Appendix
— Reference Guide
Appendix–
9
GATE REVERB, REVERSE GATE
Early reflections with gate, and early reflections with reverse gate.
MONO DELAY
Basic repeat delay.
STEREO DELAY
Basic stereo delay.
Parameter
Range
Description
TYPE
Type-A, Type-B
Type of early reflection simulation
ROOMSIZE
0.1–20.0
Reflection spacing
LIVENESS
0–10
Early reflections decay characteristics (0 = dead, 10 = live)
INI.DLY
0.0–500.0 ms
Initial delay before reverb begins
DIFF.
0–10
Reverb diffusion (left–right reverb spread)
DENSITY
0–100%
Reverb density
ER NUM.
1–19
Number of early reflections
FB.GAIN
–99 to +99%
Feedback gain
HI.RATIO
0.1–1.0
High-frequency feedback ratio
HPF
Thru, 21 Hz–8.0 kHz
High-pass filter cutoff frequency
LPF
50 Hz–16.0 kHz, Thru
Low-pass filter cutoff frequency
MIX BAL.
0–100 [%]
Mix balance of the effects and dry sounds
Parameter
Range
Description
DELAY
0.0–2730.0 ms
Delay time
FB.GAIN
–99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values
for reverse-phase feedback)
HI.RATIO
0.1–1.0
High-frequency feedback ratio
HPF
Thru, 21 Hz–8.0 kHz
High-pass filter cutoff frequency
LPF
50 Hz–16.0 kHz, Thru
Low-pass filter cutoff frequency
MIX BAL.
0–100 [%]
Mix balance of the effects and dry sounds
Parameter
Range
Description
DELAY L
0.0–1350.0 ms
Left channel delay time
FB.G L
–99 to +99%
Left channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
DELAY R
0.0–1350.0 ms
Right channel delay time
FB.G R
–99 to +99%
Right channel feedback (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
HI.RATIO
0.1–1.0
High-frequency feedback ratio
HPF
Thru, 21 Hz–8.0 kHz
High-pass filter cutoff frequency
LPF
50 Hz–16.0 kHz, Thru
Low-pass filter cutoff frequency
MIX BAL.
0–100 [%]
Mix balance of the effects and dry sounds