background image

99

IX FADER

M

8

0dB

MONITOR

0

1

9

10

PFL

-10

LEFT

AUX1

REF +4dBu

PRE

PST

4

3

2

-20

5

-10

-15

-3

-6

6

8

7

SOURCE

MONITOR

3

0

9

6

RIGHT

12

4

0

1

2

3

5

6

10

9

8

7

IX

M

FX RET

4

0

1

2

3

5

6

10

9

8

7

PSU

2TRK

2TRK T

O

2TRK

M

IX

MIX

PHANT

OM

48V

master section

FX RETURN

The unbalanced FX Returns are an ideal

place to connect the output of an EFFECTS

unit, without using up any of the LINE

inputs.  
The control sets the level of signal fed

directly to the MIX.  When set fully

clockwise the inputs will be matched to

-10dBV (semi-professional) sources, or

will suit +4dBu sources with the control at

a lower setting.  
A mono source, plugged into the LEFT

jack only is fed to both sides of the MIX.

2TRK (2 TRACK)

The unbalanced 2TK returns are an ideal

place to connect the playback of a tape

machine, without using up any of the LINE

inputs.
The control sets the level of signal fed directly

to the MIX.  When set fully clockwise the

inputs will be matched to -10dBV (semi-

professional) sources, or will suit +4dBu

sources with the control at a lower setting.  
A mono source, plugged into the LEFT jack

only is fed to both sides of the MIX.

2TRK TO MIX

Press this switch to route the 2TK Return signal to the

MIX outputs giving you two extra inputs at

mixdown.  Adjust the level with the 2TRK control.

Overall level will be set by the MIX FADER.
DO NOT PRESS THIS SWITCH WHEN RECORDING

or load feedback will occur and ruin the recording.

MONITOR SOURCE

This switch selects the source for the Monitor outputs

or Headphones.  When released the source is the

MIX, when pressed it becomes the 2 Track Return

signal.  Note that the selected source is replaced by

PFL if the the PFL switch is pressed.

AUX 1 PRE

Press this switch to make all of the

AUX 1 sends on the input

channels PRE-FADE.  This means

that they will all be unaffected by

channel fader position, making

them ideal for FOLDBACK or

MONITORING.
When the switch is released the

AUX 1 sends are all POST-FADE,

and will fade up and down with

the channel faders.

BARGRAPH METERS

The three-colour, peak-reading

BARGRAPH METERS show the level of the

selected monitor source (MIX, 2TRK or

PFL) to give a warning of excessive peaks

in the signal which might cause

overloading.
With the Master Fader at 0dB, aim to

keep the signal just touching the amber

segments, with a steady signal, or up to

+6/+9 on peaky signal sources such as

drum beats.

PFL

Pressing this switch replaces

the selected monitor source

with the stereo PFL signal

(mono from mono input

channels). 
Releasing the switch returns

the monitor to the

previously selected source.

MONITOR

This control sets the output

level to the MONITOR LEFT

& RIGHT outputs.
If HEADPHONES are

plugged into the PHONES

jack the monitor outputs are

cut off, and the knob then

sets the headphone level.

PHANTOM 48V

This switch turns on the 48V

PHANTOM POWER to the mic

inputs, sending a powering

voltage down the same wires as

the signal to suit many

professional condenser mics.
DO NOT turn on the phantom

power when using unbalanced

mics which may be damaged

by the voltage.
Note:  Mics should always be

plugged in before switching the

Phantom Power ON.

MIX FADER

The MIX FADER sets

the final level of the

MIX outputs.  The

fader should normally

be set close to the

'0dB' mark if the input

levels have been set

correctly.

All manuals and user guides at all-guides.com

Содержание Spirit Folio Lite

Страница 1: ...10 PFL 10 LEFT AUX1 REF 4dBu PRE PST 4 3 2 20 5 10 15 3 6 6 8 7 SOURCE MONITOR 3 0 9 6 RIGHT 12 4 0 1 2 3 5 6 10 9 8 7 IX M FX RET 4 0 1 2 3 5 6 10 9 8 7 PSU 2TRK 2TRK TO 2TRK MIX MIX PHANTOM 48V O P...

