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Information That You Will Find Useful
Effect Parameter List
■
Auto Wah
The wah effect creates a unique tone by changing the
frequency response characteristics of a filter. Auto
wah creates an automatic wah by cyclically changing
the filter, or by changing the filter in response to the
volume of the input.
■
2 Band Compressor
A compressor holds down high-level signals and
boosts low-level signals, evening out the volume.
With the 2 band compressor, you can split the
frequency components of the direct sound into two
bands, high and low, and make different settings for
each band.
■
Chorus
A sound with a subtly shifted pitch is added to the
direct sound, making the final output sound thicker
and broader.
AW Sw (switch)
Turns the auto wah effect on/off.
AW Polarity
Selection for the direction in which the filter will change in
response to the input.
Up:
The frequency of the filter will rise.
Down: The frequency of the filter will fall.
AW Sens (sensitivity)
Adjusts the sensitivity at which the filter will change in the
direction determined by the polarity setting. Higher values
will result in a stronger response. With a setting of “0” the
strength of picking will have no effect.
AW Manual
(manual frequency)
Adjusts the frequency at which the wah effect will apply.
AW Peak
Adjusts the way in which the wah effect applies to the area
around the center frequency. Lower values will produce a wah
effect over a wide area around the center frequency. Higher
values will produce a wah effect in a narrow area around the
center frequency.
AW Rate
Adjusts the rate at which the wah effect will be cyclically
modulated.
AW Depth
Adjusts the depth at which the wah effect will be cyclically
modulated. If you do not want the wah effect to be cyclically
modulated, set this to 0.
AW Level
Adjusts the volume.
BC Sw (switch)
Turns the 2 band compressor effect on/off.
BC High Stereo Link
BC Low Stereo Link
Select the input source which will control the high/low
compressor.
Off:
The channel L and R compressors will be
controlled independently.
L:
The input source of channel L will control the
compressor limiter.
R:
The input source of channel R will control the
compressor limiter.
Mix:
The input source whose level is higher will control
the compressor limiter.
InvMix:
The highest level input source (either channel L or
inverse-phase channel R) will control the
compressor limiter.
BC Crossover L
BC Crossover R
Adjusts the frequency at which the frequency components of
the direct sound are split into high and low bands and the
compressor is applied.
BC Master Level
This adjusts the volume of the 2 band compressor.
BCH Threshold
BCHL Threshold
BCHR Threshold
BCL Threshold
BCLL Threshold
BCLR Threshold
Adjust the level at which the effect will begin to apply.
BCH:
Both channel L/R of the high compressor
BCHL:
Channel L of the high compressor
BCHR:
Channel R of the high compressor
BCL:
Both channel L/R of the low compressor
BCLL:
channel L of the low compressor
BCLR:
channel R of the low compressor
BCH Ratio
BCHL Ratio
BCHR Ratio
BCL Ratio
BCLL Ratio
BCLR Ratio
Select the compression ratio that will apply when the
Threshold Level is exceeded.
BCH:
Both channel L/R of the high compressor
BCHL:
Channel L of the high compressor
BCHR:
Channel R of the high compressor
BCL:
Both channel L/R of the low compressor
BCLL:
channel L of the low compressor
BCLR:
channel R of the low compressor
BCH Attack
BCHL Attack
BCHR Attack
BCL Attack
BCLL Attack
BCLR Attack
Adjust the time from when the input level exceeds the
threshold level to when the effect begins to apply.
BCH:
Both channel L/R of the high compressor
BCHL:
Channel L of the high compressor
BCHR:
Channel R of the high compressor
BCL:
Both channel L/R of the low compressor
BCLL:
channel L of the low compressor
BCLR:
channel R of the low compressor
BCH Release
BCHL Release
BCHR Release
BCL Release
BCLL Release
BCLR Release
Adjust the time from when the input level drops below the
threshold level to when the effect ceases to apply.
BCH:
Both channel L/R of the high compressor
BCHL:
Channel L of the high compressor
BCHR:
Channel R of the high compressor
BCL:
Both channel L/R of the low compressor
BCLL:
channel L of the low compressor
BCLR:
channel R of the low compressor
BCH Post Gain
BCHL Post Gain
BCHR Post Gain
BCL Post Gain
BCLL Post Gain
BCLR Post Gain
Adjusts the output gain.
BCH:
Both channel L/R of the high compressor
BCHL:
Channel L of the high compressor
BCHR:
Channel R of the high compressor
BCL:
Both channel L/R of the low compressor
BCLL:
channel L of the low compressor
BCLR:
channel R of the low compressor
CH Pre Filter
Select the type of filter.
Off:
a filter will not be used
LPF:
cut the frequency range above the Cutoff parameter
HPF:
cut the frequency range below the Cutoff parameter
CH Cutoff
Adjusts the cutoff frequency of the filter.
CH Pre Delay
Adjusts the time needed for the effect sound to be output after the
direct sound has been output. By setting a longer Pre Delay time,
you can obtain an effect that sounds like more than one sound is
being played at the same time (doubling effect).
CH Rate
Adjusts the rate at which the chorus is modulated.
CH Depth
Adjusts the depth of the Chorus effect. To use it for doubling, set
the value to “0”.
CH Phase
Adjusts the spatial spread of the sound.
CH Balance
Adjust the balance between the chorus volume and the direct
sound volume.
CH Level
Adjusts the volume.
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