＊
When connected to a guitar amplifier, select the "For LIVE use" patches. When connected to a recorder or similar equipment, select the "For REC use" patches.
＊
Banks A and b of the preset area contain the same patches as banks U and u.
＊
The noise reduction setting may have to be adjusted according to the guitar and amplifier you are using.
G9.2tt Patch List
DEMO
MODELING
ARTIST
MODELING
For LIVE use
For REC use
FUNCTION1
FUNCTION2
Z-Pedal ( Expression
pedal 2 )
PRE-AMP
CHANNEL
A
PRE-AMP
CHANNEL
B
Patch name
This patch simulates the new-generation warming sound of Rage Against The Machine guitarist Tom Morello. Moving the Z-pedal in the vertical direction gives a 1-octave higher pitch change, and the
horizontal direction adds one more octave, for extreme pitch changes. Channel A is modeled on the Diezel Herbert high-gain setting, and channel B on channel 1 clean sound of the Peavey 5150.
A/B
Phaser on
DZ Clean
PV Drive
Z-MonoPitch : PdlPosi V ( +1 Oct )
Z-MonoPitch : PdlPosi H ( +2 Oct )
u0
-1
v0
-1
G9 Drive
This patch is modeled on the clean tone of the Hiwatt Custom 100 with its lively midrange. The typical saturation characteristics of a tube amp are
faithfully preserved, resulting in confident, responsive sound. Immerse yourself in the sultry clean tone of a British amp. Channel B is a tonal variation.
A/B
DelayTAP
HW Clean
HW Clean
Delay : Mix
Chorus : Mix
u3
-2
v3
-2
HiWatt
Simulation of the Vox AC30TBX crunch sound with the smooth high range typical of a class A amplifier, and its delicately detailed distortion. When you play a chord, the
sound virtually jumps from the speaker in a way that is just not possible with other amps. Channel A gives the beautiful clean tone that is another hallmark of a class A amp.
A/B
Tremolo on
VX Clean
VX Crunch
Tremolo : Rate
Tremolo : Depth
u3
-3
v3
-3
AC30TBX
This patch simulates the smooth drive sound of the Hughes & Kettner Triamp MKII. Let the powerful low end and ample distortion propel your lead play.
Channel A recreates the sound of the class A amp in the clean channel of the Triamp MKII.
A/B
DelayTAP
HK Clean
HK Drive
AnalogDelay : Mix
AnalogDelay : FeedBack
u3
-4
v3
-4
TriAmp
Sound modeled on the Fender Tweed Deluxe beloved by many Blues greats. Dry crunch sound with just the right amount of sustain brings out delicate
shifts in dynamics that make all the difference. Lay your heart into those picking nuances. Channel B contains a Tweed Deluxe sound variation.
A/B
BPM TAP
US Blues
US Blues
E/Reflection : Mix
TapeEcho : Mix
u3
-5
v3
-5
TweedDLX
The Marshall Bluesbreaker simulated by this patch is not an amp that provides heavy distortion like the Marshall JCM series. Its crunch sound faithfully follows
each picking nuance and has the classic ring of British Blues in the vein of Eric Clapton. Channel B contains a variation with stronger drive feeling.
A/B
MultiWah on
UK Blues
UK Blues
( MultiWah : Frequency )
TiledRoom : Mix
u4
-1
v4
-1
Breaker
Channel A of this patch contains the clean sound of a Fender Twin Reverb, while channel B recreates the crunch sound of the Fender Bassman. With
these two great choices, you can make optimum use of the stereo chorus while playing a wide variety of styles.
A/B
ST-Chorus on
FD Clean
TweedBass
ST-Chorus : Mix
ModernSpring : Mix
u4
-2
v4
-2
W Fender
This patch simulates the Deep setting of the Diezel amp known for its hard, high-gain tone, used extensively by bands such as Metallica. It is best suited
to playing guitar with drop tuning. Combination with Gate produces a dramatic and startling sound. Channel A is a Marshall crunch sound.
A/B
DelayTAP
MS Crunch
DZ Drive
PdlMonoPitch : PdlPosi
Echo : Mix
u4
-3
v4
-3
Metallic
Simulation of the famous Ritchie Blackmore sound. Channel A emulates the Marshall 1959 and channel B the ENGL Drv setting for Deep Purple and
Rainbow sound, respectively. Press function foot switch 2 to turn the booster on and get that great tone for lead play.
A/B
Booster on
MS #1959
ENGL Drv
Ensemble : Mix
Echo : Mix
u4
-4
v4
-4
BlackMor
The ideal sound for playing surf rock in the style of The Shadows or The Ventures. Get those phrases flowing and catch the wave. Move the Z-pedal
sideways to use both phaser and tremolo. Channel B is a dry sound using modeling of dist +.
