B
02
No.
B02(18)
Voice Name
OEns:
Jody
EL1:
Jody
EL2:
-
EL3:
-
EL4:
-
Comment
Dynamic mix of noise and strings
Notes
Scene (Foot)
Initial Scene No. =
3
1 Noise
2 Chorus
3 Strings
Element1
Element2
Element3
Element4
Param1 (MW1)
FluidVol
-
-
-
Volume of modulating sound; range and speed of modulation
Param2 (MW2)
Stiffness
-
-
-
Chorus effect
Param3 (FC1)
StrMute
-
-
-
Noise component (Overall brightness)
Param4 (FC2)
Emerge
-
-
-
Resonance level
Param5 (MBx)
-
-
-
-
Param6 (MBy)
-
-
-
-
Param7 (CS1)
HarmVol
-
-
-
Octave up (if CS2 is at MIN position)
Param8 (CS2)
HarmPosit
-
-
-
Sliding CS2 while CS1 is "on" will produce an interesting effect
Param9 (BC)
-
-
-
-
Param10(VEL)
Stress2
-
-
-
Volume
Param11(AT)
Stress1
-
-
-
Volume
Param12(PB)
-
-
-
-
Param13(TEG)
-
-
-
-
Sustain Enable
OFF
-
-
-
Portamento
OFF
-
-
-
Max Notes
16
-
-
-
Microtuning
Equal̲(off) -
-
-
Effect Type
Reverb Hall
At initial selection, this voice produces the sound of a string ensemble. But lifting MW2 changes the overall
harmonics completely, producing a square-wave timbre with a formant feel.
Depressing FC2 to full-down position removes all pitch quality, creating a white-noise effect.
Try bringing in the pitch gradually for an interesting lead-in highlighting the unusual capabilities of the VP1.
Note that once you depress FC1, bring it back up will close the low-pass filter, blocking out almost
Performance
all sound.
Hints
Moving CS1 into full-up position renders MW2 completely ineffective while increasing the flanger effect of CS2.
Содержание VP1
Страница 1: ...PERFORMANCE NOTES...