Make Noise 0-Coast Скачать руководство пользователя страница 21

Oscillator

Set 0-COAST to the “Default Sound” (

Figure 8, Page 8)

.  To hear how the OSCILLATOR works, it is helpful to either hold a key 

down on your controller, or to set the 0-COAST to Drone, as shown in 

Figure 9

.

The voice of the 0-COAST begins at this circuit: a Triangle core, 

voltage-controlled oscillator (VCO

) that generates two 

waveforms: Triangle and Square, as illustrated in 

Figure 39

.    The

 

OSCILLATOR

 is the primary sound source of the 0-COAST.  Set 

BALANCE

 to Full CCW so that it is passing the internally-routed 

Triangle waveform signal.

Within the 

BALANCE

 circuit, we refer to this as the 

FUNDamental

.   

The Triangle waveform has so few audible Overtones, it is nearly a 

pure representation of our single Fundamental frequency, which is 

determined by the PITCH Panel controls, MIDI, and CV patched to 

1V/ Octave Input.  The sound of the Triangle is smooth and pure.  

The Triangle waveform is often used as the starting point for West 

Coast synthesis techniques. 

Now, grab a patch cable and patch the Square OUT from the 

OSCILLATOR

 circuit to the BALANCE Ext. IN, 

Figure 38

.

Be sure the BALANCE Panel Control is still set to Full CCW.  You 

should now be hearing the Square waveform, which has many 

audible Odd Overtones, making it more rough and complex.  This 

gives it a hollow aggressive sound. The Square waveform is often used as the starting point for East Coast synthesis 

techniques.  These two waveforms: Triangle and Square, are wonderful sounds.  You may  manually control the pitch using 

the PITCH Panel Controls Coarse and Fine for immediate physical control of Pitch, just like on a modular synthesizer.  You may 

also control the OSCILLATOR PITCH using the MIDI INput or patching a CV signal to the 1V/Octave CV IN.  Try controlling the 

pitch of the OSCILLATOR in these ways and  comparing how the Square and Triangle waveforms sound at different pitches, 

high and low frequency.  

20

1.  PGM A Illuminated Button <white>

2.  MIDI A Activity Window <red>

3.  MIDI INput Jack

4.  MIDI B Activity Window <red>

5.  Ext. CV OUTput

6.  Ext. Gate OUTput

7.  PGM  B Illuminated Button <white>

8.  TEMPO INput

9.  TEMPO Activity Window <red>

10.  CLocK OUTput

11.  Stepped Random OUTput

12.  Voltage MATH: CHannel 1 INput

13. Voltage MATH: CHannel 2 INput

14.  Voltage MATH: CHannel Attenuvertor

15.  Voltage MATH: Activity Window <red> / <green>

16.  Voltage MATH: CHannel 1 OUTput

17.  Voltage MATH: CHannel 2 OUTput

18.  Oscillator: Triangle Wave OUTput

19.  Oscillator:  Square Wave OUTput

20.  Oscillator: Pitch Panel Control

21.  Oscillator: Pitch Fine Tune

22.  Oscillator:  LINear FM INput Attenuator

23.  Oscillator: 1/V OCTave INput

24.  Oscillator: LINear FM Input

25.  Overtone: Panel Control

26.  Overtone: CV INput Attenuator

27.  Multiply Panel Control

28.  Multiply: CV Input Attenuvertor

29.  Multiply: Activity Window <orange>

30.  Overtone: CV INput

31.  Multiply CV INput

32.  Slope: Cycle Illuminated Button <white>

33.  Slope: Rise Panel Control

34.  Slope: Fall Panel Control

35.  Slope: Activity Window <green>

36.  Slope: Vari-Response

37.  Slope: End of Cycle (EOC) Activity Window <yellow>

38.  Slope: Rise/Fall Time CV INput

39.  Slope: End of Cycle (EOC) Gate Output

40.  Slope: Trigger INput

41.  Slope: CV OUTput

42.  Contour: Onset Panel Control

43.  Contour: Sustain Panel Control

44.  Contour: Decay Panel Control

45.  Contour: Activity Window <green>

46.  Contour: Vari-Response

47.  Contour: Decay Time CV INput

48.  Contour: End of ONset (EON) Activity Window <yellow>

49.  Contour: Gate INput

50.  Contour: End of ONset (EON) OUTput

51.  Contour: CV OUTput

52.  Balance: CHannel 1 Signal INput

53.  Balance: CV INput

54.  Balance: Combo Pot

55.  Dynamics: Combo Pot

56.  Dynamics: Activity Window <orange>

57.  Headphone/Line OUTput: Level Control

58.  Headphone/Line OUTput: TRS Stereo Audio Signal, 3Vpp

59.  Dynamics CV INput

60.  Dynamics OUTput: Modular level Audio Signal, 10vpp

What is an oscillator?

An oscillator outputs repeating voltage in the 

range of -5v to +5v. The core of the 0-Coast 

generates voltage that ramps up in a straight line 

and then back down, creating a triangle shape.  

The other waveform outputs are created by using 

circuitry to mold the Triangle into other shapes, 

each of which has a unique sound.  The frequency 

of oscillation determines the pitch: the higher the 

frequency, the higher the pitch.  

An oscillator is ALWAYS oscillating: the only 

thing that stops it is powering down the 

system. 

+5V

-5V

Figure 39:   

0-Coast:  Simultaneous Waveform Outputs

+5V

-5V

Time

Time

Figure 38:   

Patch Instruction: SQUARE OUT to BALANCE Ext. IN

Содержание 0-Coast

Страница 1: ...5 19 16 REV 7 v 1 16...

Страница 2: ...CV Gate Controllers 10 ProGraM Buttons 11 ProGram B 12 Circuits that Modify 14 MIDI B 15 Signals 16 Attenuation 17 Attenuversion 18 Control Voltage 19 The Core 20 The Timbre 21 SLOPE 22 Balance 23 The...

Страница 3: ...te the equipment This equipment has been tested and found to comply with the limits for a Class A digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable pr...

Страница 4: ...by Make Noise to be the fault of the user are not covered by this warranty and normal service rates will apply During the warranty period any defective products will be repaired or replaced at the op...

Страница 5: ...r choice you could apply new timbres to your existing musical forms Using the included Patch Cables you could get more scientific experimenting with new ways to wire up the circuits You might even for...

Страница 6: ...l also find small visual representations of the connections Continuing the example above SCOPE NOTATIONS Circuit Output Circuit Input Oscillator Square Wave Output Balance External Input Number of Cyc...

Страница 7: ...olarity MIDI Activity or indicate alternate modes for instance Self Cycle Jacks Every jack in the 0 Coast is either an input or an output Jacks are patched together with cables Simply plug one end of...

Страница 8: ...put 25 Overtone Panel Control 26 Overtone CV INput Attenuator 27 Multiply Panel Control 28 Multiply CV Input Attenuvertor 29 Multiply Activity Window orange 30 Overtone CV INput 31 Multiply CV INput 3...

Страница 9: ...8 Figure 8 Default Sound Figure 9 Drone...

Страница 10: ...without significant interference from other electronic sources such as computers appliances radio waves etc Most importantly however high amplitude signals allow for modulation across the entire range...

Страница 11: ...e section at bottom of page or at the bottom of the unit If you will be using a CV Gate controller locate the Pitch CV and Gate CV OUTputs on this device Connect the Pitch CV Output from the controlle...

Страница 12: ...ut can be assigned to velocity note number mod wheel et al The 0 Coast also has a fun arpeggiator with two modes an additional LFO at the MIDI B outputs and the ability to switch between Legato and Re...

Страница 13: ...Legato ON default MIDI A Gate goes high when the first note on is received and does not go low until all note offs have been received In other words there is a single Contour until all notes are relea...

Страница 14: ...FO TAP PGM_ A This is a square wave LFO with User defined frequency 6 MIDI Clock PGM_A FLASHES PGM_B OFF default PGM_B ON ON Tempo follows the rate of the incoming MIDI clock 7 Calibrate MIDI_A MIDI_B...

Страница 15: ...Jack such as the Korg SQ1 Sequencer or the Electribe 2 Simply connect the two devices using a Stereo TRS Mini Jack cable as depicted in Figure 15 To use the 0 COAST with traditional DIN devices use th...

