 2 ATW Speed can be set Pedestal 150 to 150 The black level pedestal of the luminance Y signal can be set Used in adjusting the black levels of two or more cameras Painti...

Page 72: ...ied SC Fine 511 to 511 Fine adjustment of sub carrier phase can be made when a genlock signal is supplied Table 27 Detail Settings Selection Description Detail OFF Low High Contour correction quantity can be selected Detail set tings made using the Horizontal Vertical Detail Level High Low setting Detail level can be set in horizontal H and vertical V directions with the Detail setting at High or ...

Page 73: ...oise Sup Off Low High Flesh noise is suppressed in two steps when the Detail setting is at High or Low Precision Detail Off Low High This setting is to narrow detail width and suppress detail glare Table 28 Color matrix Settings Selection Description B_Mg Gain Increases or decreases the hue of the intermediate color between blue and magenta B_Mg Phase Varies the hue of the intermediate color betwe...

Page 74: ...55 Gamma correction level can be set Knee Point 88 to 98 The level of video signals subject to knee knee point can be set Dynamic Knee level is automatically adjusted according to the scene White Clip 95 to 110 The peak level of video signals to be white clipped can be set Flare R G B 0 to 100 Flare correction level can be adjusted Black Stretch Black stretch to correct the suppression of black po...

Page 75: ... existing settings are initialized Figure 48 and the camera returns to main menu Figure 48 Data Initialized Screen 3 If the NO BAR switch is pressed or if the YES ABC switch is not pressed within about 10 seconds Figure 49 and the camera returns to main menu then the existing settings are not initialized Aspect Ratio Aspect ratio can be selected from 16 9 or 4 3 Fan SW OFF Select this setting to s...

Page 76: ...Coarse SC Fine 0 1 0 0 1 0 0 1 0 Sharpness DTL Set DTL Select Level Noise Suppress Clean DNR Flesh Noise Sup Normal HIGH OFF OFF OFF Normal HIGH OFF OFF OFF Normal HIGH OFF OFF OFF Other Set Contrast Gamma Shutter Speed Synchro Scan V Resolution Baud Rate Signal Select Aspect Ratio Fan SW Mid OFF Normal 9600 bps Y Pr Pb 16 9 Auto Mid OFF Normal 9600 bps Y Pr Pb 16 9 Auto Mid Auto ND Normal 9600 bp...

Page 77: ...Mg Phase Mg Gain Mg Phase Mg_R Gain Mg_R Phase R Gain R Phase 0 0 27 0 0 0 15 0 Color Matrix Set 2 R_YI Gain R_YI Phase YI Gain YI Phase YI_G Gain YI_G Phase G Gain G Phase 0 0 18 6 0 0 30 112 Color Matrix Set 3 G_Cy Gain G_Cy Phase Cy Gain Cy Phase Cy_B Gain Cy_B Phase B Gain B Phase 0 0 44 15 0 0 20 36 Other Set 1 Gamma Knee Point White Clip Flare R Flare G Flare B Black Stretch Clean DNR 0 45 8...

Page 78: ... 9 4 3 Contour Correction Horizontal vertical 2H White Balance AWC A AWC B R B gain painting ATW 3200K 5600K preset Black Balance Auto R B pedestal painting function Chroma Variability 7 levels Encoding System Y R Y B Y Gain Selection 0 to 30 dB in step AGC Night Eye L H Electronic Shutter Speed 1 120 1 250 1 500 1 1000 1 2000 1 4000 1 10000 ELC Synchro scan 50 24 Hz to 15 63 kHz CCD Readout Selec...

Page 79: ... securely 3 Interface connector I F Input terminal dedicated to control signals from an optional remote control box 4 Tally output connector TALLY OUT R tally and G tally outputs These signals take effect when the optional card for studio applications has been inserted 5 Iris connector IRIS Input terminal for lens with an iris control function 6 Zoom Focus connector ZOOM FOCUS Used to connect the ...

Page 80: ...ach time the MENU switch is pressed while the UP ABB switch and DOWN BAR switch is held down and while the menu is not displayed the video output format is changed in the following sequence 720 60p 720 59 94p 720 50p 1080 60i 1080 59 94i 1080 50i 1080 30p 1080 29 97p 1080 25p 1080 24p 1080 23 98p When the video format is changed the operate indicator flashes twice with the 720 60p format and once ...