A/B
BendChorus on
FD Clean
dist+
X-Vibe : TRM Rate
X-Vibe : X-Fade
u4
-5
v4
-5
SurfRock
Simulates the punk rock sound pumped out by Offspring. The drive feeling will make you want to hit those power chords, but the sound still retains
enough crispness for speedy playing. Channel B notches up the aggressiveness with DZ Drive.
A/B
Delay on
Rect Mdn
DZ Drive
( Delay : Mix )
Room : Mix
u5
-1
v5
-1
Smash
Simulates the sound of the famous U2 guitarist Edge who jumped onto the world scene in the 1980s. Moving the Z-pedal sideways produces clear echo
sound. Make optimum use of the pedal for those impressive solos. Channel B offers BigMuff type fuzz sound.
A/B
BPM TAP
HW Clean
BigMuff
ST-Chorus : Mix
Echo : Mix
u5
-2
v5
-2
The Edge
Simulates the loud and super-distorted sound of Slipknot, a major band on the modern heavy music scene. Moving the Z-pedal vertically gives the sound
a more metallic ring, while the horizontal direction adds ambience for solos. Channel A provides Z Clean sound.
A/B
RingModulate on
Z Clean
DZ Drive
RingModulate : Frequency
AnalogDelay : Mix
u5
-3
v5
-3
NotSubtl
This patch simulates the heavy auto wah sound of Stevie Salas. It uses the comp auto wah combination indispensable for true funk. Make free
use of brushing and single-note cutting to play those groovy phrases. Channel A contains a clean sound.
A/B
AutoWah on
Z Clean
Guv'nor
AutoWah : Resonance
Room : Mix
u5
-4
v5
-4
SalasWah
Simulates the octaver sound cherished by Jeff Beck. It's the ideal patch for playing passages in the fluid driving style of his famous song "Led Boots".
Adjust the octaver level with the pedal. Channel A provides a Fender Twin Reverb clean sound.
A/B
DelayTAP
FD Clean
RAT
Octave : OctLevel
Echo : Mix
u5
-5
v5
-5
BeckOct
Clean tone like the choking guitar of the king of Blues, Mr. BB King. Recreate the moody solo from "The Thrill Is Gone", and use the pedal to control the
ambience. Channel B has a drive sound modeled on the Marshall Bluesbreaker.
A/B
DelayTAP
FD Clean
UK Blues
Echo : Mix
ModernSpring : Mix
u6
-1
v6
-1
KingTone
Ultimate clean tone recreating the saturation of a tube amp. Select either American Fender sound (channel A) or British Vox sound (channel B). By
making use of the Energizer tube circuitry, the sound can be given additional sheen.
A/B
Hold Delay
FD Clean
VX Clean
ModernSpring : Mix
AnalogDelay : Mix
u0
-2
v0
-2
CleanCMB
Versatile overdrive sound very popular in Fusion and Crossover of the nineteen-eighties. When playing a guitar solo, increase the gain by pushing down
the Z-pedal. Add delay by moving the Z-Pedal sideways. Channel A offers Z Clean sound for cutting.
A/B
BPM TAP
Z Clean
OverDrive
AMP-B : Gain
Delay : Mix
u0
-3
v0
-3
CrosOver
Compression + phaser sound great for funky cutting. Cross-fade the regular phaser with the original sound by moving the Z-pedal sideways. Add
brushing and single-note riffs to really build that groove. Channel A is a clean sound variation based on the Fender Twin Reverb.
A/B
Step on
FD Clean
VX Clean
X-Phaser : Rate
X-Phaser : X-Fade
u0
-4
v0
-4
X-Phase
This patch is ideal for some tricky guitar play. Use the Z-pedal with one foot and turn into Steve Vai. Control wah with vertical pedal movement and
operate a mono pitch shifter in real time with horizontal pedal work. Channel A contains the Marshall 1959 crunch sound with moderate gain.
A/B
PdlMonoPitch on
MS #1959
MS Drive
PedalVox : Frequency
PdlMonoPitch : PdlPosi
u0
-5
v0
-5
Wah&Pit!
Make the guitar talk with the Z-pedal. Moving the pedal in a V-shaped pattern during chord stroking creates a back-up chorus. Or switch to channel B
with the Fuzz Face sound for stronger impact. Channel A of the REC patch (u1-1) contains Z Clean sound.
A/B
DelayTAP
OFF
FuzzFace
Z-Talking : Formant V
Z-Talking : Formant H
u1
-1
v1
-1
Z-Talker
Dry sound reminiscent of the seventies. Gradually moving the Z-pedal vertically brings up from the "woman tone" of Eric Clapton to brighter tone. Channel
A is a combination of Fender combo amp and Ibanez TS-9 crunch sound.
