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Filter Effect

: Some filter modes in Dune 1

offered extra gimmicks, such as a distortion or
bitcrush effect. Dune 2 offers a separate filter ef-
fect section with a variety of such effects as well
as auxiliary filters. The filter effect section can
be applied pre- or post-filter.

1.4.3 Graphical Envelopes

Dune 2 introduces four multiple segment envelope gen-
erators (MSEG). MSEGs can be used to draw pre-
cise custom envelopes, or they can be used in loop
mode tempo sync’ed to the host, which allows to cre-
ate rhythmic effects such as the well-known "trance
gate" effect.

1.4.4 Unison

One of the most important changes in Dune 2 is the
ability to edit all 8 unison voices directly, turning Dune
into a multi-part synthesizer.

This allows to stack

completely different sounds, using different synthesis
models (VA, FM, Wavetable), a different filter, etc.

1.4.5 Arpeggiator

The arpeggiator now offers the classic up/down/random
modes known from many synthesizers, and works bet-
ter when playing live via a MIDI keyboard. The step

sequencer adds a slide feature and allows to import
MIDI files. Polyphonic sequences can be played back
as well.

1.4.6 Master Effects

The new version of Dune features two master effect
busses, each containing 9 effects rather than 6. The
new effects offer higher quality and more parame-
ters than previously. Individual unison voices can be
routed to either effect bus or both.

1.4.7 Patch Management

The patch management in Dune 2 is now entirely
based on files and folders.

Each patch is a single

file (FXP), folders represent banks and categories.
When launching Dune 2, all available banks will be
scanned automatically. This greatly simplifies using
third party content, as it is no longer necessary to ex-
plicitly load banks. Sound design becomes easier, as
the file-based system allows to duplicate, remove, and
rename patches, and to sort them in arbitrary cate-
gories. Additional functions like Initialize and Revert
Patch speed up the workflow.

8

DUNE 2 User’s Manual

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Содержание DUNE 2

Страница 1: ...User s Manual...

Страница 2: ...ications in the product described in this manual are subject to change without notice The document may not be changed particularly copyright notices may not be removed or changed VST is a registered t...

Страница 3: ...ch Bend and Modulation Wheel 12 3 The Center Screen 13 3 1 Main 13 3 2 Settings 15 3 3 Mod Matrix 18 3 4 Arpeggiator 19 4 Sound Parameters 22 4 1 Patch Structure 22 4 2 Oscillators 1 2 24 4 2 1 Common...

Страница 4: ...5 3 9 FX Bus 1 2 68 6 MIDI Reference 70 7 Optimizing performance 72 7 1 Optimizing your system 72 7 2 Optimizing patch settings 72 7 2 1 Polyphony 72 7 2 2 Modulation Rate 72 7 2 3 Patch structure 73...

Страница 5: ...tion process The installer will guide you through the necessary steps You will be asked to select the location of your VstPlugins direc tory Make sure to choose the correct directory for your host sof...

Страница 6: ...ows XP or later and should be equipped with a 2 GHz quad core CPU or better Most importantly Windows must be op timized for realtime audio in order to maximize the benefits of Dune 2 s multi threaded...

Страница 7: ...sitions within the wavetable for exam ple in between two waveforms Modulating the wavetable position is now much smoother than previously in fact perfectly smooth when choos ing a proper modulation so...

Страница 8: ...classic up down random modes known from many synthesizers and works bet ter when playing live via a MIDI keyboard The step sequencer adds a slide feature and allows to import MIDI files Polyphonic se...

Страница 9: ...y not possible 1 4 9 Multi threaded processing Most DSP algorithms employed in Dune 2 are a magni tude more complex than previously in order to achieve a yet higher sound quality This also means a muc...

Страница 10: ...all at once or in dividually This makes Dune 2 a multi part syn thesizer which facilitates synthesizing more com plex sounds The gray switch buttons C toggle the bottom view between the keyboard effec...

Страница 11: ...ight click on a parameter then choose Learn to link it to a particular MIDI controller Afterwards turn any knob or fader on your MIDI gear to link it to that parameter Unlink controllers by right clic...

Страница 12: ...f the box your individual playing style or usage of sounds may require adjusting the polyphony parameter at times 2 5 Pitch Bend and Modulation Wheel At the bottom left of the user interface the pitch...

