Sonuscore TIME TEXTURES Скачать руководство пользователя страница 26

TIME TEXTURES

MANUAL

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8.1  Send FX

The Send FX section of the FX Page contains one convolution reverb effect per Emitter (left and right) that is 

equipped with different impulse responses. While there is the option to assign each Emitter its own impulse 

response, to place the entire texture in a common space, you can use the paper clip icon next to the Bypass 

button to link both Emitters and assign them to one convolution reverb effect.

(1) Send FX On/Off

: Enables/Disables the convolution reverb. Once bypassed, all controls of the effect are 

grayed out. To reactivate it, you can either press the On/Off button again or simply click on the disabled area.

(2) Mix

: Adjusts the mix level of the convolution reverb.

(3) Impulse Responses

: You can choose between 10 different impulse responses: Concert Hall 1, Concert 

Hall 2, Medium Hall 1, Medium Hall 2, Small Hall 1, Small Hall 2, Recording Stage 1, Recording Stage 2, Cat-

hedral, Reversed. 

(4) Link

: Use the paper clip to link the left and right Send FX.

8.2  FX Rack

The FX Rack offers you the possibility to load 27 individual fx modules and combine them with each other in 

any order via drag and drop. Of course, all parameters of these modules can be automated and placed on the 

Macro Knob for easy access. Simply select a slot within the FX Chain, load an fx module via the magnifier and 

tweak the most important parameters to your liking.

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Содержание TIME TEXTURES

Страница 1: ...MANUAL TIME TEXTURES...

Страница 2: ...on 6 7 1 or higher macOS 10 14 or higher Windows 10 or higher 4GB RAM 6 GB recommended for large KONTAKT Instruments At least 6 17GB of free hard disc space Be advised that some presets of TIME TEXTUR...

Страница 3: ...3 1 Installing TIME TEXTURES 8 3 2 Loading TIME TEXTURES Via Kontakt 8 4 PAGE LAYOUT 9 5 BASIC WORKFLOWS 10 5 1 Finding Your Way Around The Interface 10 5 2 Assigning Automation Events To The Macro K...

Страница 4: ...2 3 Distortion 29 8 2 4 Delay 31 8 2 5 Reverb 32 8 2 6 Modulation 32 9 PRESETS 34 9 1 Preset Selector 34 9 2 Preset Browser 34 9 3 Preset Browser Filters 35 9 4 User Presets 36 9 4 1 Saving a User Pre...

Страница 5: ...nafter referred to as Sonuscore Sonuscore and associated logos are registered trademarks of Dynamedion Langer Sillescu GbR Native Instruments NI Kontakt Kontakt Player and associated logos are registe...

Страница 6: ...om the two Emitters on the left and right of the Macro Knob merging into moving soundscapes Visually represented as circles triangles and squares the particles can be changed in character density orde...

Страница 7: ...Instrument Browser 2 3 Document Conventions In this document the following formatting is used to highlight useful information Italics Indicates paths to locations on your hard disk or other storage de...

Страница 8: ...loads menu 5 Copy the serial number of TIME TEXTURES and go to Native Instruments Native Access 6 In Native Access click on Add a serial and paste your serial number Then you will see TIME TEXTURES un...

Страница 9: ...ter can be switched on and off the Instrument Browser can be opened and the master volume can be adjusted Next to the Home Button are icons for the Control Page 4 and the Emitter Page 3 both are used...

Страница 10: ...o have their own page layout navigating through various inde pendent pages can get quite tedious That s why we want to show you some workflow features in this section Double clicking on many controls...

Страница 11: ...ings the gear icon in the lower right corner of the interface The Macro Knob is prominently positioned in the middle of the interface and bound to your modwheel by de fault but you can also control it...

Страница 12: ...lick and drag the double arrow so that the colored line that appears above the slider or around the knob indicates the range you want this slider knob to be automated 3 While you are setting this auto...

Страница 13: ...far apart you can use the Octave Slider to shift the range in which you can play the instrument of the respective Emitter up or down by up to two octaves so that the overlap is as large as possible 5...

Страница 14: ...nd particles 6 1 Instrument Browser To open the instrument browser click on the articulation name next to the instrument icons 1 You can filter between four instrument categories with a total of 12 in...

Страница 15: ...s Celli Arco Sul Pont Harmonics Basses Arco Sul Pont Harmonics Brass Horns Swarm Muted Trumpets Swarm Muted Trombones Swarm Muted Woodwinds Flutes Air Oboes Tongued Clarinets Tenuto Keys Piano Felt Gr...

Страница 16: ...ations that the engine merges into one texture To give you some feedback on what TIME TEXTURES does with your settings these particles are shown here as colored geometric shapes Circles represent basi...

