Appendix
— Reference Guide
Appendix–
3
011
Syn.Bass 1
PEAKING
PEAKING
PEAKING
H.SHELF
Use on a synth bass with
emphasized low range.
Q
0.1
8
4.5
F
83Hz
944Hz
4.00kHz
12.6kHz
G
+3.5dB
+8.5dB
0.0dB
0.0dB
012
Syn.Bass 2
PEAKING
PEAKING
PEAKING
H.SHELF
Emphasizes the attack
that is peculiar to a synth
bass.
Q
1.6
8
2.2
F
125Hz
177Hz
1.12kHz
12.6kHz
G
+2.5dB
0.0dB
+1.5dB
0.0dB
013
Piano 1
L.SHELF
PEAKING
PEAKING
H.SHELF
This is used to make a
piano sound brighter.
Q
8
0.9
F
94Hz
944Hz
3.17kHz
7.55kHz
G
–6.0dB
0.0dB
+2.0dB
+4.0dB
014
Piano 2
PEAKING
PEAKING
PEAKING
H.SHELF
Emphasize the attack and
low range of the piano
sound by using a
compressor.
Q
5.6
10
0.7
F
223Hz
595Hz
3.17kHz
5.33kHz
G
+3.5dB
–8.5dB
+1.5dB
+3.0dB
015
E.G.Clean
PEAKING
PEAKING
PEAKING
H.SHELF
Use for line-recording an
electric guitar or semi-
acoustic guitar to get a
slightly hard sound.
Q
0.18
10
6.3
F
265Hz
397Hz
1.33kHz
4.49kHz
G
+2.0dB
–5.5dB
+0.5dB
+2.5dB
016
E.G.Crunch 1
PEAKING
PEAKING
PEAKING
PEAKING
Adjusts the tonal quality of
a slightly distorted guitar
sound.
Q
8
4.5
0.63
9
F
140Hz
1.00kHz
1.88kHz
5.65kHz
G
+4.5dB
0.0dB
+4.0dB
+2.0dB
017
E.G.Crunch 2
PEAKING
PEAKING
PEAKING
H.SHELF
This is a variation on
program 016.
Q
8
0.4
0.16
F
125Hz
445Hz
3.36kHz
19.0kHz
G
+2.5dB
+1.5dB
+2.5dB
0.0dB
018
E.G.Distortion 1
L.SHELF
PEAKING
PEAKING
H.SHELF
Makes a heavily distorted
guitar sound clearer.
Q
9
10
F
354Hz
944Hz
3.36kHz
12.6kHz
G
+5.0dB
0.0dB
+3.5dB
0.0dB
019
E.G.Distortion 2
L.SHELF
PEAKING
PEAKING
H.SHELF
This is a variation on
program 018.
Q
10
4
F
315Hz
1.05kHz
4.23kHz
12.6kHz
G
+6.0dB
–8.5dB
+4.5dB
+4.0dB
020
A.G.Stroke 1
PEAKING
PEAKING
PEAKING
H.SHELF
Emphasizes the bright
tones of an acoustic
guitar.
Q
0.9
4.5
3.5
F
105Hz
1.00kHz
1.88kHz
5.33kHz
G
–2.0dB
0.0dB
+1.0dB
+4.0dB
021
A.G.Stroke 2
L.SHELF
PEAKING
PEAKING
H.SHELF
This is a variation on
program 020. You can
also use it for the electric
gut guitar.
Q
9
4.5
F
297Hz
749Hz
2.00kHz
3.56kHz
G
–3.5dB
–2.0dB
0.0dB
+2.0dB
No
Name
Parameter
Description
LOW
L-MID
H-MID
HIGH