Страница 13: ...bank to choose a different bank category Soundbanks and Patches are stored in the following directory Mac OS X Music Synapse Audio Dune 2 Soundbanks Windows User Documents Synapse Audio Dune 2 Sound b...

Страница 14: ...patch that has been modified is marked with an asterisk after saving the patch the aster isk is removed Copy FX 1 2 copies all effect bus 1 2 param eters into the clipboard in order to apply them to a...

Страница 15: ...can be smoothed Strong smoothing is useful in a setup where the MIDI hardware and or host sequencer sends too few messages thus causing a steppy response The downside of smoothing is latency and lower...

Страница 16: ...g the velocity curve setting you can change the effect the MIDI Velocity has on the selected patch To change the velocity curve left click on the curve then drag the mouse up or down in vertical direc...

Страница 17: ...her modulation rate does not equal better sound if you cannot hear a difference do not use a higher modulation rate this will just waste pre cious CPU cycles Plugin Kb This control allows you to set t...

Страница 18: ...modulate In the amount column click and drag vertically to change the modulation amount for a specific slot In the exam ple above fig 3 2 LFO 1 modulates the amplitude with an amount of 100 giving a...

Страница 19: ...to 32 steps can be programmed directly within Dune Click on buttons 1 8 9 16 17 24 or 25 32 to edit eight steps simultaneously Each step has three parameters note velocity and tie A nonzero note valu...

Страница 20: ...IDI file transposed according to the current MIDI key pressed Pressing more than one key simultaneously has no effect in this mode Playback mode is the only mode that al lows to play back polyphonic M...

Страница 21: ...and can be specified in musical intervals such as 8th note 16th notes dotted notes triplets T etc When SYNC is disabled the rate is specified in Hz Length Using the length parameter the duration of al...

Страница 22: ...l is processed by the filter block which atten uates frequencies specified by the user usually high frequencies are removed Hence this type of synthe sis is commonly called subtractive The final block...

Страница 23: ...haser Delay Reverb FX Bus 1 Adjust the brightness over time Filter Env Adjust the volume over time Amp Env Unison Voice 1 Unison Voice 2 Unison Voice 3 Distortion EQ Phaser Delay Reverb FX Bus 2 Perio...

Страница 24: ...er interface labelled Oscillator 50 Sawtooth Pulse Sine Triangle Figure 4 2 Basic oscillator waveforms 4 2 1 Common parameters Density The number of oscillators can be changed by left click drag on th...

Страница 25: ...ch around the center frequency Spread When two or more oscillators are active in the stack the SPRD knob allows to spread the oscillators in the stereo field around the center Turned fully left the os...

Страница 26: ...nc in Dune When sync is enabled Dune automatically generates a virtual master oscillator needed to perform the syn chronisation The frequency of this oscillator is ad justed by the frequency knob FREQ...

Страница 27: ...ne Applying feedback creates more inter esting timbres The amount of feedback is controlled with the FBK knob In order to create interesting FM sounds it is impor tant to change the operator levels A...

Страница 28: ...oise generator White noise is a type of noise which contains an equal distri bution of all frequencies Lowpass The white noise emitted by the noise generator passes through a low pass and high pass fi...

Страница 29: ...modulator and the noise generator before they enter the filter All mixer parameters can be controlled via the modula tion matrix too This allows to fade in or out an os cillator cross fade between osc...

Страница 30: ...s all frequencies below the cutoff frequency and passes the higher frequencies unchanged Frequency Magnitude Cutoff frequency The filters described above form the basic filters en countered in most sy...

Страница 31: ...of the transistor ladder filter models see below drive will additionally saturate the signal regardless of resonance Keytrack The KTRK knob determines how much the cutoff fre quency is affected by the...

Страница 32: ...tion per octave around the cutoff frequency CL Highpass 2p A two pole highpass filter with 12 dB attenua tion per octave below the cutoff frequency CL Highpass 4p A four pole highpass filter with 24...

Страница 33: ...e cutoff frequency SK Bandpass 2p A two pole bandpass filter with 6 dB attenua tion per octave on either side around the cutoff frequency SK Highpass 2p A two pole highpass filter with 12 dB attenua t...

Страница 34: ...t of reduction is controlled using the AMOUNT knob If the signal range is reduced to 2 bits for instance each sample pass ing through the filter is reduced to only 4 differ ent states Strong reduction...

Страница 35: ...quency is controlled via the AMOUNT knob and can be modulated via the modulation matrix The ex tra filter can be used to fine tune the response of the main filter for example a 2 pole bandpass filter...

Страница 36: ...mes and the envelope attack and sustain set to their minimum values This cre ates the most common timbre which is a bright start followed by a darker sustain stage a property shared by many acoustic i...

Страница 37: ...has previously reached zero already 4 8 Amplitude Envelope Located below the Filter envelope the amplitude enve lope controls the progression of the volume of a sound see fig 4 8 It works in the same...

Страница 38: ...to stack different sounds In order to cause an audible change multiple voices must differ in one or more sound parameters The most common change is to slightly detune the stacked voices resulting in...

Страница 39: ...d hard left and the other one hard right In case of three voices one voice will be panned hard left one dead center and one hard right etc Solo Allows to solo individual voices Note that only voices t...

Страница 40: ...mance param eters and allows to set the global volume Polyphony The polyphony popup menu allows to specify how many notes can be played simultaneously The main purpose of limiting the polyphony is to...

Страница 41: ...ors with custom shapes Using the editor Create new points either with the left mouse but ton double click or with the middle mouse but ton single click Delete points with the right mouse button Move p...

Страница 42: ...cts synchro nized to the song tempo Sync When the sync switch is off the envelope operates in seconds The time line shows seconds and the maxi mum length can be adjusted in seconds If the sync switch...

Страница 43: ...envelope when pressing higher keys The purpose of key tracking is to imitate the behavior of acoustic instruments such as the guitar high notes on the guitar decay more quickly than low notes Key tra...

Страница 44: ...ignals Random modulation signals are useful for special ef fects or to simulate the behavior of old analog hard ware by choosing a very slow and subtle modulation Rate Sync By default LFOs run at a co...

Страница 45: ...on can be objec tionable in the early attack stage of the sound To preserve the transients the fade in parameter can be used to gradually increase the modulation from zero to its maximum value for a d...

Страница 46: ...pressor effect to a different position 4 14 1 Distortion A distortion effect changes the signal in a nonlinear manner which creates new overtones and usually re sults in a harsher sound Dune 2 offers...

Страница 47: ...his is useful to e g add more bass to a sound increase its presence or to achieve formant type effects Dune features a classic 3 band equalizer The Low Shelf EQ amplifies or attenuates fre quencies be...

Страница 48: ...is useful to fine tune the overall timbre 4 14 4 Phaser A phaser modifies the phase of the signal around some frequency then adds it back to the original signal The result is a notch in the frequency...

Страница 49: ...entire frequency spectrum Depth Sets the modulation depth of the LFO Set to zero there is no modulation and thus no sweeping effect the sound will be static When increasing the modula tion depth the p...

Страница 50: ...depth of the LFO Set to zero there is no modulation and thus no sweeping effect the sound will be static LR Offset Since the chorus operates in stereo both channels have their own LFO With the offset...

Страница 51: ...hannel The result is a pair of echoes alternating between the left and right channel Diffuse works similar to the Simple delay ex cept that each echo becomes increasingly diffuse Tape works similar to...

Страница 52: ...back parameter adjusts how long the echoes are repeated The percentage specifies the level change from one echo to the next so 100 creates an infinite series of echoes 50 cuts the level of each subseq...

Страница 53: ...b times of 3 5 seconds and above Slapback Hall simulates a hall with strong early reflections occurring after a few millisec onds Stadium simulates a very large reverberant space Predelay Adjusts the...

Страница 54: ...At low s Dry Wet Blends between the dry and processed signals 4 14 8 Compressor The purpose of a compressor is to reduce the dynamic range of a signal which increases the perceived loud ness and can...

Страница 55: ...ld Input dB Output dB Threshold 1 1 2 1 100 1 Threshold The threshold knob sets the level at which a passage is considered loud that s the point at which the compressor will start working For example...

Страница 56: ...evel in decibel dB Dry Wet Blends between the dry and processed signals While a compressor is traditionally used 100 wet mixing in the dry signal has become a popular trick known as parallel or New Yo...

