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THREE FLAVORS OF DISTORTION
DIST
/GAIN:
digital input gain (3) capable of light saturation, adjusted with
ROUTING
+
TONE/gain*
DISTORTION:
8x oversampled distortion algorithm with a single (8) knob
control
/DRIVE:
final output saturator when
VOLUME
(34)
is pushed to the top of its
range, as indicated around the knob on the panel
THREE FLAVORS OF FILTER
VCF
Bipolar
LP/HP
filter
BANDPASS
filter (
BPF
)
COMB
filter with resonator at high resonance settings.
To switch the filter type you simply press the
BPF/COMB
button. A single press will
switch the filter type to a bandpass, and a combination of
ROUTING
+
BPF/COMB
buttons will change the filter type to Comb, which is also capable of
selfoscillation at full CW or CCW
RESONANCE
settings. Resonance knob behavior
in Comb filter is special: it is bipolar, so from noon it either adds negative (CCW) or
positive combs (CW).
SPATIAL EFFECTS
FX
This chain of audio effects (a.k.a.
FX
) consists of a delay which is then routed into
the reverb with mid/side widener.
DELAY:
stereo delay with 1v/oct tracking, capable of KarplusStrong
synthesis. The delay can be synchronized externally via
CLOCK IN
, or by using the
onboard
TAP TEMPO BUTTON
, with maximum delay time of 2.5 seconds. Three
configurations of delay taps are available, toggled between by holding the
ROUTING
button and short pressing the
TAP
button. Delay tap configurations are
LRLR, LRRL,
and
STEREO
mode, also known as true stereo, where taps will appear
at
OUT 1 or OUT 2
only if something is present at
IN 1
or
IN 2
respectively.
REVERB:
lush stereo hall reverb with additional controls and configurations
such as tail decay adjustment, predelay adjustment, reverse reverb and audio
freezing.
Summary of Contents for ANDREW HUANG GHOST 16hp
Page 1: ...FIRMWARE V 1 00 RC...
Page 6: ...INTERFACE...