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4. The 

MIC 1 

and

 MIC 2 (3)

 

INPUTS

 (found on the front panel) are

Neutrik Combo   connectors, which accept either an XLR jack or a
standard 1/4” jack. 

 

Each MIC input has its own individual 

TREBLE

CONTROL (4), BASS CONTROL (5), LEVEL CONTROL (6), CUE
BUTTON (7) and OVERLOAD LED (43).  MIC 3

 

INPUT

 

(52)

 is located

on the rear panel. 

GAIN CONTROLS (53)

 for MICS 1, 2 & 3 are located

on the rear panel.

The 

MIC OVERLOAD LEDS (43)

 will light if the signal to MIC INPUTS 1

& 2 is too high.

5. On the rear panel are 4 stereo 

PHONO/LINE INPUTS (54, 55, 56, 57),

and 4 stereo

 LINE INPUTS (58, 59, 60, 61)

. The 

PHONO/LINE

 

SWITCH

(62)

 enables you to set the 

PHONO/LINE INPUTS (54, 55, 56, 57)

 to

Phono or Line. The phono inputs will accept only turntables with a
magnetic cartridge.  

GROUND SCREWS (51)

 for you to ground your

turntables are located on the rear panel. The stereo line inputs will
accept any line level input such as a CD player, cassette player, etc.

6. Headphones can be plugged into the front panel mounted 

HEADPHONE

JACK (13)

.

Using the Ground Lift Switch

Depending on your system configuration, sometimes applying the
ground will create a quieter signal path. Sometimes lifting the ground
can eliminate ground loops and hum to create a quieter signal path.

1. With the mixer on, listen to the system in idle mode (no signal present)

with the ground applied (the 

GROUND LIFT

 

SWITCH (63) 

in the “GND”

position).

2. Then turn the power OFF before moving the

 GROUND LIFT SWITCH

(63)

. Lift the ground by moving the 

GROUND LIFT SWITCH (63)

 to the

“LIFT” position, turn the power back on and listen to determine which
position will provide a signal free of background noise and hum. Keep
the 

GROUND LIFT

 

SWITCH (63) 

in the “GND” position if the noise level

remains the same in either position.

CAUTION: DO NOT TERMINATE THE AC GROUND ON THE POWER

MIXER IN ANY WAY. TERMINATION OF THE AC GROUND CAN
BE HAZARDOUS.

Operation

1. POWER ON: Once you have made all the equipment connections to

your mixer, press the 

POWER SWITCH (1)

. The power will turn on and

the 

POWER LED (2)

 will glow.

2. CHANNEL 1: The 

GAIN (14)

HIGH (15)

MID (16)

,

 

and 

LOW (17)

controls allow you to fully adjust the selected source. Switch # 

(18)

allows you to select  the 

PHONO 1

/

LINE 1 

or the 

LINE 5, 6, 7, 8 or AUX

input.

 

 The

 CHANNEL SLIDE or

 

KNOB (19)

 controls the input level of

this channel.  The illuminated 

CUE BUTTON

 

(20)

 allows you to cue the

channel.

3. CHANNEL 2: The 

GAIN (14)

HIGH (15)

MID (16)

,

 

and 

LOW (17)

controls allow you to fully adjust the selected source. Switch # 

(18)

allows you to select  the 

PHONO 2

/

LINE 2  

or the 

LINE 5, 6, 7, 8 or

AUX INPUT

.

 

 The

 CHANNEL SLIDE or

 

KNOB (19)

 controls the input

level of this channel.  The illuminated 

CUE BUTTON

 

(20)

 allows you to

cue the channel.

4. CHANNEL 3: The 

GAIN (14)

HIGH (15)

MID (16)

,

 

and 

LOW (17)

controls allow you to fully adjust the selected source. Switch #

(18)

allows you to select  the 

PHONO 3

/

LINE 3  

or the 

LINE 5, 6, 7, 8 or

AUX INPUT

.

 

 The

 CHANNEL SLIDE or

 

KNOB (19)

 controls the input

level of this channel.  The illuminated 

CUE BUTTON

 

(20)

 allows you to

cue the channel.

5. CHANNEL 4: The 

GAIN (14)

HIGH (15)

MID (16)

,

 

and 

LOW (17)

controls allow you to fully adjust the selected source. Switch # 

(18)

allows you to select  the 

PHONO 4

/

LINE 4  

or the 

LINE 5, 6, 7, 8 or

AUX INPUT

.

 

 The

 CHANNEL SLIDE or

 

KNOB (19)

 controls the input

level of this channel.  The illuminated 

CUE BUTTON

 

(20)

 allows you to

cue the channel.

Introduction

Congratulations on purchasing the 

Gemini CS-19

 or 

CS-19R PRO

CLUB MIXER

. This unique state of the art mixer is backed by a three

year warranty, excluding crossfader and channel slides. Prior to
use, we suggest that you carefully read all the instructions.