Страница 57: ...and offers far greater flexibility Classic desti nation parameters include Pitch to obtain a vibrato effect Volume to obtain a tremolo effect as well as Filter Cutoff Further sources include the graph...

Страница 58: ...orama which creates a very spa cious effect The Synapse Audio WASP is such a syn thesizer The idea behind Dune is to make the power of the unison mode accessible to sound designers Why re strict the u...

Страница 59: ...rameters directly by using the Voice Edit section By editing voice pa rameters directly you perform absolute changes to the unison voices This is required if you want to use different filter types dif...

Страница 60: ...ther than its note number MWheel The MIDI modulation wheel data controller 01 PWheel The MIDI pitch wheel data Note that the pitch bend wheel always changes the pitch up or down dependent on the Bend...

Страница 61: ...urpose parameter which should be used in combination with Pitch Semi as a destination and with the Arp Mode set to Silent This will result in direct pitch changes within a voice an effect com mon in o...

Страница 62: ...emolo effects with the depth controlled by the modulation wheel LFO AT The value of LFO 1 LFO 2 or LFO 3 multiplied by the aftertouch data Useful to create vibrato type effects when applying pressure...

Страница 63: ...pitch range use Pitch Semi as a destination instead The modulation can be re stricted to specific voices if desired For example you could have a static low pitched sine wave on the first voice and a v...

Страница 64: ...unt of 50 corresponds to a 180 degree phase shift an amount of 100 to 360 degrees etc While the human hearing is largely insensitive to the starting phase of a single oscillator the relative phase dif...

Страница 65: ...n the oscillator is set to WT mode this parame ter sets the Wavetable position This allows to sweep through the wavetable by applying a LFO or MSEG Osc FM Amt A When the oscillator is set to FM mode t...

Страница 66: ...e Filter Reso Adjusts the filter resonance relative to the front panel knob using the same value range Filter Env Amount Adjusts the filter envelope amount relative to the front panel knob using the s...

Страница 67: ...ay Sustain Release Adjusts the amplitude envelope parameters relative to whatever is set on the front panel This allows you to specify different amplitude envelopes for different voices or to dynamica...

Страница 68: ...lation wheel In that case you would choose Mod Wheel as a source and the MM slot s containing the modulation envelope as a destination You may also have one MM slot modulate another MM slot which in t...

Страница 69: ...en delay sync is turned off the delay time may be mod ulated relative to the L R times specified with the front panel knobs Rev Adjusts the corresponding reverb parameters All pa rameters except pre d...

Страница 70: ...e Dune the changes will be made persistent and apply to any future instance of Dune Dune Parameter CC MIDI Ctrl Name Common Modulation Wheel 1 Modulation Wheel Glide 5 Portamento Time Sustain Pedal 64...

Страница 71: ...Filter Env Amt 43 Filter Key Track 46 Dune Parameter CC MIDI Ctrl Name Amp Envelope Amp Attack 73 Attack Time Amp Decay 36 Amp Sustain 37 Amp Release 72 Release Time Effects Bus 1 EQ 1 Mid Gain 89 EQ...

Страница 72: ...or your system is not optimized enough for realtime audio playback 7 2 Optimizing patch settings The two most important patch settings affecting CPU usage are polyphony how many notes can be active si...

Страница 73: ...with a single oscillator per voice is much more CPU intensive than using a single unison voice with a stack of 8 oscillators in it In contrast to its predeces sor Dune 2 has stereo oscillators with p...

Страница 74: ...While Dune uses a controller map designed to not react on controllers such as bank change or volume which may be sent by some hosts it is possible that your gear sends other controller mes sages that...

Страница 75: ...f this indicator never lights up Dune does not receive any MIDI messages Check the MIDI setup of your host sequencer as well as the setup of your hardware 8 6 The CPU usage is very high Check if your...

Страница 76: ...ses you may only in stall and use a single copy of the Software on a com puter and or move the software to another computer provided that you are the only individual using the software If you are an e...

Страница 77: ...the licensor will not be held responsible for any damage or loss to your per son or property as incidential or consequential result of installing or using this software Termination Your license to us...

Страница 78: ...v sounds com EDT Ed Ten Eyck http www edtaudio com EX Daniel Thiel eXode https soundcloud com exodesound GW Vincent Bastiat http ghostwaveaudio com IW Ingo Weidner ingo_weidner web de JB Junebug http...

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