Roland VIMA JM-8, Руководство пользователя

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Editing 16-track songs
VIMA JM-8
r
111
(5) Press a display button in the top two rows to select
the desired “TRACK EDIT” function.
Note: If, after selecting one of these functions and setting
parameter values, you decide not to execute the transfor-
mation,
do not press the
[ENTER]
display button.
(6) Select the track(s) you wish to modify.
(7) Select the range (“FROM” and “TO”) for the edit
operation.
The “FROM” and “TO” parameters allow you to specify
the positions (measure/beat/clock) of the passage you
want to change.
Example: to change measures 1~4 of the selected
track, enter the following values:
(8) Specify what you want to change and how it
should change: press one of the parameter fields
(to the right of the FROM/TO section) and use the
dial.
You can also press the dial and enter the value with
the on-screen numeric pad.
(9) Confirm the operation by pressing the
[ENTER]
dis-
play button.
(10) Press the
[BACK]
display button to return to the
16-track sequencer’s main page.
(11) Save your song.
Use this function if you chose not to quantize your
music during recording (page 128) and now realize
that the timing is not perfect. Quantizing after
recording has the advantage that you can first listen
to the original and then correct only those notes
whose timing is definitely off.
■
TRACK (ALL, 1~16)
Allows you to select the track you wish to edit. You can
also select “ALL” here, in which case the operation applies
to all tracks.
■
FROM
●
BAR (1~[last measure of the track or song])— Refers to
the first measure to be edited. By default, the “FROM”
value is set to the beginning of the selected track(s).
●
BEAT (1~[number of beats per bar])— Specifies the
beat position. The number of available beats depends on
the time signature in the selected area.
●
CPT (1~119)— Refers to the starting CPT position. “CPT”
is short for “Clock Pulse Time”, the smallest unit used by
the JM-8. (There are 120 CPT units to every beat of a 4/4
bar.) Change this setting only if your edit operation
should start after the selected beat.
■
TO
By default, the “TO” position is set to the last event of the
selected track (or the last event of the longest track when
you select “ALL”).
●
BAR (1~[last measure of the track or song])— This is
where you specify the bar position of the last measure to
be edited.
●
BEAT (1~[number of beats per bar])— Specifies the
beat position. The number of available beats depends on
the time signature in the selected area.
●
CPT (1~119)— Refers to the last clock that should be
affected by the edit operation. Change this setting only
if your edit operation should not end exactly on the
selected beat.
■
FROM NOTE (0 C-~127 G9)
This parameter allows you to set the note (or lower limit of
the note range) to be modified within the specified FROM/
TO time range.
It is not displayed when you select EQUAL, UNEQUAL,
HIGHER or LOWER.
■
TO NOTE (0 C-~127 G9)
This parameter allows you to set the upper limit of the note
range to be modified within the specified FROM/TO time
range.
■
Fine-tuning the note range
Before setting “FROM NOTE” (and possibly “TO NOTE”), it
might be a good idea to decide how you want to use the
note indications. Depending on the option you choose,
“FROM NOTE” may not be available, so that setting it
beforehand would be a waste of time.
FROM: BAR= 0001
BEAT= 01
CPT= 000
TO: BAR= 0005
BEAT= 01
CPT= 000
QUANTIZE
Option Meaning
[EQUAL]
Only the selected note (note name/note
number) will change. (The note can be set
using “TO NOTE”.)
[UNEQUAL]
All notes except the one you select will
change. (The note can be set using “TO
NOTE”.)
[HIGHER]
Only notes above the selected one will
change. (The note can be set using “THAN
NOTE”)
[LOWER]
Only notes below the selected one will
change. (The note can be set using “THAN
NOTE”.)
[INSIDE]
Only the notes between “FROM NOTE” and
“TO NOTE” will change.
[OUTSIDE]
Only the notes below “FROM NOTE” and
above “TO NOTE” will change.
JM-8_OM_GB.book Page 111 Wednesday, July 29, 2009 4:43 PM