A/B
DelayTAP
TS+F_Cmb
SD+M_Stk
P-Resonance : Frequency
AnalogDelay : Mix
u1
-2
v1
-2
'70s Dry
Psychedelic morphing sound using reverse delay. Let the pedal take you from the real world (Arena) to the world of fantasy (Reverse Delay), and back
again. Channel B gives a heavily distorted Marshall sound.
A/B
P-Resonance on
Z Clean
MS Drive
ReverseDelay : Balance
P-Resonance : Frequency
u1
-3
v1
-3
Morphing
A patch that adds harmony in C major and delay to lead crunch sound. The Z-pedal lets you freely control the mixing ratio of delay and harmonized pitch
shifter. Why not try your hand at guitar orchestration using delay tap and the Z-pedal. Channel A is a clean sound based on the same Vox AC30TBX.
A/B
DelayTAP
VX Clean
VX Crunch
Delay : Mix
H.P.S : Mix
u1
-4
v1
-4
HarmonyC
This patch uses the acoustic effect to modify the sound of an electric guitar in electroacoustic style. The beautiful ambience creates a Jazzy feel.
Recommended for use with single-coil front pickups. Channel B provides the Fender Twin Reverb clean sound.
A/B
Ensemble on
Aco.Sim
FD Clean
Hall : Mix
Delay : Mix
u1
-5
v1
-5
AcoJazz
A patch modeled on the legendary Marshall 1959 SuperLead 100 used extensively by numerous rock guitarists. Enjoy distortion that is slightly different from
modern high-gain stack amps. Pushing the Z-pedal all the way down turns vibrato on. Channel A is a variation of the same amp with lower gain setting.
A/B
Booster on
MS #1959
MS #1959
( Vibe : Rate )
Spring : Mix
u2
-1
v2
-1
MS#1959
This patch simulates the sound of the ENGL E650 Ritchie Blackmore Signature 100. Ample distortion but never muddy, that is what Ritchie Blackmore's
sound is all about. Moving the Z-pedal horizontally brings X-WAH into play. Channel A is a variation of the same amp with lower gain setting.
A/B
Delay on
ENGL Drv
ENGL Drv
X-Wah : Frequency
X-Wah : X-Fade
u2
-2
v2
-2
ENGL
Simulates the high-gain sound of the Mesa Boogie Rectifier, a world-wide standard for heavy music. Warm sound with a strong presence provides a
mighty buildup whether playing riffs or lead. Channel A provides the clean channel sound (Rect Cln).
A/B
Hall on
Rect Cln
Rect Vnt
Hall : Mix
Chorus : Mix
u2
-3
v2
-3
Rectify
A simulation of the Roland JazzChorus sound with its beautiful chorus-based clean tone. Every guitarist needs a transparent clean sound with a wide range of uses, for cutting, arpeggios
and many other situations. Stereo chorus can be turned on and off with the function foot switch. Channel A offers a tone variation of the same JazzChorus.
A/B
ST-Chorus on
JC Clean
JC Clean
ST-Chorus : Mix
Hall : Mix
u2
-4
v2
-4
J-Chorus
This patch recreates both the Marshall JCM800 and JCM2000. Channel A is modeled on the characteristically solid crunch sound of the JCM800, while channel B brings
you the higher gain sound of the JCM2000. Toggle between channels A and B with the function foot switch, for quick access to two types of Marshall sound.
A/B
MultiWah on
MS Crunch
MS Drive
( MultiWah : Frequency )
Hall : Mix
u2
-5
v2
-5
800/2000
A simulation of the Diezel Herbert high gain sound popular among guitarists who want that extra heavy impact. Dry and penetrating distortion not available with other amps
sharply etches the outlines also of a heavily down-tuned guitar. Channel A uses "DZ Clean" which simulates the Diezel Herbert channel 1 with ultra-clean, transparent tone.
A/B
AutoWah on
DZ Clean
DZ Drive
Z-MonoPitch : PdlPosi V ( +1 Oct )
Z-MonoPitch : PdlPosi H ( +1500 Cent )
u3
-1
v3
-1
Diezel
G9.2tt-Patchlist-E-1
Continued overleaf
＊
Manufacturer names and product names mentioned in this document are trademarks or registered trademarks of their respective
owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION.
For LIVE use
For REC use
FUNCTION1
FUNCTION2
Z-Pedal ( Expression
pedal 2 )
PRE-AMP
CHANNEL
A
PRE-AMP
CHANNEL
B
Patch name
＊
The amp channel indicated by shading will be selected when the patch is called up.
＊
The Z-pedal setting indicates the effect type name and the parameter name. Expression pedal 1 is always assigned to the Volume parameter.
＊
The symbol indicates the vertical direction setting and the symbol the horizontal direction setting.
＊
An effect listed in brackets ( ) in the Z-pedal setting can be turned on by depressing the pedal fully.
