ARTIST
SPECIAL FX
SPECIAL FX
Recommended settings for major guitar amps
G9.2tt Patch List
Fender TWIN Reverb
Marshall JCM-2000
Roland JC-120
Live performance patches (U0〜U9, A0 〜A9)
Recording patches (u0〜u9, b0〜b9)
Recording patches (u0〜u9, b0〜b9)
The recommended settings shown above are for the FRONT setting of the amp select feature.
If a recording patch is selected while using a guitar amp, the desired effect may not be obtained and the sound may be unpleasant. Adjust the amp settings using
the above examples as reference.
The recommended settings shown above may need fine-tuning according to usage condition of the amplifier.
Live performance patches (U0〜U9, A0〜A9)
0
2
4
6
8
10
PRESEMCE
0
2
4
6
8
10
TREBLE
0
2
4
6
8
10
MIDDLE
0
2
4
6
8
10
BASS
0
2
4
6
8
10
CHANNEL B
0
2
4
6
8
10
EQUALISATION
REVERB
DEEP
TONE SHIFT
0
2
4
6
8
10
VOLUME
0
2
4
6
8
10
VOLUME
0
2
4
6
8
10
GAIN
INPUT
0
2
4
6
8
10
GAIN
CHANNEL
CLASSIC GAIN
/ CHANNEL A
CLEAN
CRUNCH
READ 1
READ 2
OFF
OFF
OFF
OFF
0
2
5
4
2
Recording patches (u0〜u9, b0〜b9)
Live performance patches (U0〜U9, A0〜A9)
6
7
8 9 10
1
2
3
4
5
6
7
8
9
10
1 2 3 4
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
VOLUME
BRIGHT
TREBLE
MIDDLE
BASS
1
2
NORMAL
8.5
5
5
OFF
6
7
8 9 10
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
VOLUME
BRIGHT
TREBLE
MIDDLE
BASS
1
2
NORMAL
4.5
5
5
OFF
0
2
4
6
8
10
PRESEMCE
0
2
4
6
8
10
TREBLE
0
2
4
6
8
10
MIDDLE
0
2
4
6
8
10
BASS
0
2
4
6
8
10
CHANNEL B
0
2
4
6
8
10
EQUALISATION
REVERB
DEEP
TONE SHIFT
0
2
4
6
8
10
VOLUME
0
2
4
6
8
10
VOLUME
0
2
4
6
8
10
GAIN
INPUT
0
2
4
6
8
10
GAIN
CHANNEL
CLASSIC GAIN
/ CHANNEL A
CLEAN
CRUNCH
READ 1
READ 2
OFF
OFF
OFF
OFF
0
0
1
5
2
5
0
10
5
0
10
5
0
10
5
0
10
HIGH
BRI
VOLUME
TREBLE
CHANNEL-1
MIDDLE
BASS
LOW
5
5
5
5
5
5
OFF
5
0
10
5
0
10
5
0
10
5
0
10
HIGH
BRI
VOLUME
TREBLE
CHANNEL-1
MIDDLE
BASS
LOW
5
0
10
0~3
0
10
0~3
OFF
Normal Clean
Tube Pre-amp
Recommended Accelerator settings
Settings for clean tone with low
distortion levels
Settings for adding tube compression
Clean-Tube Mix
Settings for mixing solid state clean
sound and tube distortion
The wild and mighty fuzz sound of guitar god Jimi Hendrix. Push the pedal down and be transported to Woodstock in 1969. Shake the earth with your
thundering riffs. Channel A of the REC patch(u6-2) simulates the Marshall 1959 sound.
A/B
Phaser on
MS Crunch
FuzzFace
Vibe : Rate
Hall : Mix
u6
-2
v6
-2
Hendrix
The Cream hit "Badge" which they also played at their reunion concert is driven by its beautiful melody and an enchanting combination of crunch and rotary speaker sound. That is the
sound contained in this patch. By assigning multiple effects to the pedal, even the speed control of the rotary speaker is convincingly reproduced. Channel A is a clean sound variation.
