background image

60

DIGITAL RACK MIXER M32R User Manual

Bank: 

A fixed number of channels displayed on a GUI screen.

Bass: 

Lower frequencies in a signal.

Bay: 

One of the main control surface sections.

Bus: 

A pathway down which one or more signals can travel.

C

Cat 5e: 

A specification for a type of cable used typically for Ethernet 

computer networks.

Channel: 

Single path taken by an audio signal (input or output) through the 

control centre.

Channel strip: 

Row of controls in traditional analogue layout used for the 

shaping of a signal.

Checkpoint: 

A patching data store point, created by clicking CHECKPOINT. 

See Patching.

Click: 

A method of GUI operation, mainly for button operation and 

selection purposes.

CMR: 

Abbreviation for ‘common mode rejection’. A measure of how well a 

differential amplifier rejects a signal that appears simultaneously and in-phase at 

both input terminals. CMR is usually stated as a dB ratio at a given frequency.

Comb filtering: 

Removal of signal components at a number of regularly 

spaced frequencies.

Compressor: 

A dynamics processor that reduces the level of any signal 

exceeding a specified threshold volume.

Condenser microphone: 

A high quality mic that uses a capacitor to detect 

changes in the ambient air pressure, which it then converts into an electrical 

signal. This type of mic requires power from a battery or external source.

Control centre: 

The M32’s console, comprising control surface and GUI.

Control surface: 

Area on the control centre that houses all of the user’s 

hardware controls, such as pushbuttons, control knobs, switches etc.

Crossfade: 

To combine signals such that one channel or source fades out while 

another fades in, but maintaining an essentially constant programme volume.

Cursor: 

Generally, used to describe the ‘I’-shaped pointer on the GUI that 

indicates a text insertion point. See Pointer.

D

D zone: 

Section in the input channel strip for controlling dynamic parameters.

D/A: 

Abbreviation for ‘digital to analogue’. The conversion of digital data to 

analogue audio.

DARS: 

Abbreviation for ‘digital audio reference signal’.

Dashboard: 

A standard GUI screen display - usually on the master bay - that 

shows all channel meters (inputs, auxes, returns, masters etc.) all of the time.

DAW:

 Abbreviation for ‘Digital Audio Workstation’. A digital audio workstation 

is an electronic system designed solely or primarily for recording, editing and 

playing back digital audio.

dB: 

Symbol for ‘decibel’. A unit of measurement of the loudness of sound. 

See dBu.

dBu: 

A unit of measurement of sound used in professional audio. Derived from 

the decibel, where the ‘u’ stands for unloaded, this unit is an RMS measurement 

of voltage based on 0.775 VRMS, which is the voltage at which you get 1 mV of 

power in a 600 ohm resistor. This used to be the standard impedance in most 

professional audio circuits.

DC: 

Abbreviation for ‘direct current’.

Delay: 

An effect by which a reproduction of a signal is played back later then 

its original.

Destination: 

The patch connector to which a signal is routed. See Patching.

Device: 

A diagram(s) in the I/O tabs representing a physical rack unit, such as a 

line I/O, mic splitter, DN9696, AES50 etc. See Patching.

DI: 

Abbreviation for ‘direct inject’ or ‘direct injection’. Signal is plugged directly 

into the audio chain without using a microphone.

DI box: 

Device for matching signal level impedance of a source to mixer input.

Drag: 

A method of GUI operation, mainly for control adjustment. Also used for 

selecting blocks of patch connectors during patching.

DSP: 

Abbreviation for ‘digital signal processing’ or ‘digital signal processor’. 

Any signal processing done after an analogue audio signal has been converted 

into digital audio. Can be used to create, for example, compression, equalisation 

etc., of a digital signal. A digital signal processor is a piece of equipment 

specifically designed for carrying out signal processing.

E

E zone: 

Section in the input channel strip for controlling EQ parameters.

Effect: 

One of a number of audio processes that can be applied to a signal to 

modify it, such as reverb, flanging, phasing, delay etc.

Effects rack: 

A virtual rack of internal processors. See Virtual rack.

