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TIME TEXTURES
MANUAL
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(2) Tube Saturation causes distortion by clipping or rounding off high sample values. It thereby simulates the
behavior of overloaded transistor or tube circuits, adding artificial harmonics to a sound.
The Tube Saturation module contains the following controls:
Drive : Adjusts the amount of distortion
Damping : Turning this knob clockwise attenuates high frequencies
in the output signal, thereby counteracting the brightness caused by
the artificial harmonics.
Output
: Adjusts the module’s output level. Since distortion boosts
the gain considerably, it‘s often necessary to attenuate the signal at
the output stage.
(3) Black Distortion simulates a guitar distortion pedal, ideal for
blues and rock tones.
The Black Distortion module contains the following controls:
Distortion : Controls the amount of distortion applied.
Filter : For a darker sound, turn clockwise to enhance the low fre-
quency range; turn counter-clockwise for a brighter, sharper sound.
Volume : The master volume control for the effect.
(4) Clean Amp simulates the rich tube sound of classic guitar amps from decades ago. It’s ideal for screaming
leads and crunchy rhythm guitar sounds, as well as clean sounds
with personality.
The
Clean Amp module contains the following controls:
Gain : Adjusts the input level, or gain. Turning Gain to the right adds
saturation and distortion to the signal.
Bass & Treble : These controls adjust the respective levels of the sig-
nal´s high and low frequency components
(5) Bitcrusher adds various digital artifacts, like quantization noise or aliasing, to a clean signal. It’s great for
roughing up sounds that would otherwise be too plain and featureless.
The
Bitcrusher module contains the following controls:
2
3
4