A/B
DelayTAP
Z Clean
UK Blues
AutoPan : Rate
Echo : Mix
u6
-3
v6
-3
Cream
Simulates the special drive sound of Billy Gibbons who gained fame as the guitarist of ZZ Top. When you push the Z-pedal hard, delay is added, and
horizontal movement adds chorus. Hold your guitar way down low and start the hard boogie. Channel B is high-gain variation.
A/B
BPM TAP
FZ+M_Stk
FZ+M_Stk
Delay : Mix
Chorus : Mix
u6
-4
v6
-4
ZZ Drive
This patch is modeled on the definitive clean tone of Stevie Ray Vaughan. Great for fast chord cutting and dynamic stroking. Use heavy-gauge strings to
play some Texas Blues. Channel B contains TS+F̲Cmb drive sound.
A/B
Wah on
FD Clean
TS+F_Cmb
Vibe : Balance
Vibe : Rate
u6
-5
v6
-5
SRV
Simulates the lead tone of super guitarist Joe Satriani. The sound of the orange Boss DS-1, the quintessential distortion pedal, is a good match for
phrases that require real mastery of technique. Channel B features high-gain Marshall sound.
A/B
Delay on
DS-1
MS Drive
CombFilter : Frequency
Delay : Mix
u7
-1
v7
-1
SatchDST
Steve Lukather is largely responsible for the sophisticated sound of Toto that swept the world. In the eighties, he was using the clean tone that is
simulated by this patch. Channel B will let you produce the flashy lead sound of the Mesa Boogie Rectifier. Classic rock'n roll has never sounded better.
A/B
DelayTAP
Z Clean
Rect Vnt
Delay : Mix
ST-Chorus : Mix
u7
-2
v7
-2
LukeCLN
The Santana sound is perennially popular among rock fans the world over, but the band also often collaborated with major Jazz artists. That sweet and drawn out Santana
lead tone is simulated by this patch. Choke your guitar at the upper end and immerse yourself in "Europe". Channel A contains a variation with reduced drive.
A/B
Arena on
BG Crunch
BG Crunch
( PedalVox : Frequency )
AMP : Gain
u7
-3
v7
-3
Santana
This patch simulates the Rockabilly sound of Brian Setzer who became instantly famous for his "Dirty Boogie" album. The quality feel of the sound will
have you swinging in a heartbeat. The TweedBass setting in channel A has reduced gain and a less pronounced tone.
A/B
PRE-AMP on
TweedBass
TweedBass
ModernSpring : Mix
Echo : Mix
u7
-4
v7
-4
B.Setzer
Simulates the sound of guitar magician Brian May who created the dramatic allure of Queen. Use the Z-pedal to blend the alternating right/left delay with the harmonized
pitch shifter to weave some guitar magic. Channel A is a Vox crunch sound suitable for backing. Channel B of the REC patch (u7-5) provides PV Drive sound.
A/B
Hold Delay
VX Crunch
ENGL Drv
PingPongDly : Mix
H.P.S : Mix
u7
-5
v7
-5
BrianDly
In the nineties, Kurt Cobain of Nirvana changed the music scene forever, with his grunge sound making dramatic use of distortion and modulation. This
patch will make you want to play those riffs from "Smells Like Teen Spirit". Channel A recreates the clean sound for the intro.
A/B
Ensemble on
Z Clean
BigMuff
AMP-B : Gain
Ensemble : Mix
u8
-1
v8
-1
KurtDRV
This flanger based jet sound is the signature sound of hard rock. Move the Z-pedal in the horizontal direction to adjust the flanger amount. The REC patch (u8-2)
gives you two fighter planes that cross the stage from right and left when you move the Z-pedal horizontally. Channel A is a clean sound suitable for arpeggios.
A/B
X-Flanger on
Z Clean
HotBox
X-Flanger : Rate
X-Flanger : X-Fade
u8
-2
v8
-2
X-Flange
This patch lets you move the effect sound with the Z-pedal, to create an intriguing space effect. In addition, Z-Echo gives you a time stretch that
resembles analog delay. Channel A is a high-gain sound modeled on the Diezel Herbert channel 3.
