Insert:
Post HP filters, EQ. & Limiter.
Send and return to auxiliary equipment. (eg: Outboard compressor / limiter,
equalizers and multi-track recorders).
Can be changed to Direct out, Prefader only. (See application note AN 2A & 2B v.2)
Direct Out:
Post channel fader. (eg: feed to playback systems. Direct feed to multi-track
recorders)
See balanced out option for pre or post fader outputs.
2 Holes above Ch. 1 & 2 on rear panel:
Machined for XLR connectors. (eg: stereo input channels)
(General: All internal jumpers are mechanical, do not require soldering.)
Output Section:
4 main + 2 aux outs.
SL (slate):
Down = Slate + 27 HZ LF tone.
For slating takes where a LF tone is desired. The tone is set at -16 dB on the
PPM meters. When the takes are played back at high speed, the LF tone
becomes audible to indicate the front end of recorded takes. Internal trimmer
adjusts this LF tone level.
Up = no LF tone. (Slate to outputs assigned by AB, CD, Aux. switches).
Osc. (oscillator):
Level set by trimmer above this switch. Frequency is selected by a toggle
switch above the level trimmer.
Ext. Slate:
Up = Internal, Down = External. (see rear panel.)
Slate amp. level controlled by trimmer below this switch.
Roll 1, 2:
Center off switches.
Can independently control recorders, depending on the pins selected on the roll
connectors on the rear panel. (See application note AN 1 v.2)
Up = Record
Down = Stop, pause.
PL 2 & 3:
Assigns private line to monitor 2 or 3 only or both (center position). Level
(private line)
controlled by trimmer below the switch.
AB, CD, Aux:
Assigns slate and oscillator to these outputs. There is an option to further split the oscillator and
slate feeds to either Aux 1 only or Aux 1 and Aux 2.
Mic:
Internal slate mic.
Monitor 1
Main phones out, two jacks are provided on front panel.
Section:
Solo, Off, On
Any combination of busses can now be monitored.
Selected busses can be monitored in mono, stereo or M/S.
To facilitate checking of busses, it is recommended to assign the main monitor requirements to
the ‘on’ position and spot check by soloing the other inputs. This is quicker than assigning the
mains to solo as there is no need to switch off the other busses.
Note:
‘On’ function - when more than two busses are selected, the signal level will increase to the
headphones. Turn down phones level if necessary - especially when using the line up tone
(osc.).
MODEL CS 208 v2
OPERATIONAL & APPLICATION NOTES
MAY 2003
23
Summary of Contents for CS 208 V2
Page 9: ...MODEL CS 208 v2 CSST STEREO MODULE MAY 2003 7 Overload indicator...
Page 14: ...MODEL CS 208 v2 MAY 2003 BLOCK DIAGRAM 12 INPUT POWER...
Page 15: ...MODEL CS 208 v2 BLOCK DIAGRAM MAY 2003 13 MONITOR OUTPUT...
Page 16: ...MODEL CS 208 v2 MAY 2003 EQ CHARTS 14...
Page 17: ...MODEL CS 208 v2 LAYOUTS MAY 2003 15...
Page 18: ...MODEL CS 208 v2 MAY 2003 LAYOUTS 16...
Page 19: ...MODEL CS 208 v2 LAYOUTS MAY 2003 17...
Page 20: ...MODEL CS 208 v2 MAY 2003 CSST LAYOUTS 18...
Page 21: ...MODEL CS 208 v2 Basic SET UP METERING MAY 2003 19 OPERATING GUIDELINES...
Page 28: ...MODEL CS 208 v2 MAY 2003 AN 1 v2 REMOTE ROLLS 26...
Page 29: ...MODEL CS 208 v2 AN 2A INPUT CHANNEL OPTIONS MAY 2003 27...
Page 34: ...MODEL CS 208 v2 MAY 2003 32 AN 3 v2 COMMUNICATIONS IN MULTIPLE INPUTS...
Page 35: ...MODEL CS 208 v2 CABLE WIRING SUGGESTIONS MAY 2003 33...
