Make Noise 0-Coast Скачать руководство пользователя страница 34

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Patching into a jack to override a normalization does a lot to open up the signal flow possibilities in the 0-Coast. The concepts 

already outlined can get you very far, but as you continue patching, some questions will eventually start to arise: What if you 

want to control a parameter with two sources at once? What if you want to send the same modulation source to more than 

one destination? What if you want to control a positive-only parameter like OVERTONE with a negative version of a 

positive-only signal like CONTOUR? 

The Voltage MATH, located below the CLocK and Random circuits, is a small, powerful, open-ended circuit that provides the 

answers to questions like these. It gives a small taste of the sorts of Control Processing that can be done in our modular 

systems using modules like MATHS. The concepts of Sum, Difference, Offset, Inversion, Attenuation, Amplification, and 

Multing are all represented here. 

 

The short and technical way to describe the Voltage MATH is:

 

 

- The two signal Inputs are Summed, and the result appears at each of the signal Outputs.

 

- The right-hand signal input is normalled to an Offset, and is equipped with an attenuverter. 

If that reads more like science than music, here is a slower, less technical description with examples:The two inputs at the top 

are mixed (Summed) together. The result appears identically at both outputs at the bottom. The left input, CHannel 1, is 

always at "Unity" (there is no control over its Level or polarity), while the right input, CHannel 2, is further processed by an 

attenuverter. (

See Page 18

)

An example of the use of mixing, or Summing, the two inputs, would be randomizing the start point of modulation of the 

MULTIPLY circuit by the SLOPE circuit. To do this, patch SLOPE to the left input, RANDOM to the right input, and either of the 

Control Processor outputs to MULTIPLY CV Input .Set the Control Processor's right input attenuverter to 12:00. Set MULTIPLY 

full counterclockwise and the MULTIPLY CV Input attenuverter to about 3 o’clock. You should hear the familiar sound of the 

MULTIPLY circuit being modulated by SLOPE (remember to have BALANCE set far enough clockwise that the OVERTONE 

circuit is audible). Gradually turn the Control Processor's input attenuverter clockwise to hear Random voltage added to the 

SLOPE's output. You could also try syncing this Random voltage to the SLOPE generator by patching the EOC output to the 

TEMPO input, which will cause a new Random value with each Cycle of the SLOPE. 

FIGURE 66: Voltage MATHs

FIGURE 67: CH. 1+2 

+10V

-10V

CH2

CH1

SUM OUT:

  The SUM OUTput is a voltage mixer, allowing

for the easily addition or subtraction of two signals of any

type.  With nothing patched to CH.2,  the Panel Control acts

generates an Offset. 

Time

 0V

FIGURE 68: SUM BUS

+5V

-5V

SUM

SUM

OUTPUT:

Time

 0V

CH1

CH2

Содержание 0-Coast

Страница 1: ...5 19 16 REV 7 v 1 16...

Страница 2: ...CV Gate Controllers 10 ProGraM Buttons 11 ProGram B 12 Circuits that Modify 14 MIDI B 15 Signals 16 Attenuation 17 Attenuversion 18 Control Voltage 19 The Core 20 The Timbre 21 SLOPE 22 Balance 23 The...

Страница 3: ...te the equipment This equipment has been tested and found to comply with the limits for a Class A digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable pr...

Страница 4: ...by Make Noise to be the fault of the user are not covered by this warranty and normal service rates will apply During the warranty period any defective products will be repaired or replaced at the op...

Страница 5: ...r choice you could apply new timbres to your existing musical forms Using the included Patch Cables you could get more scientific experimenting with new ways to wire up the circuits You might even for...

Страница 6: ...l also find small visual representations of the connections Continuing the example above SCOPE NOTATIONS Circuit Output Circuit Input Oscillator Square Wave Output Balance External Input Number of Cyc...

Страница 7: ...olarity MIDI Activity or indicate alternate modes for instance Self Cycle Jacks Every jack in the 0 Coast is either an input or an output Jacks are patched together with cables Simply plug one end of...

Страница 8: ...put 25 Overtone Panel Control 26 Overtone CV INput Attenuator 27 Multiply Panel Control 28 Multiply CV Input Attenuvertor 29 Multiply Activity Window orange 30 Overtone CV INput 31 Multiply CV INput 3...

Страница 9: ...8 Figure 8 Default Sound Figure 9 Drone...

Страница 10: ...without significant interference from other electronic sources such as computers appliances radio waves etc Most importantly however high amplitude signals allow for modulation across the entire range...

Страница 11: ...e section at bottom of page or at the bottom of the unit If you will be using a CV Gate controller locate the Pitch CV and Gate CV OUTputs on this device Connect the Pitch CV Output from the controlle...

Страница 12: ...ut can be assigned to velocity note number mod wheel et al The 0 Coast also has a fun arpeggiator with two modes an additional LFO at the MIDI B outputs and the ability to switch between Legato and Re...

