![Generalmusic WK3 World Keyboard Owner'S Manual Download Page 259](http://html1.mh-extra.com/html/generalmusic/wk3-world-keyboard/wk3-world-keyboard_owners-manual_2210855259.webp)
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
Song Recording 18•1
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
○
Song Recording 18•1
• 18 Song Recording
ABOUT SONGS
(See also the Songs chapter 7, User Guide).
The REAL/SONG button of the STYLE/SONG
GROUPS section recalls Songs and sets WK3
to multi-track mode, the only playing mode that
permits access to 16 tracks to record and play
back. (Via MIDI, WK3 is recognised as a 16 part
multi-timbral unit, regardless of the current play-
ing mode).
WK3 Songs can be loaded from Disk and saved
to disk as WK3 format Songs, or as Standard
MIDI Files. SMF files can be loaded into memo-
ry and saved as WK3 format Songs.
Songs containing a Lyrics track can also be load-
ed into memory and the lyrics can be scrolled
across the display by activating the TEXT
func-
tion. If the optional Audio/V
ideo board is installed,
the lyrics can be projected onto an external mon-
itor (computer or domestic TV - see page 9, Songs
chapter 7, User Guide).
WK3 Songs are created by recording tracks one
at a time using a real time recording method. Up
to 7 Songs can be recorded, or loaded into mem-
ory from disk using the Load Song, Load Midi-
File or Load All operations. (See the Disk chap-
ter 6, User Guide).
THE SONG PERFORMANCE
The Song Performance is programmable for up
to 16 tracks and determines how the Song plays.
T o record a Song, it is best to prepare a Song
Performance before starting. Unlike User Styles
and Song/Styles which exploit existing Perform-
ance structures, the Song requires some prelim-
inary work before entering Record mode to en-
sure that the recording can proceed smoothly
without wasting time assigning Sounds, etc.
If you select an ‘Empty’ location in the Real/Song
Group, the default Performance recalled corre-
sponds to the following configuration:
Default Song/Style Performance configuration
Track
Sound
MIDI channel
1
Stand1
10
2
Finger
2
3
String
3
4
Flute
4
5
Steel
5
6
Organ3
6
7
Brass
7
8
SoftSax
8
9
SynSt1
9
10
Piano
1
11
FrHorn
11
12
Choir
12
13
Taiko
13
14
Fantsy
14
15
Vibes
15
16
BassLd
16
You can programme the Song Performance be-
fore starting the recording using the standard Per-
formance editing methods. A Song/Performance
can be copied to any of the 7 Song locations in
the Real/Song Group.
How to program the Song Performance is dis-
cussed towards the end of this chapter.
• 18 Song Recording
ABOUT SONGS
(See also the Songs chapter 7, User Guide).
The REAL/SONG button of the STYLE/SONG
GROUPS section recalls Songs and sets WK3
to multi-track mode, the only playing mode that
permits access to 16 tracks to record and play
back. (Via MIDI, WK3 is recognised as a 16 part
multi-timbral unit, regardless of the current play-
ing mode).
WK3 Songs can be loaded from Disk and saved
to disk as WK3 format Songs, or as Standard
MIDI Files. SMF files can be loaded into memo-
ry and saved as WK3 format Songs.
Songs containing a Lyrics track can also be load-
ed into memory and the lyrics can be scrolled
across the display by activating the TEXT func-
tion. If the optional Audio/Video board is installed,
the lyrics can be projected onto an external mon-
itor (computer or domestic TV - see page 9, Songs
chapter 7, User Guide).
WK3 Songs are created by recording tracks one
at a time using a real time recording method. Up
to 7 Songs can be recorded, or loaded into mem-
ory from disk using the Load Song, Load Midi-
File or Load All operations. (See the Disk chap-
ter 6, User Guide).
THE SONG PERFORMANCE
The Song Performance is programmable for up
to 16 tracks and determines how the Song plays.
To record a Song, it is best to prepare a Song
Performance before starting. Unlike User Styles
and Song/Styles which exploit existing Perform-
ance structures, the Song requires some prelim-
inary work before entering Record mode to en-
sure that the recording can proceed smoothly
without wasting time assigning Sounds, etc.
