OPERATION
3-57
of operating the Two-Band structure like this, you should usually choose a Five-Band
preset instead.
Advanced Two-Band Controls
The following Two-Band controls are found only in the Advanced Modify screen.
2B Master Comp Threshold
sets the level where gain reduction starts to occur in
the Master (above 200 Hz) band of the Two-Band Compressor.
2B Bass Comp Threshold
determines the compression threshold of the bass band
in the Two-Band Compressor. It can be used to set the target spectral balance of the
Two-Band Compressor.
As the Two-Band Compressor
B
ASS
C
OUPLING
control is moved towards
“100%,” the Two-Band Compressor
B
ASS
T
HRESH
control affects the
sound less and less.
2B Master Attack
sets the attack time of the Two-Band Compressor master com-
pressor (above 200 Hz).
2B Bass Attack
sets the attack time of the Two-Band Compressor bass compressor
(below 200 Hz).
Lookahead
determines the lookahead time (in milliseconds) in the two-band com-
pressor. 3.6 milliseconds give minimum overshoot for the factory preset attack time
of 11.0. If you adjust
L
OOKAHEAD
for less delay, you will get progressively more over-
shoot. This will cause more voice distortion but will create more transient impact on
percussion because transients will hit the clippers harder instead of being controlled
inaudibly by the lookahead compressor.
This control does not affect the HD processing chain.
2B Crossover
sets the structure of the 2-Band crossover to Linear or Linear with No
Delay. See page 3-41 for more detail about these modes.
The relationship and interaction of the next four controls is complicated and is best
appreciated by listening and experimenting:
2B Clipping
is a compression threshold control that affects the bass and master
bands equally. It sets the drive level to the high frequency limiting and multiband
distortion-controlling processing that precedes the final clipping section. The distor-
tion-controlling section uses a combination of distortion-cancelled clipping and
look-ahead processing to anticipate and prevent excessive clipping distortion in the
final clipper.
This control does not affect the HD processing chain.
MB Limit Threshold
(not in MX presets) determines the threshold of the
lookahead clipping distortion controller (measured in dB) with reference to the final
clipper. In general, it should be set at “0” so that it matches the threshold of the fi-
nal clipper. Setting it higher than “0” allows more punch (due to clipping) at the ex-
pense of higher clipping distortion, which may be particularly annoying on voice.
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