Страница 17: ...in the Instrument Browser for this purpose 8 Options Menu The Options Menu serves mainly as a workflow facilitator Click on the three dots to bring up a dropdown menu where you can either delete all a...

Страница 18: ...ional orchestra libraries TIME TEXTURES leaves this option up to you as you can use the automation controls to determine in which range and on which position of the modwheel you want to set this param...

Страница 19: ...to two higher octaves than those played on the keyboard Higher values of the slider result in an increasing number of particles in different octaves 4 Speed The Emitters eject their sound particles a...

Страница 20: ...sult for particularly large chords and particularly small values of the speed slider not all notes of the chord may be played back at the time of attack TIME TEXTURES can compensate for this by forcin...

Страница 21: ...ould be filtered out and played by the engine 4 Pan Adjusts the overall panning of this Emitter 5 Spread Determines the position of the sound particles in the stereo field in relation to the panning s...

Страница 22: ...ate your texture with a 3 band equalizer 1 and an LFO 2 The page is made up of the equalizer in the upper area consisting of the visual display of the EQ curve as well as Frequency Gain and Quality Q...

Страница 23: ...he On Off button again or simply click on the disabled area 2 Q factor On Off Hides or unhides the Q factor settings bandwidth 3 Lo Q Drag up and down to change the Q factor of the Low Band 4 Mid Q Dr...

Страница 24: ...les the LFO Once bypassed all controls of the effect are grayed out To reacti vate it you can either press the On Off button again or simply click on the disabled area 2 Freq Sets the oscillation freq...

Страница 25: ...ulse response of your choice to the Emitters Every parameter on here can be automated and controlled with the modwheel Similar to the LFO Page the FX Page consists of two main sections the Send FX set...

Страница 26: ...ss the On Off button again or simply click on the disabled area 2 Mix Adjusts the mix level of the convolution reverb 3 Impulse Responses You can choose between 10 different impulse responses Concert...

Страница 27: ...modules simultaneously and drag and drop them into a desired order 4 Magnifier Select the different fx types Choosing None will delete the currently loaded fx module 5 Effect Types You can choose bet...

Страница 28: ...harger delivers high end tube compression emulation inspired by boutique hardware The Supercharger module contains the following controls Input Adjusts the input gain to the compressor in dB Saturate...

Страница 29: ...owing controls Input Adjusts both the input level and the threshold simultaneously Turning this knob clockwise will result in more compression Release Just like the Compressor s control of the same na...

Страница 30: ...the following controls Distortion Controls the amount of distortion applied Filter For a darker sound turn clockwise to enhance the low fre quency range turn counter clockwise for a brighter sharper...

Страница 31: ...elay Section of TIME TEXTURES offers the following fx modules Tape Delay Diffuse Delay Analogue Delay Digital Delay As an internal effect for the delay modules the Engine uses Kontakt s Replika Delay...

Страница 32: ...n Mix Dry Wet Knob Adjusts the respective levels of the original and processed signals In common scenarios the delayed signal is mixed in at a lower level than the direct signal 8 2 6 Modulation The M...

Страница 33: ...chorus effect is created by the combination of both signals so setting this knob to the midpoint results in the most pronounced effect 3 The Phaser effect continually changes the phase relationships i...

Страница 34: ...tly selected preset Click the Preset Name to open the Pre set Browser 4 Browse icons Enables you to quickly browse and load presets Pressing an arrow icon will immedia tely load the previous or next p...

Страница 35: ...simply select the name and click the Exit button on the upper right hand corner 3 User Settings Contains controls relating to the importing editing and deleting of User Presets For more information p...

Страница 36: ...er divided into Natural Presets more natural orchestral sounds or Cinematic Presets more processed cinematic sounds The FEEL category allows to choose bet ween the two INSTRUMENT This category allows...

Страница 37: ...different devices 5 Edit Enables you to assign tags to your User Preset Press the Confirm button tick icon to save your set tings or the Close button x icon to cancel the process 6 Delete Removes the...

Страница 38: ...mediately add tags This allows you to filter your custom User Presets in the Browser You can also modify the tags on your User Preset using the Edit feature To edit a User Preset 1 Open the Preset Bro...

Страница 39: ...quite CPU intensive especially when many effect mo dules are loaded or the speed of the sound particles is set very fast we have added an option here to turn off all animations in the interface This...

Страница 40: ...ert Manual Marvin Losch Mathias Vatter Andreas Hammann Simon Schrenk Matthias Meeh Shawn Basey Sample Editing Matthias Meeh Mathias Vatter GUI Design Mathias Vatter Benedikt Huster Artwork Video Felix...

Страница 41: ...quired by applicable law or agreed to in writing Licensor provides the Work and each Contributor provides its Contributions on an AS IS BASIS WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND either expres...

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