Features

5 Stereo Channels

Master Level Attenuation

State of the Art Cue Section with Assignable Cue Output

8 Lines, 4 Phono, 3 Mic Inputs, 1 AUX

Crossfader Curve Button and Crossfader Assign Controls

Gain, High, Mid and Low Tone Controls for each channel

Talkover

Master Outputs, Booth Output, 2 Zone Outputs

Mic 1, 2, 3 Gains on rear panel

Mic 1 & 2 Output Overload LED Indicators

Illuminated push-button switches

Cautions

1. Always test equipment before rack mounting. Retain a copy of your

sales receipt for warranty purposes.

2. All operating instructions should be read before using this equipment.

3. To reduce the risk of electrical shock, do not open the unit. There are

NO USER REPLACEABLE PARTS INSIDE. Please refer servicing to a
qualified service technician.

In the U.S.A., if you have any problems with this unit,

call 1-732-738-9003 for customer service. Do not return

equipment to your dealer.

4. Do not expose this unit to direct sunlight or to a heat source such as a

radiator or stove.

5. This unit should be cleaned only with a damp cloth. Avoid solvents or

other cleaning detergents.

6. When moving this equipment, it should be placed in its original carton

and packaging. This will reduce the risk of damage during transit.

7. DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

8. DO NOT USE ANY SPRAY CLEANER OR LUBRICANT ON ANY

CONTROLS OR SWITCHES.

Connections

1. Before plugging in the power cord, make sure that the 

VOLTAGE

SELECTOR SWITCH (50)

 is set to the correct voltage.

NOTE: This product is double insulated and not intended to be

grounded.

2. Make sure that the 

POWER SWITCH (1)

 is in the OFF position.

3. The 

CS-19

 and 

CS-19R

 are supplied with 2 sets of amp output jacks.

The

 BALANCED MASTER OUTPUT JACKS

 

(44)

 are used to connect

to your main amplifier using standard XLR cables. We recommend
using the 

BALANCED MASTER OUTPUT JACKS 

if the cables to your

amp are 25 feet or more. Balanced outputs have three separate
conductors, two of which are signal (positive and negative) and one
shield (ground). Pin 1 is ground (shield). Pin 2 is signal hot (positive).
Pin 3 is signal cold (negative). The

 MASTER OUTPUT JACKS

 

(45)

  are

unbalanced and used to connect to your main amplifier. The 

OUTPUT

BOOTH JACKS (46) 

 allow you to hook up an additional amplifier.  The

RECORD OUTPUT JACKS (47)

 allow you to record your mix to a

cassette recorder, CD recorder, etc.  The 

ZONE 1 OUTPUT (48)

 and

ZONE 2 OUTPUT

 

(49)

 can be used to connect to additional amplifiers.

Summary of Contents for CS-19

Page 1: ...NUAL DEL OPERADOR MANUEL D INSTRUCTIONS CS 19 CS 19R CLUB INSTALLATION MIXER MEZCLADOR PARA CLUBES CLUB INSTALLATION MISCHPULT MÉLANGEUR RÉSERVÉ AUX CLUBS MULTI LANGUAGE INSTRUCTIONS ENGLISH PAGE 4 DEUTSCH PAGE 9 ESPAÑOL PAGE 14 FRANCAIS PAGE 19 ...

Page 2: ... 15 16 17 20 26 22 23 24 25 27 28 29 30 32 33 34 35 10 12 36 41 42 38 37 21 36 18 39 36 36 36 8 14 14 14 15 15 15 16 16 16 17 17 17 18 18 18 19 19 20 19 20 20 ON 11 2 5 7 43 9 40 3 4 31 19 19 26 19 19 CS 19R CS 19 6 7 ...

Page 3: ...Page 3 48 49 62 55 59 56 57 61 46 45 44 55 60 56 62 61 57 47 46 64 44 59 60 52 53 51 51 51 51 62 54 54 58 58 62 47 63 66 45 65 50 1 0 6dB 12dB ...

Page 4: ... volume of all sources except the MIC 1 2 inputs are lowered by 16 dB CUE LEVEL Adjusts the cue volume without affecting the overall mix Rotate this knob clockwise to increase the volume of the cue mix Rotate it counterclockwise to decrease the volume PEAK HOLD LED METER Indicates the Master Output left and right channel levels By viewing this meter you will be able to optimize your sound quality ...

Page 5: ... balance of the Master LEFT and RIGHT channels MASTER Determines the program and mic level at the Main Outputs BOOTH CONTROL Adjusts the level of the Booth Output ZONE 1 CONTROL Adjusts the level of the Zone 1 Output ZONE 2 CONTROL Adjusts the level of the Zone 2 Output PREFADERINPUTLEVELLEDMETERS ReflecttheGain High Mid Low adjustments LOOP INPUTS Brings the signal back to the mixer from an outbo...