Page 81: ...the MENU switch for at least 3 seconds with the menu displayed to exit the menu mode and return to shoot mode Maintenance Menu The MAINTENANCE menu is shown in Figure 52 Submenus are dis cussed in the following paragraphs Figure 52 MAINTENANCE Menu When theVIDEO MENU is selected USER MENU 1 MAINTENANCE 2 SETTING 3 CAMERA ID 4 FILE OPERATION USER MENU FILM MENU 1 MAINTENANCE 2 SETTING 3 CAMERA ID 4...

Page 82: ...tions Selection Description M PEDESTAL 200 to 200 For adjusting the black level R PEDESTAL 100 to 100 For correcting the red in relation to the master pedestal B PEDESTAL 100 to 100 For correcting the blue in relation to the master pedestal When the AK HRP150G has been connected M PEDESTAL R PEDESTAL and B PEDESTAL operations cannot be performed using the menu BLACK SHADING DETECTION CORRECT DIG O...

Page 83: ...gamma characteristics B BLACK GAMMA 15 to 15 For adjusting the gamma characteristics of the blue in the vicinity of the black in relation to the master gamma characteristics GAMMA OFF ON For turning the gamma correction ON or OFF BLACK GAMMA OFF ON For turning the black gamma correction ON or OFF When ON has been selected as the DRS setting the BLACK GAMMA set ting does not take effect EFFECT DEPT...

Page 84: ...5 Menu selections are described in Table 36 Figure 55 FLARE Menu Table 36 FLARE Menu Selections Selection Description R FLARE 000 to 100 For adjusting the flare correction G FLARE 000 to 100 B FLARE 000 to 100 FLARE OFF ON For turning the flare correction ON or OFF FLARE R FLARE 000 G FLARE 000 B FLARE 000 FLARE ON 8492_47_r0 ...

Page 85: ...selected or when FILM REC is selected as the CINE GAMMA SEL setting when the FILM MENU has been selected Similarly the R B KNEE POINT and R B KNEE SLOPE settings do not take effect when a setting other than MANUAL is selected for KNEE or ON is selected as the DRS setting when the VIDEO MENU has been selected or when the FILM MENU has been selected A KNEE POINT 80 00 to 107 00 For setting the auto ...

Page 86: ...OR OFF ON For improving the color reproducibility of the high brightness areas when it is set to ON This setting does not take effect when a setting other than MANUAL is selected for KNEE or ON is selected as the DRS setting when the VIDEO MENU has been selected or when the FILM MENU has been selected Table 38 R B GAIN Menu Selections Selection Description R GAIN 200 to 200 For adjusting the gain ...

Page 87: ...NEE APERTURE OFF ON For turning the emphasizing of the outlines for the high brightness areas ON or OFF KNEE APE LEVEL 0 to 5 For adjusting the knee aperture level SLIM DETAIL OFF ON For setting the detail more finely at ON DETAIL 31 to 31 For adjusting the detail gain in the direction DETAIL 31 to 31 For adjusting the detail gain in the direction DETAIL CLIP 0 to 63 For minimizing the glare cause...

Page 88: ...y SKIN DTL CORING 0 to 7 For setting the SKIN TONE DTL coring amount Y MAX 0 to 255 For setting the upper limit of the brightness in the skin tone specification area Y MIN 0 to 255 For setting the lower limit of the brightness in the skin tone specification area I CENTER 0 to 255 For setting the phase of the I axis in the skin tone specification area I WIDTH 0 to 255 For setting the phase width of...

Page 89: ...ht metering peak value and average value A IRIS WINDOW NORM1 NORM2 CENTR For setting the auto iris light metering area NORM1 The light is metered on the entire screen except around the edges NORM2 The light is metered on the entire screen except at the top CENTR The light is metered only in the area at the screen center IRIS MODE LENS CAM For switching between the iris gain control on the lens LEN...

Page 90: ...tting does not take effect when MENU SEL is set to FILM MENU and the 720 60p or 720 59 94p is selected as the FORMAT setting H DETAIL LEVEL 00 to 63 For setting the H DETAIL level CRISP 00 to 31 For setting the noise elimination level of the detail signals LEVEL DEPENDENT 0 to 15 For removing the detail in the dark areas The higher the number set the wider the range in which the detail is removed ...

Page 91: ...ecting the video output scanning FRAME RATE RANGE 60 6 60 4 For selecting the range over which the frame rate can be varied with vari able frames 60 6 60 to 6 frames per second 60 4 60 to 4 frames per sec ond FRAME RATE 60 to 4 For setting the frame rate The FRAME RATE RANGE and FRAME RATE settings do not take effect when MENU SEL is set to FILM MENU and the 720 60p or 720 59 94p is selected as th...

