
MULTI-CHANNEL ANALOG MIXERS WITH ENHANCED FX, USB RECORDING MODES, AND BLUETOOTH®
6
Chapter 1 : Welcome
Introduction
Hello everyone! This is the Series Owner’s Manual. This document contains detailed information
about the Series... we hope you like it!
Stream. Record. Create.
Mackie is a professional analog mixer and USB-C audio interface with powerful enhancements for studio-quality
recordings and live streams.
Capture your performance with award-winning Onyx preamps, channel EQ and analog compression.
Upgraded GigFX+ effects enhance your sound, plus you can edit and save your presets on the fly via the full-color display.
Switch between recording modes to track dry or include the FX, or use loopback mode to stream video games or perform
over backing tracks without feedback.
You can even bring in podcast guests over the phone via Bluetooth® on a dedicated channel.
With easy connectivity, the warmth of analog and an upgraded FX engine, Mackie is the perfect centerpiece
for your studio.
So there you have it. Again, we hope you like it. If you have any questions or comments about this Owner’s Manual
(or other Mackie documentation), please don’t hesitate to contact us:
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1-800-898-3211 (Monday through Friday, normal business hours, Pacific Time)
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www.mackie.com/support-contact
Features
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2 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance [P]
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4 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance [Pr]
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7 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance [Pr]
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High-resolution GigFX+™ effects engine
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Full-color LCD display for editing and saving effects presets
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24-Bit / 192 kHz 2x4 USB-C audio interface
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Three recording modes: Standard, Loopback and Interface
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Bi-directional Bluetooth® for music playback and caller integration
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2-band EQ on channels 1 and 2 [P]
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3-band EQ on all channels [Pr and Pr]
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One-button compression on channels 1 and 2 [P]
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One-knob compression on channels 1 and 2 [Pr]
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One-knob compression on channels 1–4 [Pr]
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Hi-Z switches allow direct connection of instruments
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100 Hz low-cut filter and 48V phantom power on all mic channels
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Stereo 1/8” input
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Separate FX, monitor and subgroup busses [Pr]