Page 6: ... must be connected to the Phono Line inputs 54 55 56 57 LINE 6 INPUT This input accepts a line level input such as a CD player or cassette player Turntables must be connected to the Phono Line inputs 54 55 56 57 LINE 7 INPUT This input accepts a line level input such as a CD player or cassette player Turntables must be connected to the Phono Line inputs 54 55 56 57 LINE 8 INPUT This input accepts ...

Page 7: ...ut level of this channel The illuminated CUE BUTTON 20 allows you to cue the channel 5 CHANNEL 4 The GAIN 14 HIGH 15 MID 16 and LOW 17 controls allow you to fully adjust the selected source Switch 18 allows you to select the PHONO 4 LINE 4 or the LINE 5 6 7 8 or AUX INPUT The CHANNEL SLIDE or KNOB 19 controls the input level of this channel The illuminated CUE BUTTON 20 allows you to cue the chann...

Page 8: ... control the individual levels of MIC 1 and MIC 2 10 CUE SECTION Pressing the MIC CUE BUTTON 7 allows you to send your MIC output to your cue mix By connecting a set of headphones to the HEADPHONE JACK 13 you can monitor any or all of the channels A unique feature of the CS 19 and CS 19R is the CUE BUTTON 41 When you press the CUE BUTTON 41 you will send your cue mix the same mix you hear in your ...

Page 9: ...teht sind MIC 1 und MIC 2 und Talkover eingeschaltet und die Lautstärke aller Quellen außer den MIC 1 und MIC 2 Eingängen ist um 16 dB reduziert CUE PEGEL Regelt die Cue Lautstärke ohne dabei die allgemeine Klangmischung zu beeinträchtigen Diesen Knopf im Uhrzeigersinn drehen um die Lautstärke der Cue Klangmischung zu erhöhen und gegen den Uhrzeigersinn drehen um sie zu reduzieren PEAK HOLD LED ME...

Page 10: ... einer anderen Dieser Überblender reguliert die Pegel von zwei beliebigen Kanälen die ihm durch den linken und rechten Überblender Zuweisungsschalter zugewiesen sind LINKER ZUWEISUNGSSCHALTER Weist die linke Seite des Zuweisungsschalters einem der fünf Eingangskanäle zu RECHTER ZUWEISUNGSSCHALTER Weist die rechte Seite des Zuweisungsschalters einem der fünf Eingangskanäle zu REGIEPULT BALANCE Regu...

Page 11: ...onoeingang auf Die Phonoeingänge werden nur Plattenspieler mit magnetischem Tonabnehmer aufnehmen LINE 5 EINGANG Dieser Eingang nimmt einen Leitungspegeleingang auf wie ein CD Spieler oder Kassettenspieler Plattenspieler müssen an den Phono Line Eingängen angeschlossen sein 54 55 56 57 LINE 6 EINGANG Dieser Eingang nimmt einen Leitungspegeleingang auf wie ein CD Spieler oder Kassettenspieler Platt...

Page 12: ...schung mit einem Kassettenrecorder CD Recorder usw aufzunehmen Die Ausgänge von ZONE 1 48 und ZONE 1 49 können benutzt werden um zusätzliche Verstärker anzuschließen 4 Die MIC 1 und MIC 2 3 Eingänge an der Vorderwand sind Neutrik Combi Anschlüsse die entweder eine XLR Buchse oder einen 6 2 mm Standardbuchse aufnehmen Jeder MIC Eingang hat seinen eigenen individuellen TREBLE Regler 4 BASS Regler 5 ...

Page 13: ... Talkover eingeschaltet und die Lautstärke alle Quellen außer den MIC 1 und MIC 2 Eingängen ist um 16 dB reduziert Die TREBLE 4 und BASS Regler 5 ermöglichen Ihnen den Klang von MIC 1 und MIC 2 vollkommen zu regulieren Die Regler MIC 1 LEVEL 6 und MIC 2 LEVEL 6 regulieren die individuellen Pegel von MIC 1 und MIC 2 10 CUE TEIL Das Drücken der MIC CUE Taste 7 ermöglicht Ihnen den MIC Ausgang zur Cu...

Page 14: ...lkover está apagada Cuando el MIC TALKOVER SWITCH está en la posición TALKOVER el MIC 1 y el MIC 2 así como la función talkover estarán prendidos y el volumen de todas las fuentes excepto las entradas de MIC 1 2 está atenuado de 16 dB CUE LEVEL Ajusta el volumen Cue sin afectar la mezcla general Gire este botón en el sentido horario para aumentar el volumen de la mezcla Gire el botón en el sentido...