Страница 2: ...l ly y T Th he e FOLIO LITE d de es sk k m mu us st t o on nl ly y b be e c co on nn ne ec ct te ed d t th hr ro ou ug gh h t th he e P Po ow we er r S Su up pp pl ly y U Un ni it t s su up pp pl li i...

Страница 3: ...U 40 40 40 40 60dBu 60dBu 60dBu 60dBu 0 0 0 0 25 25 25 25 TRIM TRIM TRIM TRIM 5 5 5 5 10 10 10 10 RIGHT 1 2 RIGHT RIGHT RIGHT L R LEFT L RET FX LEFT R L R RET 2TRK INS MIX 4 0 1 2 3 5 6 10 9 8 7 FX R...

Страница 4: ...ld input Use this input for sources other than mics such as keyboards drum machines synths tape machines or guitars The input is BALANCED for low noise and immunity from interference but you can use U...

Страница 5: ...tputs see above which are restored when the PHONES jack is removed This allows a self operator to continue monitoring while making voice recordings without having to turn the power amplifiers down GRO...

Страница 6: ...ithout distortion o Adjust each mono input channel in the same way o If you find that you cannot set a reasonable level within the range of the TRIM control when using a MIC input try the LINE input i...

Страница 7: ...ith a higher output level o Connect a monitor amplifier for foldback headphones or a monitor speaker to the Aux 1 output Set the amplifier volume to a normal listening level Press the AUX 1 PRE switch...

Страница 8: ...detented position when not required AUX SEND 1 This is used to set up a separate mix for FOLDBACK EFFECTS or recording and the combination of all the Aux 1 Sends is mixed to the Aux 1 Output For Effe...

Страница 9: ...arate mono mix for FOLDBACK or to drive EFFECTS processors and the combination of all the Aux 1 Sends is mixed to the Aux 1 Output For Effects it is useful for this to fade up and down with the FADER...

Страница 10: ...2 Track Return signal Note that the selected source is replaced by PFL if the the PFL switch is pressed AUX 1 PRE Press this switch to make all of the AUX 1 sends on the input channels PRE FADE This...

Страница 11: ...onse 20Hz 30kHz relative to 1kHz 1dB C M R R Mono Input at max gain measured 1kHz 85dB Stereo Input at any gain 50dB Input Output Impedances Mic Inputs 2kW Line Inputs 10kW Outputs 75W Input Output Le...

Страница 12: ...ion a technique used on unbalanced outputs to cancel out the effect of ground loops caused by connections to external equipment Headroom the available signal range above the nominal level before clipp...

Страница 13: ...1 12 2 system block diagram 3 1 2 MONO INPUT CHANNEL FX RETURN STEREO INPUT CHANNEL MASTER SECTION All manuals and user guides at all guides com...

Страница 14: ...di ie es se en n A Ab bs sc ch hn ni it tt t A An n d de en n FOLIO LITE M Mi ix xe er r d da ar rf f n nu ur r d da as s m mi it tg ge el li ie ef fe er rt te e N Ne et tz zt te ei il l a an ng ge es...

Страница 15: ...U 40 40 40 40 60dBu 60dBu 60dBu 60dBu 0 0 0 0 25 25 25 25 TRIM TRIM TRIM TRIM 5 5 5 5 10 10 10 10 RIGHT 1 2 RIGHT RIGHT RIGHT L R LEFT L RET FX LEFT R L R RET 2TRK INS MIX 4 0 1 2 3 5 6 10 9 8 7 FX RE...

Страница 16: ...an Rausch und St rger uschunterdr ckung zu gew hrleisten Wenn Sie dennoch unsymmetrische Kabel verwenden dann sollten Sie m glichst kurze dazu gebrauchen Beachten Sie au erdem da der Ring geerdet sein...