Envelope: 

1. How a sound or audio signal varies in intensity over time. 

2. The visual representation of such, usually shown on a graph in a GUI 

channel strip.

EQ: 

Abbreviation for ‘equaliser’ or ‘equalisation’.

Equalisation: 

Adjusting the frequency response so that the levels 

of all frequencies are equal or the same. Bass and treble controls are 

equalisation controls.

F

Fader: 

Slider-type device for precise adjustment of signal level or 

volume of a channel.

Fast strip:

 One of the strips in the input, mix and output fast zones. See Input 

fast strip, Mix fast strip, Output fast strip and Fast zone.

Fast zone:

 An area on a bay that contains quick controls. See Input fast zone, 

Mix fast zone, Output fast zone and Fast strip.

FB: 

Abbreviation for ‘front-back’. A term used in surround panning.

Feedback: 

See Acoustic feedback.

Filter: 

A device for removing frequencies above or below certain levels.

FOH: 

Abbreviation for ‘front of house’. The area in a theatre used by the public. 

Used to describe a control centre being used to control the sound that the 

audience will hear (and not the performers’ monitor system).

Frequency: 

The number of times that a sound wave’s cycle repeats within 

one second.

Fricative: 

A consonant, such as ‘f’ or ‘s’, produced by the forcing of breath 

through a constricted passage.

From section:

 The leftmost area of the patching screen that contains the source 

patch connectors. See Patching.

G

Gain:

 Another term for signal level.

Gain reduction (compressor): 

Decrease in gain when input signal is above 

threshold. See Gain.

GEQ: 

Abbreviation for ‘graphic equaliser’. See Graphic EQ.

GEQ rack: 

A virtual rack of GEQs. See Virtual rack.

Granularity:

 A measure of the size of components or a description of the 

components comprising a system.

Graphic EQ: 

A form of EQ that has a number of faders for controlling the gain of 

the audio signal. The faders are set at frequency bands that are evenly-spaced 

according to octaves.

GUI: 

Abbreviation for ‘graphical user interface’.

GUI channel strip:

 Right section of a GUI screen that represents the processing 

area of the input or output channel strip selected to the control surface.

Содержание M32R LIVE

Страница 1: ...User Manual DIGITAL RACK MIXER M32R Digital Console for Live and Studio with 40 Input Channels 16 Midas PRO Microphone Preamplifiers and 25 Mix Buses...

Страница 2: ...lay Top Section 23 2 2 Meters 27 2 3 Routing 28 2 4 Library 32 2 5 Effects 32 2 6 Setup 34 2 7 Monitor 36 2 8 Scenes 36 2 9 Mute Group 39 2 10 Utility 39 2 11 Internal Effects 40 3 Rear Panel 50 3 1 M...

Страница 3: ...art apparatus combinationtoavoid injuryfromtip over 13 Unplugthisapparatusduringlightningstormsor whenunusedforlongperiodsoftime 14 Referallservicingtoqualifiedservicepersonnel Servicingisrequiredwhen...

Страница 4: ...forma tr pode soporteomesa especificadosporel fabricanteosuministrados juntoconelequipo Altransportarelequipo tengacuidadoparaevitar da osyca dasaltropezarconalg nobst culo 13 Desenchufeelequipodurant...

Страница 5: ...t 12 Utilisez exclusivementdes chariots desdiables despr sentoirs despieds etdessurfacesde travailrecommand s parlefabricantou livr savecleproduit D placezpr cautionneusementtoutchariotoudiable charg...

Страница 6: ...usatzger te Zubeh rteile dielautHerstellergeeignetsind 14 Verwenden SienurWagen Standvorrichtungen Stative HalteroderTische dievomHerstellerbenannt oderimLieferumfang desGer tsenthalten sind FallsSiee...

Страница 7: ...enasliga es acess riosespecificados pelofabricante 14 Utilizeapenascom ocarrinho estrutura trip suporte oumesa especificadospelo fabricanteouvendidos comodispositivo Quandoutilizarum carrinho tenhacui...