Page 15: ...ITCHES izquierdo y derecho del CROSSFADER LEFT ASSIGN SWITCH Asigna el lado izquierdo del crossfader a cualquiera de los cinco canales de entrada RIGHT ASSIGN SWITCH Asigna el lado derecho del crossfader a cualquiera de los cinco canales de entrada MASTER BALANCE Ajuste el equilibrio de los canales izquierdo y derecho del Master MASTER Determina el programa y el volumen del micrófono en las salida...

Page 16: ...s solamente aceptarán giradiscos con cartucho magnético LINE 5 INPUT Esta entrada acepta una entrada de nivel de línea tal como un lector DC o de cintas Giradiscos deben de ser conectados a las entradas Fono Línea 54 55 56 57 LINE 6 INPUT Esta entrada acepta una entrada de nivel de línea tal como un lector DC o de cintas Giradiscos deben de ser conectados a las entradas Fono Línea 54 55 56 57 LINE...

Page 17: ...ALIDA DE GRABADO 47 le permiten grabar su mezcla en un grabador de cintas grabador DC etc La ZONE 1 OUTPUT SALIDA DE ZONA 1 48 y la ZONE 2 OUTPUT SALIDA DE ZONA 2 49 se pueden utilizar para la conexión a amplificadores adicionales 4 Las MIC 1 y MIC 2 INPUTS ENTRADAS DE MICROFONOS 1 2 3 encontradas en el panel frontal son conectores Neutrik Combo las cuales aceptan un jack XLR o un jack corriente d...

Page 18: ...C 1 2 los micrófonos están prendidos el MIC INDICATOR INDICADOR MIC 8 brillará pero la función talkover estará apagada Cuando el MIC TALKOVER SWITCH 9 ocupa la posición Talkover los MIC 1 2 y la función Talkover estarán prendidos y el volumen de todas las fuentes salvo las entradas MIC 1 2 será reducido por 16 dB Los MANDOS TREBLE AGUDOS 4 y BASS BAJOS 5 le permiten ajustar completamente el tono d...

Page 19: ...lume PEAKHOLDLEDMETER COMPTEURDELPOURMAINTENIRLAQUALITEOPTIMALE Indiquelesvolumesdesvoies gauche et droite de la Sortie Principale En regardant ce compteur vous pourrez optimiser la qualité sonore et éliminer les distorsions dans le système CUE PGM PAN CONTROL En tournant cette commande à gauche pour pourrez surveiller le signal de repère assigné Si vous le tournez à droite la sortie du programme ...

Page 20: ... externe L appareil est muni de cavaliers pour l emploi avec les entrées et sorties de la boucle Gardez les cavaliers dans l appareil si vous n utilisez pas la boucle pour prévenir des interruptions de votre programme musical AUX INPUTS ENTRÉES AUX Elles permettent l accès facile pour brancher un appareil supplémentaire p e platine de magnétophone etc Il s agit d une caractéristique utile si vous ...

Page 21: ...7 LINE 7 INPUT ENTRÉE DE LIGNE 7 Cette entrée accepte une entrée de volume de ligne p e lecteur DC ou magnétophone Les platines doivent être branchées aux entrées Phono Ligne 54 55 56 57 LINE 8 INPUT ENTRÉE DE LIGNE 8 Cette entrée accepte une entrée de volume de ligne p e lecteur DC ou magnétophone Les platines doivent être branchées aux entrées Phono Ligne 54 55 56 57 PHONO LINE SWITCH COMMUTATEU...

Page 22: ...nt être utilisées pour le branchement à des amplificateurs supplémentaires 4 Les MIC 1 et MIC 2 3 INPUTS ENTRÉES DES MICROS 1 ET 2 3 retrouvées sur le panneau avant sont des connecteurs Neutrik Combo qui acceptent un jack XLR ou un jack courant de Chaque entrée micro dispose de sa propre TREBLE CONTROL 4 BASS CONTROL 5 LEVEL CONTROL 6 CUE BUTTON 7 et OVERLOAD LED 43 La MIC 3 INPUT ENTRÉE MICRO 3 5...

Page 23: ... Les TREBLE 4 et BASS 5 CONTROLS REGLAGES DES AIGUS 4 ET GRAVES 5 vous permettent d ajuster entièrement la tonalité ton des micros 1 et 2 MIC 1 LEVEL 6 et MIC 2 LEVEL 6 commandent les volumes individuels des micros 1 et 2 10 CUE SECTION SECTION DE REPÈRE Le fait d appuyer sur le MIC CUE BUTTON TOUCHE DE REPÈRE MICRO 7 vous permet d envoyer votre sortie micro à votre mélange de repère En branchant ...

Page 24: ...otice and does not represent a commitment on the part of the vendor Gemini Sound Products Corp shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic electrical mechanical optical chemical including phot...

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