A/B
Z-Echo on
FD Clean
DZ Drive
X-Dimension : Depth
X-Dimension : Pan
u8
-3
v8
-3
PedalPan
Spectacular rotary speaker simulation using three types of modulation. Use function foot switch 1 to change from the drive sound of channel B modeled on the Marshall
Bluesbreaker amp to the Z Clean sound. The vertical direction of the Z-pedal controls the rotation speed, and movement in the horizontal direction adds delay.
A/B
DelayTAP
Z Clean
UK Blues
AutoPan : Rate
AnalogDelay : Mix
u8
-4
v8
-4
Rotary
This patch produces utterly clean, transparent sound. The Z-pedal allows versatile control of the phaser sound and echo sound. Channel B contains drive
sound modeled on the TS808.
A/B
BPM TAP
HW Clean
TS808
FixedPhaser : Frequency
Echo : Mix
u8
-5
v8
-5
PdlPhase
This patch produces an enigmatic sound that uses the oscillator effect. The Z-pedal lets you choose between guitar sound and synthesizer sound.
Channel A is a crunch sound modeled on the Fender Bassman.
A/B
Delay on
TweedBass
HotBox
Z-Oscillator : Balance
Z-Oscillator : Portament
u9
-1
v9
-1
Gt-Osc
Clean sound featuring ZOOM's traditional bend chorus. Play a solo with a Pop style bend, a great match for bands with alluring female vocals. Channel B is a clean
sound variation using JazzChorus. In the REC patch (u9-2), Z-Delay is assigned to the pedal, allowing you to change the position of the delay sound only.
A/B
BPM TAP
Z Clean
JC Clean
BendChorus : Balance
Hall : Mix
u9
-2
v9
-2
Bend4T
This patch produces a sound like bubbles forming under water. By moving the Z-pedal, you can make the bubbles burst. When listening with headphones, you'll feel immersed in a liquid universe.
As the name "SFX G9" indicates, this kind of sound is possible with the G9 only. Every guitarist is sure to find new inspiration here. Channel B contains dramatic BigMuff type fuzz sound.
A/B
BPM TAP
FD Clean
BigMuff
Z-Step : Frequency
Z-Step : Mix
u9
-3
v9
-3
SFX G9
This Theremin style sound using the Z-Oscillator is generated when you move the Z-pedal. Expect to be amazed by a sound that goes far beyond what
guitar effects normally offer. Added reverb and delay help to create a fantastic world.
A/B
DelayTAP
Rect Vnt
Rect Vnt
Z-Oscillator : Frequency
Z-Oscillator : Balance
u9
-4
v9
-4
Pdl-Osc
Drive sound using the ring modulator. Moving the Z-pedal alters the Z-Echo Time parameter and the RingModulate Frequency parameter assigned to the
pedal, resulting in a spacy sound. Channel A contains a Fender Twin Reverb clean sound.
A/B
Z-Echo on
FD Clean
DZ Crunch
RingModulate : Balance
RingModulate : Frequency
u9
-5
v9
-5
RingMod
For LIVE use
For REC use
FUNCTION1
FUNCTION2
Z-Pedal ( Expression
pedal 2 )
PRE-AMP
CHANNEL
A
PRE-AMP
CHANNEL
B
Patch name
For LIVE use
For REC use
FUNCTION1
FUNCTION2
Z-Pedal ( Expression
pedal 2 )
PRE-AMP
CHANNEL
A
PRE-AMP
CHANNEL
B
Patch name
＊
＊
＊
＊
The amp channel indicated by shading will be selected when the patch is called up.
＊
The Z-pedal setting indicates the effect type name and the parameter name. Expression pedal 1 is always assigned to the Volume parameter.
＊
The symbol indicates the vertical direction setting and the symbol the horizontal direction setting.
＊
An effect listed in brackets ( ) in the Z-pedal setting can be turned on by depressing the pedal fully.
G9.2tt-Patchlist-E-1