Страница 8: ...9 10 11 12 13 14 15 16 17 18 19 20 21 Music Tribe Midas Klark Teknik Lab Gruppen Lake Tannoy Turbosound TC Electronic TC Helicon Behringer Bugera Coolaudio Music Tribe Global Brands Ltd Music Tribe Gl...

Страница 9: ...4 5 6 7 8 9 10 11 12 13 14 15 16 17 2000 Music Tribe Midas Klark Teknik Lab Gruppen Lake Tannoy Turbosound TC Electronic TC Helicon Behringer Bugera Coolaudio Music Tribe Global Brands Ltd Music Tribe...

Страница 10: ...e equipment s electric plugs from the outlets always hold the plug itself and not the cable Pulling out the plug by the cable can damage it Never insert or remove an electric plug with wet hands Donot...

Страница 11: ...desktop form factor Employing award winning Midas PRO Series microphone preamplifiers and the custom designed Midas PRO motorised faders that are rated for one million cycles along with a daylight vie...

Страница 12: ...ding on which layer is active The COMP and GATE LEDs light to indicate that compression and or noise gate are active 3 SOLO Button Press to send the channel to the solo bus 4 Scribble Strip Informatio...

Страница 13: ...sion is active 3 SOLO Button Press to send the channel to the solo bus 4 Scribble Strip Information such as channel number input source and a graphic icon are displayed here 5 MUTE Button Press to mut...

Страница 14: ...orm cycle with each cycle being 360 Press the button to reverse the selected channel s phase by 180 This can be useful when using the reverse phase function to cancel noise across more than one channe...

Страница 15: ...LCUT A low cut function which attenuates signals below the selected frequency NOTE Low CutandHigh CutModesdonothaveGainandWidthsettings 2 WIDTH Rotary Control The WIDTH rotary control determines the...

Страница 16: ...owing steps 1 Plug a FAT formatted FAT12 FAT16 FAT32 USB stick into the USB port as illustrated above 2 Press the VIEW button in the RECORDER panel This will then display a graphic representation of a...

Страница 17: ...ted top panel controls eq Controls and displays the channel EQ effect beyond those offered by the dedicated top panel controls sends Controls and displays for channel sends such as sends metering and...

Страница 18: ...f the MAIN DISPLAY chapter MUTE GRP The MUTE GRP screen allows for quick assignment and control of the console s six mute groups and offers two separate functions Mutes the active screen during the pr...

Страница 19: ...ironment SelectFollowsSolo When this method is selected any channel that is soloed will automatically become the currently selected channel ChSoloAFL The channel and select button do not have any corr...

Страница 20: ...ncoder to scroll through the various talkback destinations which include Mix Bus 1 16 LR Bus Centre Mono Bus 6 Tap the fourth encoder to activate any talkback destination when it is currently selected...

Страница 21: ...ated LCD displays To adjust the various settings on the hometab perform the following steps 1 Turn any of the push encoders 1 5 to move screen focus to different custom assignable rotary controls and...

Страница 22: ...nels section correspond to the send levels on the selected monitor mix bus When checking or editing where a selected input signal is to be sent Select the input channel in the left hand section Press...

Страница 23: ...ath and buses The home tab contains the following parameters divided into two pages that can be adjusted using the six push encoders Page 1 1 Turn the first push encoder to adjust the input gain trim...

Страница 24: ...tent gate The gate tab displays all aspects of the channel noise gate and allows for very deep control of the gate effect Whereas the top panel s dedicated GATE section allows control of the gate s th...

Страница 25: ...n to complete a compression event tends to stay the same however large the dynamic signal excursion is Also since the peak rate of gain change increases with dynamic excursion the resulting harmonic c...

Страница 26: ...Low cut Low shelf PEQ standard parametric VEQ vintage style High shelf High cut Tap the 5th encoder to reset all of the EQ bands Adjust the 6th encoder to select the frequency band Tap the 6th encode...

Страница 27: ...outputs Level meters fader levels and gain reduction meters for the stereo main bus and the mono bus aux fx Level meters for the six auxiliary sends Level meters and fader levels for the eight auxilia...

