
TIME TEXTURES
MANUAL
33
(2) Flanger
splits the audio signal up and delays one version in relation to the original signal. By modulating
the delay time, as well as feeding an adjustable amount of the output signal back into the input, the Flanger
creates a characteristic “whooshing” sound.
The
Flanger
module contains the following controls:
Speed
: Adjusts the LFO speed. To synchronize the speed to your host
or Master Editor tempo, click the Sync Button.
Depth: The amount of LFO modulation. Higher values cause the flan
-
ging effect to sweep over a wider range.
Mix
(Dry/Wet Knob): Adjusts the respective levels of the original and
processed signals. Note that the typical chorus effect is created by
the combination of both signals, so setting this knob to the midpoint results in the most pronounced effect.
(3)
The
Phaser effect continually changes the phase relationships in your signal with an all-pass filter. This
results in a comb filtering effect, which attenuates some frequencies
while boosting others.
The
Phaser
module contains the following controls:
Speed
: The LFO modulation speed. To synchronize the speed to your
host or Master Editor tempo, click the Sync Button.
Depth
: The amount of LFO modulation. Higher values cause the Pha-
ser effect to sweep over a wider frequency range.
Mix
(Dry/Wet Knob): Adjusts the respective levels of the original and
processed signals. Note that the typical chorus effect is created by the combination of both signals, so set-
ting these to the same levels results in the most pronounced effect.
2
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