Страница 16: ...hed to the CONTOUR Gate IN and DYNAMICS CV INput Jacks the CONTOUR Signal OUT is wired to modulate DYNAMICS In order to hear this set 0 COAST to the Default Sound Figure 8 Page 8 and play some keys or...

Страница 17: ...V Figure 20 An Audio Rate Triangle Wave 5V 6 KHZ G8 One Cycle 0 166 mS CV Random Voltage Random Voltage as you might have expected is not predictable In a more subtle use Random Voltage can liven up a...

Страница 18: ...e Fully Attenuated 0V 10V 0V Time Inversion To invert a signal is simply to turn it upside down For example inverting a 5V offset results in a 5V offset Inverting a positive going sequence Fig 28 resu...

Страница 19: ...ugh at all times As mentioned above in 1 the left input is always at Unity there is no control over its amplitude while the right input comes with an attenuverter An example of the usefulness of inver...

Страница 20: ...range of movement is indicated by the crosshatched area of the MULTIPLY Panel Control Figure 35 With the MULTIPLY INput Attenuverter set to 12 o clock no voltage is added to the MULTIPLY Panel Contro...

Страница 21: ...orm which has many audible Odd Overtones making it more rough and complex This gives it a hollow aggressive sound The Square waveform is often used as the starting point for East Coast synthesis techn...

Страница 22: ...To hear the SLOPE in the audio signal path set SLOPE to CYCLE and set RISE and FALL to 9 o Clock for Audio rate SLOPE generation Set OVERTONE Full CW This will create a very inharmonic sound not unlik...

Страница 23: ...til the the CYCLE Button is PRESSED again to disengage Self CYCLE This type of Function is often called a Low Frequency Oscillator or LFO an important element of both EAST and WEST Coast synthesis tec...

Страница 24: ...ugh sound rich in harmonics This is not unlike sweeping a Low Pass Filter in the classic East Coast synthesis patch where at Full Counterclockwise the harmonics of the Square or Saw waveform are reduc...

Страница 25: ...t synthesis at its finest allowing the Low Pass Gate to be used in tandem with an extremely important East Coast synthesis circuit the 4 stage Envelope we call CONTOUR CONTOUR In order to really under...

Страница 26: ...here it remains for as long as the Gate e g from MIDI or Patched to CONTOUR Gate INput is held HIGH or ON Figure 50 The SUSTAIN parameter determines this maximum level while DECAY sets the time it tak...

Страница 27: ...ent ONSET and DECAY settings while leaving SUSTAIN set to about 11 o clock and Vari Response set to 2 o clock This may help you understand what ONSET and DECAY are doing Now set ONSET to 9 o clock and...

Страница 28: ...y be used when interfacing the 0 COAST with instruments capable of handling the large voltages produced by this type of output such as modular synthesizers The LINE OUT circuit has a Level parameter w...

Страница 29: ...t typical sounds played with a keyboard are easy to achieve an example of a limitation is that the envelope of a note created by Contour as Gated from the MIDI A Gate is always tied to a single pitch...

Страница 30: ...hich the Modulation will be added If it is already at maximum it cannot be modulated any further When Panel Control is set to 12 o Clock and the CV Attenuator is set Full CCW there will also be no Mod...

Страница 31: ...ency of one oscillator upon another The result is that the oscillator that is FM d will carry the modulating oscillator s pitch information in the form of harmonics Linear FM attempts to preserve the...

Страница 32: ...OPE Function aka Envelope whose characteristics are defined by the RISE FALL and Vari Response parameters This function will rise from 0V to 8V and then immediately fall from 8V to 0V There is NO SUST...

Страница 33: ...ultiply is controlled by SLOPE in normal operation Try taking MIDI B CV patched to this input set to C3 to accomplish something similar to Keyboard tracking found on subtractive monosynths in the East...

Страница 34: ...xed Summed together The result appears identically at both outputs at the bottom The left input CHannel 1 is always at Unity there is no control over its Level or polarity while the right input CHanne...

Страница 35: ...vels may be used to control the 0 Coast and vice versa EXAMPLES Sequence the 0 Coast with Ren or Korg Arturia sequencers process the 0 Coast s DYNaMiC output in the Make Noise System 0 Figure 70 The 0...

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