Page 92: ...IX Menu Selections Selection Description MATRIX TABLE A B For selecting the table in which the matrix data is to be stored MATRIX R G 31 to 31 MATRIX R B 31 to 31 MATRIX G R 31 to 31 MATRIX G B 31 to 31 MATRIX B R 31 to 31 MATRIX B G 31 to 31 For adjusting the color tone of each color phase MATRIX MATRIX TABLE A MATRIX R G 00 MATRIX R B 00 MATRIX G R 00 MATRIX G B 00 MATRIX B R 00 MATRIX B G 00 84...

Page 93: ...escription R SAT PHASE 63 to 63 Mg SAT PHASE 63 to 63 B SAT PHASE 63 to 63 Cy SAT PHASE 63 to 63 G SAT PHASE 63 to 63 Yl SAT PHASE 63 to 63 R Mg SAT PHASE 63 to 63 Mg B SAT PHASE 63 to 63 B Cy SAT PHASE 63 to 63 Cy G SAT PHASE 63 to 63 G Yl SAT PHASE 63 to 63 Yl R SAT PHASE 63 to 63 For adjusting the color tone of each color phase COLOR CORRECTION 1 2 SAT PHASE R 00 00 Mg 00 00 B 00 00 Cy 00 00 G ...

Page 94: ... mode ON The camera ID is displayed at all times CAM ID POSI 0 to 3 For selecting where the camera ID is to be displayed 0 top left 1 top right 2 bottom left 3 bottom right MATRIX TABLE OFF A B For selecting OFF A or B as the matrix setting COLOR CORRECTION OFF ON For turning the color correction function ON or OFF DIGITAL EXTENDER OFF ON For digitally doubling the images when set to ON BAR SEL FU...

Page 95: ...CTIVE While automatic black balance is being executed IRIS CONTROL NG When the lens is open ABB OK When the automatic black balance has been adjusted satisfactorily OUT RANGE RGB When the automatic black balance has not been adjusted satisfactorily RGB denotes the colors which were not balanced properly MENU ON BAR OFF ON For selecting whether the menu is to be displayed with the color bars Switch...

Page 96: ...t by SHUTTER SPEED SYNCHRO For setting the shutter speed which was set by SYNCHRO SCAN SHUTTER SPEED 1 100 1 120 1 250 1 500 1 1000 1 2000 VIDEO MENU 180 0 deg 172 8 deg 144 0 deg 120 0 deg 90 0 deg 45 0 deg FILM MENU For setting the shutter speed at the SHUTTER ON setting SYNCHRO SCAN 60 32 Hz to 150 0 Hz 1 50 26 Hz to 125 0 Hz 2 358 1 deg to 144 0 deg FILM MENU For setting the shutter speed in t...

Page 97: ...he BNC or D SUB connector H PHASE COARSE 40 to 40 720 mode 60 to 60 1080 mode For roughly adjusting the horizontal phase H PHASE FINE 45 to 45 For finely adjusting the horizontal phase SD HD PHASE CRS 4 to 4 For roughly adjusting the phase of the HD video signals when SD sync signals have been input SD HD PHASE FINE 99 to 99 For finely adjusting the phase of the HD video signals when SD sync sig n...

Page 98: ... 49 PIX DEFECT Menu Selections Selection Description AUTO DETECTION When ACTIVE is selected automatic defect compensation processing is performed and when this processing is completed the status returns to READY Execute automatic defect compensation processing after supplying the power to the camera at the normal temperature for at least two hours PIX DEFECT AUTO DETECTION READY CNT R 1 G 5 B 2 Y ...

Page 99: ...ndicators on the back of the camera block Figure 70 PROTOCOL Menu Table 50 PROTOCOL Menu Selections Selection Description PROTOCOL 1 to 4 For selecting the remote control communication system in accordance with the system connected 1 Information camera communication protocol EIA422 2 Information camera communication protocol EIA232 For connecting a PC 3 Convertible PC control protocol EIA422 4 Con...

Page 100: ...numerics sym bols and spaces can be set for the camera The camera ID is displayed at all times when ON is selected in the CAM ID mode but displayed only when color bar signals are output in the BAR mode The status for setting the ID is established by moving the cursor above the colon and select ing it Move the cursor to the positions of the characters to be set select the characters and enter them...

Page 101: ...d in a file LOAD STORE FROM For selecting the LOAD or STORE destination PRESET USER1 or USER2 can be selected as the LOAD destination when LOAD has been selected USER1 or USER2 can be selected as the STORE destination when STORE has been selected EXECUTE LOAD or STORE is executed when NO is switched to YES and the ENTER operation is performed The NO setting is returned to the display after the dat...

Page 102: ... TIME CODE Menu Selections Selection Description RESET For resetting the time code to zero HOUR 00 to 23 For setting the hour digits of the preset value for the time code MINUTE 00 to 59 For setting the minute digits of the preset value for the time code SECOND 00 to 59 For setting the second digits of the preset value for the time code FRAME 00 10 20 30 40 50 For setting the frame digits of the p...

Page 103: ...l level is over 100 or less than 50 the white balance may not adjust properly Black Balance Adjustment Note Black balance is adjusted with the lens closed When the motor drive lens is controlled from the camera adjusting the black balance causes the lens to automatically close Set the automatic black balance by pressing the UP ABB switch with no menu displayed Gen lock Adjustment When multiple cam...

Page 104: ... phases by H PHASE FINE When using SD synchronizing signals 1 Roughly adjust the synchronizing signal input and video signal output phases by SDHD PHASE CRS coarse 2 Finely adjust the synchronizing signal input and video signal output phases by SD HD PHASE FINE If the adjustment performed using SD HD PHASE is not satisfactory use H PHASE COARSE FINE ...

Page 105: ...9 94i 50i 30psF 29 97psF 25psF 24psF 23 98psF 720 60p 59 94p 50p Sensitivity F10 2000lx 3200K white reflection rate 89 9 S N 54 dB Ambient Operating Temperature 32 ºF to 104 ºF 0 ºC to 40 ºC Storage Temperature 4 ºF to 140 ºF 20 ºC to 60 ºC Weight 3 3 lbs 1 5 kg Dimensions WxHxD 3 9 16 x 4 5 8 x 6 5 16 90 mm x117 mm x 160 mm Video Output HD SDI BNC 1 system SYNC Input SYNC input GL input 3 value S...

Page 106: ...106 Ignite SDC HDC Robotic Camera Instruction Manual Appendix C HD Camera Block ...

Page 107: ... degree tilt registration hole Used to orient the pan tilt head in the desired direction prior to mounting 2 Robotic pan tilt head Contains the electro mechanical assemblies necessary to perform pan tilt movement 3 Reset switch Resets the pan tilt head to default IP addresses 192 168 0 126 and subnet mask to 255 255 255 0 Also sets controller SHOT Director address to 192 168 0 100 4 Ethernet conne...

Page 108: ...0 101 through 192 168 0 110 6 DB15 connector Camera control cable provides serial control and 12 V dc power from the pan tilt head to the camera block 7 DB9 connector Zoom focus to lens 8 8 pedestal mount Extension pedestal mount 9 Zero degree pan registration mark Used to verify that the pan tilt head is pointed in the correct direction prior to mounting 10 Camera mount L bracket Used to mount ca...

Page 109: ...he selected mounting location To change the default soft stops refer to the JSC 2300 SHOT Director Robotics Camera Controller Instruction Manual for procedures Specifications Robotic pan tilt head specifications are listed in Table 57 Table 57 Robotics Specifications Pan Range 178º Tilt Range 178º Tilt Range w Prompter 30º Pan and Tilt Speed 90º s Acceleration 360º s Accuracy Repeatability 30 arc ...

Page 110: ...110 Ignite SDC HDC Robotic Camera Instruction Manual Appendix D Robotic Pan Tilt Head ...

Page 111: ...n color Chroma Gain chroma color saturation The gain of an amplifier as it pertains to the intensity of colors in the active picture Clip A threshold level adjustment to which the keying attribute luminance chrominance is compared for generating the internal key control signal Clip in conjunction with gain sets the switching point between the back ground and the key fill Also see Gain Component Vi...

Page 112: ... blue Chroma hue and luminance make up the three character istics of television color I Interlace A system of video scanning where the odd and even numbered lines of a picture are pre sented consecutively as two separate inter leaved fields The two fields required to make a complete picture are called a frame IP Internet Protocol A data oriented protocol used for communi cating data across a packe...

Page 113: ...sub sig nal phase is different on each successive scan line to reduce picture artifacts Pixel A picture element A pixel is a digital sample of the luminance and color values of a pic ture at a single point ProAv Professional Audio Video production Q R S Saturation The degree of purity of a color Adding white to a color reduces its degree of saturation SD Standard Definition Serial Digital Interfac...

Page 114: ...he switcher s output s Also does transitions between sources and special effects video mixing wiping keying and such Sync 1 General term for a synchronizing signal or signal component Digital systems gener ally employ an analog external timing refer ence signal such as color black or tri level sync to synchronize different pieces of equipment Within the digital signal itself however synchronizing ...

Page 115: ...be a type of prompter A TTL prompter mounts horizontally in front of the camera A glass screen mounted 45 above the prompter reflects the script so that the announcer can read the text while look ing at the camera behind the screen U V Video Switcher See Switcher W X Y Z ...

Page 116: ...116 Ignite Glossary Glossary ...

Page 117: ...E 85 PED OFFSET 90 PEDESTAL 82 Phase 55 74 SAT PHASE 93 WHITE CLIP LVL 86 B_Mg Gain 54 73 Phase 54 73 BAR SEL 94 Baud Rate 49 55 68 74 B Cy SAT PHASE 93 Black Balance 60 78 103 Gamma 83 Shading Menu 82 STR LEVEL 83 Stretch 55 74 Brightness 45 57 65 76 C CAM ID 94 POS 94 Camera Connector 105 ID Menu 100 mount L bracket 108 CCD Readout Selection 60 78 Chroma Detail 54 73 Level 46 52 66 71 Variabilit...

Page 118: ...ncoding System 60 78 ENTER AWB switch ENTER AWB 80 Ethernet connector 107 EXECUTE 101 F Factory preset values for Halogen Mode Fluorescent Mode and Outdoor Mode tbl 57 76 User Mode tbl 58 76 Fan 95 SW 49 56 69 75 FAQ database 4 Field Frame 55 74 File Operation Menu 101 fixing ring knob 79 Flare 84 Menu 84 R G B 55 74 Flesh Noise Sup 48 54 67 73 Tone 46 66 Fluorescent mode 43 62 FORMAT 95 Frame 102...

Page 119: ...75 Input Output Connectors 60 78 Installation 23 Procedures 23 Camera Lens Assembly 28 Prompter Optional 29 Prompter Adapter Plate Optional 27 Robotic Pan Tilt Head Assembly 24 Robotic Pan Tilt Head Mounting fig 26 Interface connector I F 79 Introduction 17 Iris 41 61 79 Area 65 69 GAIN 89 Level 65 69 MODE 89 PEAK AVG 65 69 Shutter Gain 50 58 69 76 ITEM AWC switch ITEM AWC S 42 62 K KNEE 86 APE LE...

Page 120: ...witch NO BAR 42 62 Noise Rating 109 Suppress 47 54 67 73 O online documentation 4 Operate indicator 79 Operation 33 Camera ID and IP address 33 Optical Filter 105 System 60 78 Option Card 42 62 Optional Mounting Hardware 19 Other Documentation 9 Set 57 59 76 77 Settings 48 55 68 74 Other Set 59 77 Outdoor mode 43 63 shooting 43 63 Output Format 105 Overview 17 P Painting 52 71 Pan and Tilt Speed 1...

Page 121: ... Coarse 47 53 72 Fine 47 53 66 72 SCAN REVERSE 91 Scanning System 60 78 SD NTSC Camera Block 41 PAL Camera Block 61 HD PHASE CRS 97 HD PHASE FINE 97 SECOND 102 Selectors 60 78 Sensitivity 105 Service 37 Setting 93 by Camera 43 63 Soft Stops 109 Sharpness DTL 47 57 67 76 Shooting Mode Adjustments 103 Shutter 96 Menu 96 Mode 50 69 96 Speed 48 68 Signal Select 69 74 Skin DTL CORING 88 GET 88 Tone Det...

Page 122: ...x tbl 37 Robotics 38 Tally 39 Video 38 U UP ABB switch UP ABB 80 Use Mode Setting 42 62 User Mode 43 63 69 Submenus 50 V V Detail Level H 53 72 Detail Level L 72 MIX 90 Resolution 49 68 Video Output 41 60 61 78 105 W web site documentation 4 web site FAQ database 4 web site Grass Valley 4 web site software download 4 Weight 60 78 105 109 White Balance 46 52 60 66 71 78 Adjustment 103 White Clip 55...

Reviews:

No comments

Brands by name

Popular brands

Load more brands