Страница 28: ...Allows patching of internal signal paths to the console s 8 rear panel XLR outputs auxout Allows patching of internal signal paths to the console s six rear panel RCA auxiliary outputs p16out Allows p...

Страница 29: ...put The available signal tap points include IN LC IN LC M PreEQ PreEQ M PostEQ PostEQ M PreFdr PreFdr M Post Fader 4 Tap the fifth encoder to assign the selected signal tap point 5 Turn the sixth enco...

Страница 30: ...from a bus send mix such as a stereo drum mix stereo keyboards guitars bass vocals etc Musicians on stage would then be free to each craft their own personal mix of these musical stems all delivered...

Страница 31: ...B 25 32 Local 9 16 AES50 B 33 40 Local 17 24 AES50 B 41 48 Local 25 32 Card 1 8 AES50 A 1 8 Card 9 16 AES50 A 9 16 Card 17 24 AES50 A 17 24 Card 25 32 AES50 A 25 32 Out 1 8 AES50 A 33 40 Out 9 16 AES5...

Страница 32: ...ocessors To adjust the various settings on the effects tab perform the following steps Adjust the first push encoder to select which of the eight effects slots to load or save a preset As you navigate...

Страница 33: ...ocessors that are no longer necessary with a digital console the individual effects processor screen provides a graphical representation of the effects processor s real world physical counterpart This...

Страница 34: ...ous aspects of the console s DCA groups preamps This screen allows the gain on each of the individual input channels preamps to be adjusted card This screen selects the input output configuration None...

Страница 35: ...2 Edit software PC Console means that all settings in the M32 Edit will be written to the console M32 Mix For the M32 Mix remote open the program on your iPad make sure the iPad is connected to the sa...

Страница 36: ...ncoder to select between the following presets 32in 32out 16in 16out 32in 8out 8in 32out 8in 8out 2in 2out 2 7 Monitor Pressing the MONITOR button has the same effect as presing the VIEW button in the...

Страница 37: ...s layer can be controlled with the adjacent push encoder as follows Copy Allows the user to make a copy of the currently selected Cue Edit Cue Allows the user to edit the currently selected Cue Add Cu...

Страница 38: ...umn 4 Console Configuration Solo Routing Output Patch CHANNEL SAFE The SHOW CONTROL screen s chansafe tab configures which console channels are and are not changed when a scene change occurs This allo...

Страница 39: ...k in conjunction with the other screens that may be in view at any particular moment The UTILITY screen is never seen by itself it always exists in the context of another screen To reinforce this poin...

Страница 40: ...ighfrequencycut allowing higherfrequenciestoremainunaffectedbythereverb MODadjuststhelevelof reverbdecaymodulation TAILGAINadjuststhevolumeofthereverbtail Rich Plate Reverb Rich Plate Reverb was origi...

Страница 41: ...sed on the legendary EMT250 the M32 s Vintage Reverb delivers shimmering bright reverb that won t drown out or overpower your live or recorded tracks Use Vintage Reverb to sweeten vocals and snare dru...

Страница 42: ...lay time on the right channel to rhythmic fractions of the master delay time OFFSET LR adds a delay difference between the left and right delayed signals The FEED LO CUT HI CUT adjusts filters in the...

Страница 43: ...betweentheleftandrightchannels The modulationsourcecanalsobethesignalenvelope whichproducesvowel like openingandclosingtones TheENVMODpushencoderadjustshowmuchofthis effecttakesplace positiveandnegati...

Страница 44: ...d HI The fourth and fifth encoders adjust the level for each of the individual lower octaves To navigate between the two layers use the up and down navigational controls Delay Chamber Here we have com...

Страница 45: ...mbination effect only takes up one FX slot InspiredbytheTCElectronicD Two The TIME push encoder adjusts the delay time and the PATTERN push encoder sets the delay ratio for the right channel and negat...

Страница 46: ...Dual DeEsser accurately and seamlessly removes sibilance from audio tracks The Lo Band and Hi Band controls select which portion of the audio spectrum is affected by the DeEsser on each channel By inc...