Страница 17: ...die Impedanz bei 50 Ohm liegt Koph rer mit 8 Ohm sind nicht notwendig Stecken Sie hier einen Klinkenstecker ein dann wird der Monitorweg automatisch unterbrochen Im Ein Mann Betrieb kann das zuweilen...

Страница 18: ...da Sie keine brauchbaren Pegel mit dem GAIN Regler eingestellt bekommen w hrend Sie den MIC Eingang benutzen versuchen Sie es mit dem LINE Eingang Die Stereo Eing nge k nnen in gleicher Weise behandel...

Страница 19: ...e mit den 2 TRK Returns o An den AUX 1 schlie en Sie einen Stereo Verst rker mit Lautsprechern oder Kopfh rer an und stellen am Verst rker einen normalen Pegel ein o Stellen Sie den 2 TRK Pegel ganz n...

Страница 20: ...enutzt um eine separate Mischung f r Effekte Recording oder die Monitoranlage zu erstellen Alle Aux1 Signale werden im Aux1 Output zusammengef hrt Der Aux Sendeweg kann Post Fader geschaltet werden da...

Страница 21: ...r Effekte Recording oder die Monitoranlage zu erstellen Alle Aux1 Signale werden im Aux1 Output zusammengef hrt Der Aux Sendeweg kann Post Fader geschaltet werden damit Effektanteile ber den Kanalfade...

Страница 22: ...nd alle Aux1 Sends post fade geschaltet und folgen der Pegeleinstellung des Kanalfaders VU METER Diese dreifarbigen LED Balken zeigen je nach Anwahl das Mix 2TRK oder PFL Signal und zeigen rechtzeitig...

Страница 23: ...bei 1 kHz 1dB CMRR Gleichtakt Unterdr ckung bei maximaler Eingangsverst rkung bei 1 kHz 85 dB Stereo Eingang bei jeder Verst rkung 50 dB EINGANGS UND AUSGANGSIMPEDANZEN Mic Eing nge 2 kOhm Line Eing n...

Страница 24: ...l Signale Nenn Pegel zwischen 10 dBu und 6 dBu Sie stammen in der Regel von niederohmigen Signalquellen Peaking eine Ansprechkurve von einem EQ die nur einen bestimmten Frequenzumfang darstellt PFL pr...

Страница 25: ...2 24 4 SYSTEM BLOCK DIAGRAMM 3 1 2 MONO EINGANGSKANAL FX RETURN STEREO EINGANGSKANAL MASTER SEKTION All manuals and user guides at all guides com...

Страница 26: ...es sur le son cela vous aidera utiliser votre console au mieux et augmentera votre cr ativit P Po ou ur r v vo ot tr re e s s c cu ur ri it t e et t p po ou ur r v vi it te er r d d a an nn nu ul le e...

Страница 27: ...U 40 40 40 40 60dBu 60dBu 60dBu 60dBu 0 0 0 0 25 25 25 25 TRIM TRIM TRIM TRIM 5 5 5 5 10 10 10 10 RIGHT 1 2 RIGHT RIGHT RIGHT L R LEFT L RET FX LEFT R L R RET 2TRK INS MIX 4 0 1 2 3 5 6 10 9 8 7 FX RE...

Страница 28: ...ou guitares L entr e est SYMETRIQUE pour un meilleur rapport signal bruit vous pouvez utiliser des sources asym triques voir plus loin pour le c blage mais en utilisant des c bles le plus court possib...

Страница 29: ...jack est retir Cela permet de continuer le monitoring pendant l enregistrement avec le micro dans la m me pi ce sans avoir teindre les amplificateurs LIAISONS A LA MASSE L alimentation ne permet pas l...

Страница 30: ...istorsion o Ajustez chaque voie d entr e de la m me mani re o Si vous ne pouvez pas obtenir un niveau raisonnable avec le contr le TRIM lorsque vous utilisez l entr e MICRO des voies mono essayez l en...