Страница 13: ...Legato ON default MIDI A Gate goes high when the first note on is received and does not go low until all note offs have been received In other words there is a single Contour until all notes are relea...

Страница 14: ...FO TAP PGM_ A This is a square wave LFO with User defined frequency 6 MIDI Clock PGM_A FLASHES PGM_B OFF default PGM_B ON ON Tempo follows the rate of the incoming MIDI clock 7 Calibrate MIDI_A MIDI_B...

Страница 15: ...Jack such as the Korg SQ1 Sequencer or the Electribe 2 Simply connect the two devices using a Stereo TRS Mini Jack cable as depicted in Figure 15 To use the 0 COAST with traditional DIN devices use th...

Страница 16: ...hed to the CONTOUR Gate IN and DYNAMICS CV INput Jacks the CONTOUR Signal OUT is wired to modulate DYNAMICS In order to hear this set 0 COAST to the Default Sound Figure 8 Page 8 and play some keys or...

Страница 17: ...V Figure 20 An Audio Rate Triangle Wave 5V 6 KHZ G8 One Cycle 0 166 mS CV Random Voltage Random Voltage as you might have expected is not predictable In a more subtle use Random Voltage can liven up a...

Страница 18: ...e Fully Attenuated 0V 10V 0V Time Inversion To invert a signal is simply to turn it upside down For example inverting a 5V offset results in a 5V offset Inverting a positive going sequence Fig 28 resu...

Страница 19: ...ugh at all times As mentioned above in 1 the left input is always at Unity there is no control over its amplitude while the right input comes with an attenuverter An example of the usefulness of inver...

Страница 20: ...range of movement is indicated by the crosshatched area of the MULTIPLY Panel Control Figure 35 With the MULTIPLY INput Attenuverter set to 12 o clock no voltage is added to the MULTIPLY Panel Contro...

Страница 21: ...orm which has many audible Odd Overtones making it more rough and complex This gives it a hollow aggressive sound The Square waveform is often used as the starting point for East Coast synthesis techn...

Страница 22: ...To hear the SLOPE in the audio signal path set SLOPE to CYCLE and set RISE and FALL to 9 o Clock for Audio rate SLOPE generation Set OVERTONE Full CW This will create a very inharmonic sound not unlik...

Страница 23: ...til the the CYCLE Button is PRESSED again to disengage Self CYCLE This type of Function is often called a Low Frequency Oscillator or LFO an important element of both EAST and WEST Coast synthesis tec...

Страница 24: ...ugh sound rich in harmonics This is not unlike sweeping a Low Pass Filter in the classic East Coast synthesis patch where at Full Counterclockwise the harmonics of the Square or Saw waveform are reduc...

Страница 25: ...t synthesis at its finest allowing the Low Pass Gate to be used in tandem with an extremely important East Coast synthesis circuit the 4 stage Envelope we call CONTOUR CONTOUR In order to really under...

Страница 26: ...here it remains for as long as the Gate e g from MIDI or Patched to CONTOUR Gate INput is held HIGH or ON Figure 50 The SUSTAIN parameter determines this maximum level while DECAY sets the time it tak...

Страница 27: ...ent ONSET and DECAY settings while leaving SUSTAIN set to about 11 o clock and Vari Response set to 2 o clock This may help you understand what ONSET and DECAY are doing Now set ONSET to 9 o clock and...

Страница 28: ...y be used when interfacing the 0 COAST with instruments capable of handling the large voltages produced by this type of output such as modular synthesizers The LINE OUT circuit has a Level parameter w...

Страница 29: ...t typical sounds played with a keyboard are easy to achieve an example of a limitation is that the envelope of a note created by Contour as Gated from the MIDI A Gate is always tied to a single pitch...

Страница 30: ...hich the Modulation will be added If it is already at maximum it cannot be modulated any further When Panel Control is set to 12 o Clock and the CV Attenuator is set Full CCW there will also be no Mod...

Страница 31: ...ency of one oscillator upon another The result is that the oscillator that is FM d will carry the modulating oscillator s pitch information in the form of harmonics Linear FM attempts to preserve the...

Страница 32: ...OPE Function aka Envelope whose characteristics are defined by the RISE FALL and Vari Response parameters This function will rise from 0V to 8V and then immediately fall from 8V to 0V There is NO SUST...

Страница 33: ...ultiply is controlled by SLOPE in normal operation Try taking MIDI B CV patched to this input set to C3 to accomplish something similar to Keyboard tracking found on subtractive monosynths in the East...

Страница 34: ...xed Summed together The result appears identically at both outputs at the bottom The left input CHannel 1 is always at Unity there is no control over its Level or polarity while the right input CHanne...

Страница 35: ...vels may be used to control the 0 Coast and vice versa EXAMPLES Sequence the 0 Coast with Ren or Korg Arturia sequencers process the 0 Coast s DYNaMiC output in the Make Noise System 0 Figure 70 The 0...

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