Endorphin.es ANDREW HUANG GHOST 16hp Manual Download Page 16

 

 

 Split your techno 909­style kick drum and apply it into 

AUDIO IN 1

 

 Set the 

DISTORTION 

and 

COMPRESSOR 

knobs to own taste, usually around 12 

o’clock 

 Set the 

VCF 

filter type to normal 

LP/HP

 and set the filter 

FREQUENCY

 knob around 11 

o’clock 

 Apply clock from your sequencer into 

CLOCK IN

 jack (typically expected in 16

th

 notes) 

and set the 

TIME/DIV

 knob to obtain desired repeats. Set 

DELAY DRY/WET

 and 

REPEATS

 to own taste, usually both around 12 o’clock 

 Enable 

REVERSED REVERB 

by 

R HOLD/reverse*

. Set 

REVERB DRY/WET

 

and 

TAIL

 to your own taste until you obtain a whooshing sound. For proper groove set the 

pre­delay amount by 

R TAIL/preleday*

 to approx. 12 o’clock 

 Apply kick­drum trigger into 

SIDECHAIN TRIG IN

 jack. Set the ducking envelope 

amount to 50% with 

R SIDECHAIN

 to 12 o’clock. Then move 

SIDECHAIN

 knob 

alone to around 10­11 o’clock to catch the proper pumping time 

 Mix the sound from 

AUDIO OUT 1/2

 with the original kick drum using a mixer such as 

Cockpit 2 

 

TIP:

 it is best to keep your low end consistent or even better ­ MONO. So when using the 

delay to create the rumble, set 

TAPS DISTRIBUTION

 to STEREO mode via 

ROUTING

 + 

TAP 

to avoid PING­PONG effect or simply only use

 AUDIO OUT 1

 

GHOST DRONE 

ROUTING 3

 

GHOST structure and multidimensional modulation matrix is capable of producing dark 
drones and ephemeral soundscapes full of texture and harmony.  

 Set the 

ROUTING 

mode to the third order (

VCF

FX

DISTORTION

) when 

ROUTING

 

button LED is off when 

ROUTING

 button is fully lit 

 Select the 

COMB FILTER 

by pressing the 

R FILTER

 

BUTTON 

and set the 

RESONANCE

 fully CW

 

 Patch a variable waveform oscillator into the 

AUDIO IN 1

, SAW and SQUARE waves 

work best. Feed an additional envelope or LFO to the 

pre VCA input 

on the GHOST to 

create movement. Patch the 

AUDIO OUT 1/2

 to your mixer

 

 Set 

DELAY DRY/WET

 to 80% with 

REPEATS

 around 30­40%, adjust the

 

REPEATS/tone*

 by pressing the 

R REPEATS

 knob to around 13:00 ­ 14:00. 

Sync the delay by sending a clock from your sequencer into the 

CLOCK IN

 and leave 

TIME/DIV

 knob at 12:00 

 Set 

REVERB DRY/WET

 to 60% with a moderate 

TAIL

 amount at around 40%. Adjust 

the 

PRE­DELAY

 by pressing the 

R turning the TAIL/predelay* knob

 to 

approximately 70­80% 

Summary of Contents for ANDREW HUANG GHOST 16hp

Page 1: ...FIRMWARE V 1 00 RC...

Page 2: ...F DISTORTION DIST 12 THREE FLAVORS OF FILTER VCF 12 SPATIAL EFFECTS FX 12 ADVANCED DELAY PARAMETERS 13 ADVANCED REVERB PARAMETERS 13 DYNAMICS SHAPING 14 COMPRESSOR 14 SIDECHAIN DUCKING 14 RESET 14 PAT...

Page 3: ...proper connecting The warranty covers replacement or repair as decided by us Please contact us via email for a return authorization before sending anything Shipping costs of sending a module back for...

Page 4: ...ol for Karplus Strong various taps settings with up to 2 5 sec maximum delay time 8x oversampled distortion algorithm pre and post VCA controls Tone and Volume controls with extra gain drive reserve I...

Page 5: ...le with the RED BROWN STRIPE label on the module that corresponds to 12V to the 10 pin connector and with typically a white line for the 16 pin connector on the bus board TECHNICAL SPECIFICATIONS Widt...

Page 6: ...INTERFACE...

Page 7: ...ver the distortion level 6 CLIP LED lights up when clipping occurs at the distortion stage 7 FREQUENCY KNOB manual control over the FILTER CUTOFF 8 VCF CV INPUT JACK 5V 5V CV input for the FILTER CUTO...

Page 8: ...emi lit shown by the symbol under it Secondary function ROUTING TAPS changes the stereo behavior of the taps produced by the delay Available delay tap configurations are LRLR left and right summed tap...

Page 9: ...COMB FILTER with resonator by using the ROUTING BPF COMB button combo When the COMB FILTER is activated the button is semi lit shown by the symbol under it A second press on the button switches back...

Page 10: ...1 OUT 2 JACKS final stereo audio outputs OUTPUT 1 is typically left and OUTPUT 2 is typically right OUTPUTS 1 2 can drive headphones or be used as separate mono L R outputs connected with mono cables...

Page 11: ...LAY REVERB FX DISTORTION and VCF blocks 1 FX DISTORTION VCF 2 DISTORTION VCF FX 3 VCF FX DISTORTION The selected order is shown by the brightness of the ROUTING button and written as a hint on the fac...

Page 12: ...knob behavior in Comb filter is special it is bipolar so from noon it either adds negative CCW or positive combs CW SPATIAL EFFECTS FX This chain of audio effects a k a FX consists of a delay which i...

Page 13: ...blinks twice the tap pattern is LRRL When the TAP button blinks 3 times STEREO mode is selected where the delay taps appear on either L or R output only when there is something present on L or R inpu...

Page 14: ...ormance Compressor behavior varies on the audio material and music taste We recommend setting for 12 o clock for ambient pads and full clockwise setting for obtaining snappy drums SIDECHAIN DUCKING Si...

Page 15: ...is will trigger an internal envelope that will come out from the ENVELOPE OUT The decay of the envelope is controlled by the SIDECHAIN knob Patch the signal from the ENVELOPE OUT to either DELAY DRY W...

Page 16: ...your low end consistent or even better MONO So when using the delay to create the rumble set TAPS DISTRIBUTION to STEREO mode via ROUTING TAP to avoid PING PONG effect or simply only use AUDIO OUT 1...

Page 17: ...or phone will work we advise you to disable all notifications flight mode so that the update is not interrupted 1 Power OFF your modular system 2 Unplug all the cables from GHOST except a simple mono...

Page 18: ...or without any effects applied EQ etc CREDITS ENDORPHIN ES x ANDREW HUANG GHOST FIRMWARE VERSION 1 00 COLLECTION SPRING SUMMER 2023 Module idea and concept by Andreas Zhukovsky and Andrew Huang Hardwa...

Page 19: ...mply with the limits for a Class A digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference when the equipment is ope...

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