Страница 47: ...rom 0 05 ms to 1 ms RELEASE adjusts the release time from 0 05 ms to 1 04 seconds KNEE adjusts the soft limiting threshold point from hard limiting 0 dB to maximum soft limiting 10 dB Stereo Combinato...

Страница 48: ...of the signal path COMP LIMIT determines whether the effect acts as a compressor or a limiter OUTPUT GAIN affects the gain of the output signal Increasing PEAK REDUCTION means that only the signal pea...

Страница 49: ...ing instruments to the front or move them to the background and make corrections to the stereo image even on a finished master InspiredbytheBehringerEdisonEX1 St Spread increases the perceived width o...

Страница 50: ...n the MIX control fully clockwise so that the full sound is affected This way the signal can be shifted into other keys up to an octave above or below the original key When used on a voice it results...

Страница 51: ...thernet See chapter 2 6 Setup Network for wireless connection details 3 7 MIDI MIDI IN OUT Send and receive MIDI information via standard 5 pin DIN cables 3 8 ULTRANET Connect to a personal monitoring...

Страница 52: ...ol Mic Input Characteristics Design Midas PRO Series THD N 0 dB gain 0 dBu output 0 01 unweighted THD N 40 dB gain 0 dBu to 0 03 unweighted 20 dBu output Input Impedance 10 k 10 k Unbalanced Balanced...

Страница 53: ...en tick mark Confirm Pop Ups Scene Load is active MIDI scene recalls will only become active after manual confirmation If you prefer activating scenes via MIDI Program Changes immediately un check the...

Страница 54: ...nges only the channel is specified and the encoder rotation determines the program number Buttons 5 12 can be operated in two modes MIDI Push non latching for momentary commands or MIDI Toggle latchin...

Страница 55: ...ons to determine the function assigned to the MUTE 1 8 buttons the LED displays indicate that function Group DCA 1 8 allows movement of the bank selection of tracks in a DAW push non latching BUS 1 8...

Страница 56: ...56 DIGITAL RACK MIXER M32R User Manual 4 3 Appendix C Dimensions Top View...

Страница 57: ...57 DIGITAL RACK MIXER M32R User Manual Rear View Side View...

Страница 58: ...ost Fader Post Pan R KEY IN EQ Pre HP Pre Gate Post Gate Pre EQ Post EQ Pre Fader Post Fader Post Pan L Pre HP Pre Gate Post Gate Pre EQ Post EQ Pre Fader Post Fader Post Pan R SOLO INSERT RETURN INSE...

Страница 59: ...is glossary provides an explanation of the symbols terms and abbreviations used in this manual 5 1 surround A surround sound system created from six channels that form a discrete signal which is playe...

Страница 60: ...am s in the I O tabs representing a physical rack unit such as a line I O mic splitter DN9696 AES50 etc See Patching DI Abbreviation for direct inject or direct injection Signal is plugged directly in...

Страница 61: ...musical instruments such as synthesizers and guitars with computers Mix 1 A signal that contains a combination of signals such as a pair of stereo signals with numerous effects 2 The act of creating s...

Страница 62: ...rocessing area A display in a GUI channel strip showing a specific control section Accessed from the channel s overview display See Overview PSU Abbreviation for power supply unit Psychoacoustics The...

Страница 63: ...nection that utilises only two of the leads of a cable connector and jack Unfold Navigates the input channels of a group to the input bays USB Abbreviation for universal serial bus A plug and play int...

Страница 64: ...a liste essayez de r soudre votre probl me avec notre aide en ligne que vous trouverez galement dans la section Support du site behringer com Vous pouvez galement nous faire parvenir directement votre...

Страница 65: ...65 DIGITAL RACK MIXER M32R User Manual 1 Music Tribe midasconsoles com 2 Music Tribe Music Tribe midasconsoles com WHERE TO BUY 3...

Страница 66: ...These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment This equipment generates uses and can radiate radio...

Страница 67: ......

Отзывы: