
TIME TEXTURES
MANUAL
29
(3)
The
Transient Master
is an easy to use compressor designed to control the attack and sustain of a sound.
Instead of following the amplitude of the sound like a traditional compressor, it follows the general envelope
and is thus not as susceptible to changes of input gain.
The
Transient Master
module contains the following controls:
Input
: Controls the input gain to the effect.
Attack
: Controls the scaling of the attack portion of the input signal’s
volume envelope. Increasing this parameter will add more punch and
decreasing it will reduce sharp attacks.
Sustain
: Controls the scaling of the sustain portion of the input sig-
nal’s volume envelope. Increasing this parameter will add more body
to the sound and decreasing it will reduce the sound’s tail.
(4)
The
Limiter
module contains the following controls:
Input
: Adjusts both the input level and the threshold simultaneously.
Turning this knob clockwise will result in more compression.
Release
: Just like the Compressor’s control of the same name, this
knob adjusts the time it takes the Limiter to return to an unprocessed
signal after the input level falls below the threshold.
Output
: Adjusts the module’s output level.
8.2.3 Distortion
The Distortion Section of TIME TEXTURES offers the following effect modules:
Tape Saturation
,
Tube Satu-
ration
,
Black Distortion
,
Clean Amp
,
Bitcrusher
,
Overdrive
.
(1) Tape Saturator
emulates the soft compression and distortion of recording to tape. It can be used lightly to
add warmth and coloring to the sound, or heavily to add aggressive
distortion.
The
Tape Saturation
module contains the following controls:
Gain
: Controls the input gain of the effect. This will increase the
amount of tape distortion and compression.
Warmth
: Controls the low frequency boost/cut of the effect.
Output
: Controls the output gain of the effect.
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