Страница 31: ...ements niveau plus important o Connectez un amplificateur monitor pour les casques musiciens ou les enceintes de retour la sortie Aux 1 Le r glage de volume de l amplificateur doit tre en position moy...

Страница 32: ...un m lange s par pour les retours les effets ou l enregistrement Les signaux des Auxiliaires se retrouvent sur les sorties Aux l arri re de la console Il est utile de pouvoir contr ler les effets ave...

Страница 33: ...rties Aux l arri re de la console Il est utile de pouvoir contr ler les Effets avec le fader le d part est dans ce cas apr s fader POST FADE mais pour le Retour ou le Monitor il est important que le d...

Страница 34: ...onitor s lectionn e MIX 2 PISTES ou ECOUTE AVANT FADER est visualis par des cr tes m tres tricolores Leds permettant de contr ler de mani re efficace les cr tes susceptibles de causer des saturations...

Страница 35: ...onse en fr quence 20 Hz 30kHz relative 1kHz 1dB REJECTION DE MODE COMMUN Entr e Mono au gain maxi mesur 1kHz 85dB Entr e st r o au gain unitaire 50dB IMPEDANCES D ENTREE ET DE SORTIE Entr es microphon...

Страница 36: ...adroom Garde de saturation Le niveau de signal disponible avant saturation au dessus du niveau nominal Line Level Signals Signaux de Niveau Ligne de niveau nominal de 10 6dBu g n ralement provenant de...

Страница 37: ...3 36 6 SYNOPTIQUE 3 1 2 ENTREE MONO RETOUR EFFETS ENTREE STEREO SECTION DE SORTIE All manuals and user guides at all guides com...

Страница 38: ...pa ar ra ag gr ra af fi i s se eg gu ue en nt ti i I Il l m mi ix xe er r FOLIO LITE d de ev ve e e es ss se er re e u ut ti il li iz zz za at to o S SO OL LO O c co on n l l a ap pp po os si it to o...

Страница 39: ...U U U U 40 40 40 40 60dBu 60dBu 60dBu 60dBu 0 0 0 0 25 25 25 25 TRIM TRIM TRIM TRIM 5 5 5 5 10 10 10 10 RIGHT 1 2 RIGHT RIGHT RIGHT L R LEFT L RET FX LEFT R L R RET 2TRK INS MIX 4 0 1 2 3 5 6 10 9 8 7...

Страница 40: ...niche synth registratori L ingresso BILANCIATO per maggior silenziosit e immunit alle interferenze Si possono utilizzare sorgenti sbilanciate cablando i connettori come evidenziato nell illustrazione...

Страница 41: ...resente alle uscite monitor viene interrotto Grazie a questa funzione potete registrare la voce o uno strumento acustico senza timore di feedback e soprattutto senza dover spegnere l amplificatore dei...

Страница 42: ...intatta per gestire al meglio qualsiasi segnale senza distorsione o Regolate ogni altro canale mono nello stesso modo o Se non riuscite ad ottenere un sufficiente controllo sul livello del segnale nel...

Страница 43: ...o completamente a sinistra tutto in senso antiorario il segnale sar inviato solo all uscita sinistra viceversa solo alla destra Questo consente di registrare un singolo strumento su una singola tracc...

Страница 44: ...ndata rispetti il livello impostato dai fader cos che sfumando il segnale sfumino anche gli effetti in termine tecnico si dice in questo caso mandata post fader Per il monitoraggio invece importante c...

Страница 45: ...effetti Il mixaggio viene inviato all uscita AUX 1 Per gli effetti utile che la mandata rispetti il livello impostato dai fader cos che sfumando il segnale sfumino anche gli effetti in termine tecnic...

Страница 46: ...iare del LED color ambra in presenza di segnali musicali continui o al lampeggiare dei LED 6 9 in presenza di suoni come percussioni batteria o con molto attacco PFL La pressione del pulsante rimpiazz...

