Orban OPTIMOD-FM 8600, Руководство по эксплуатации

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OPERATION ORBAN MODEL 8600
To control excessive brightness in the HD processing when operating the HD and FM
processing independently:
•
Use little or no high frequency boost in the HD equalization section.
•
Set Band 4>5 coupling to 100%.
•
Set the band 5 compression threshold to match the codec that the 8600’s HD
output is driving. Adjust the threshold until you find a good compromise be-
tween presence and high frequency codec artifacts. We find the range from
–6.0 to +6.0 dB to be useful.
•
Use a moderate Band 5 attack time. 25 ms works well.
•
If necessary, lower the Band 4 compression threshold.
An advanced-design look-ahead limiter controls the peak level of the HD output.
The look-ahead limiter (which receives the output of the HD multiband compres-
sor/limiter) is optimized to make the most of the limited bit-rate codec used in the
HD Radio system’s digital channel. By eschewing any clipping, the HD output pre-
vents the codec from wasting precious bits encoding clipping distortion products,
instead allowing the codec to use its entire bit budget to encode the desired pro-
gram material.
The 8600HD’s look-ahead limiter implements “true peak” control by oversampling
the HD peak limiter’s sidechain at 256 kHz. This allows the 8600 to prevent clipping
in a playback device’s analog signal path by predicting and controlling the analog
peak level following the playback device’s reconstruction filter to an accuracy of bet-
ter than 0.5 dB. For typical program material, accuracy is 0.2 dB
Thanks to true peak control, sample rate conversion, unless it removes high frequen-
cy program energy or introduces group delay distortion, cannot cause sample peaks
to increase more than 0.5 dB. For example, sample rate con-version from 48 kHz to
44.1 kHz is highly unlikely to cause sample peak clipping in the 44.1 kHz audio data.
The look-ahead limiter includes a parametric high frequency shelving equalizer that
can be placed either before or after gain reduction. You can use it to equalize tex-
ture disparities between the FM and HD channels and to reduce codec artifacts at
high frequencies. You can also use the
HD B
AND
M
IX
controls and/or HD compression
threshold to achieve this.
The HD output is designed to feed digital channels without preemphasis, which in-
clude almost all such channels. The only high-quality digital channels using
preemphasis of which we are aware are NICAM channels (which use J.17 preempha-
sis) and some older CDs (which use EIAJ—50µs/15µs shelving preemphasis). If you use
the HD output to feed a digital channel with preemphasis, you must allow extra
headroom to compensate for the unpredictable peak level changes that the
preemphasis induces.
If the HD output is driving a channel without preemphasis, it will control peak levels
with an uncertainty of approximately 1 dB. However, you may want to allow head-