If you select an ‘Empty’ location in the Real/Song
Group, the default Performance recalled corre-
sponds to the following configuration:
Default Song/Style Performance configuration
Track
Sound
MIDI channel
1
Stand1
10
2
Finger
2
3
String
3
4
Flute
4
5
Steel
5
6
Organ3
6
7
Brass
7
8
SoftSax
8
9
SynSt1
9
10
Piano
1
11
FrHorn
11
12
Choir
12
13
Taiko
13
14
Fantsy
14
15
Vibes
15
16
BassLd
16
You can programme the Song Performance be-
fore starting the recording using the standard Per-
formance editing methods. A Song/Performance
can be copied to any of the 7 Song locations in
the Real/Song Group.
How to program the Song Performance is dis-
cussed towards the end of this chapter.
Summary of Contents for WK3 World Keyboard
Page 1: ......
Page 2: ......
Page 3: ......
Page 5: ......
Page 7: ......
Page 9: ......
Page 11: ......
Page 13: ......
Page 14: ... vi Introduction v ...
Page 15: ......
Page 17: ......
Page 19: ......
Page 21: ......
Page 23: ......
Page 25: ......
Page 27: ......
Page 29: ......
Page 31: ......
Page 33: ......
Page 35: ......
Page 37: ......
Page 39: ......
Page 41: ......
Page 43: ......
Page 45: ......
Page 47: ......
Page 49: ......
Page 51: ......
Page 53: ......
Page 55: ......
Page 57: ......
Page 59: ......
Page 61: ......
Page 63: ......
Page 65: ......
Page 67: ......
Page 69: ......
Page 71: ......
Page 73: ......
Page 75: ......
Page 77: ......
Page 79: ......
Page 81: ......
Page 83: ......
Page 85: ......
Page 87: ......
Page 89: ......
Page 91: ......
Page 93: ......
Page 95: ......
Page 97: ......
Page 99: ......
Page 101: ......
Page 103: ......
Page 105: ......
Page 107: ......
Page 109: ......
Page 111: ......
Page 113: ......
Page 115: ......
Page 117: ......
Page 119: ......
Page 121: ......
Page 123: ......
Page 125: ......
Page 127: ......
Page 129: ......
Page 131: ......
Page 133: ......
Page 135: ......
Page 137: ......
Page 139: ......
Page 141: ......
Page 143: ......
Page 145: ......
Page 147: ......
Page 149: ......
Page 151: ......
Page 152: ... 8 8 User Guide 8 ...
Page 153: ......
Page 155: ......
Page 157: ......
Page 159: ......
Page 161: ......
Page 163: ......
Page 165: ......
Page 167: ......
Page 169: ......
Page 171: ......
Page 173: ......
Page 175: ......
Page 177: ......
Page 178: ... Reference Guide ...
Page 179: ......
Page 181: ......
Page 183: ......
Page 185: ......
Page 186: ... 12 8 Reference Guide 1 ...
Page 187: ......
Page 189: ......
Page 191: ......
Page 193: ......
Page 195: ......
Page 197: ......
Page 199: ......
Page 201: ......
Page 203: ......
Page 205: ......
Page 207: ......
Page 209: ......
Page 211: ......
Page 213: ......
Page 215: ......
Page 217: ......
Page 219: ......
Page 221: ......
Page 223: ......
Page 225: ......
Page 227: ......
Page 229: ......
Page 231: ......
Page 232: ... 14 10 Reference Guide 1 ...
Page 233: ......
Page 235: ......
Page 237: ......
Page 239: ......
Page 241: ......
Page 243: ......
Page 245: ......
Page 247: ......
Page 249: ......
Page 250: ... 16 12 Reference Guide 1 ...
Page 251: ......
Page 253: ......
Page 255: ......
Page 257: ......
Page 259: ......
Page 261: ......
Page 263: ......
Page 265: ......
Page 267: ......
Page 269: ......
Page 271: ......
Page 273: ......
Page 275: ......
Page 277: ......
Page 279: ......
Page 281: ......
Page 283: ......
Page 285: ......
Page 287: ......
Page 289: ......
Page 291: ......
Page 293: ......
Page 295: ......
Page 296: ...Appendix ...
Page 297: ......
Page 299: ......
Page 301: ......
Page 303: ......
Page 305: ......
Page 307: ......
Page 309: ......
Page 311: ......
Page 313: ......
Page 315: ......
Page 317: ......
Page 319: ......