Страница 47: ...0 Hz 30 kHz riferimento 1 kHz 1 dB Reiezione Modo Comune C M R R Ingresso mono al max guadagno a 1 kHz 85 dB Ingresso stereo a qualsiasi guadagno 50 dB Impedenze di ingresso e uscita Ingressi Mic 2 kW...

Страница 48: ...ato dall eccessiva vicinanza di uno o pi microfoni al sistema di altoparlanti che ne sta diffondendo il segnale amplificato Filtro passa alto un filtro che impedisce il passaggio delle basse frequenze...

Страница 49: ...4 48 8 system block diagram 3 1 2 L INGRESSO MONO RITORNO EFFETTI L INGRESSO STEREO LA SEZIONE MASTER All manuals and user guides at all guides com...

Страница 50: ...e ec ct ta ad da a n ni ic ca am me en nt te e a a l la a f fu ue en nt te e d de e a al li im me en nt ta ac ci i n n s su um mi in ni is st tr ra ad da a Los conductores en el terminal de red se enc...

Страница 51: ...0 60dBu 60dBu 60dBu 60dBu 0 0 0 0 25 25 25 25 TRIM TRIM TRIM TRIM 5 5 5 5 10 10 10 10 RIGHT 1 2 RIGHT RIGHT RIGHT L R LEFT L RET FX LEFT R L R RET 2TRK INS MIX 4 0 1 2 3 5 6 10 9 8 7 FX RET 4 0 1 2 3...

Страница 52: ...para las fuentes que no sean micr fonos como teclados cajas de ritmos sintetizadores magnet fonos lectores de CD o guitarras La entrada es sim trica para obtener una mayor inmunidad a las interferenc...

Страница 53: ...ck autom ticamente se interrumpen las salidas Monitor ver arriba las cuales ser n reestablecidas cuando el jack de PHONES sea retirado Esto permite al operador continuar monitoreando mientras se efect...

Страница 54: ...a uno de los canales de entrada del mismo modo o Si observa que utilizando la entrada MIC no consigue un nivel razonable dentro de la gama del control de ganancia int ntelo con la entrada LINE Las ent...

Страница 55: ...amplificador de monitoraje para los auriculares o un altavoz Ajuste el volumen del amplificador a un nivel de audici n normal Pulse el conmutador AUX 1 PRE en la secci n Master para ajustar en todos l...

Страница 56: ...central cuando desee conseguir una respuesta plana AUX SEND 1 Se usa para crear una mezcla independiente para monitores efectos o grabaci n mezcl ndose todos los env os AUX 1 en la salida AUX 1 Para...

Страница 57: ...onseguir una respuesta plana AUX SEND 1 Se usa para crear una mezcla independiente para monitores efectos o grabaci n mezcl ndose todos los env os AUX 1 en la salida AUX 1 Para su empleo para efectos...

Страница 58: ...de canal haci ndolos ideales para monitorado Cuando el interruptor no est pulsado los env os AUX 1 son POST FADE y variar n con las variaciones de los faders de canal BARRAS MEDIDORAS Las barras medid...

Страница 59: ...est reo 75 dB RESPUESTA EN FRECUENCIA 20 Hz 30 KHz 1 dB C M R R Entrada mono a m xima ganancia medido 1 kHz 85 dB Entrada est reo a cualquier ganancia 50 dB IMPEDANCIA DE ENTRADA Y SALIDA Entrada Mic...

Страница 60: ...und Compensation Compensaci n a Tierra T cnica utilizada en las salidas no balanceadas para cancelar el efecto de los bucles de masa producidos por las conexiones a equipos externos Headroom Techo din...

Страница 61: ...6 60 0 DIAGRAMA DE BLOQUES DEL SISTEMA 3 1 2 ENTRADA MONO RETORNOS DE EFECTOS ENTRADA EST REO SECCION MASTER All manuals and user guides at all guides com a l l g u i d e s c o m...

Отзывы: