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BLACK
BOX
BBR
64
MADI
&
BBR
64
DANTE
RECORDER
- User Manual v3.0
Wordsize:
24bit
or
16bit
. Choose 24bit unless you’re really short on disk space or have been
instructed that post production must have 16bit files.
Control...
The BlackBox Recorder can accept commands from an external control device such as
a console, hardware controller or the
JoeCoRemote
iPad app.
Remote Mode:
The BBR can respond to open loop MIDI Machine
Control (
MIDI MMC
) protocol commands for
transport controls and track arming/disarming.
Note though that the BBR has no MIDI return
path (open loop) and so cannot acknowledge the receipt of a MIDI command or
return the song time to the controller. The BBR can also respond to
Sony 9-pin
Machine Control (also known as SONY PII) protocol commands for transport controls
and track arming/disarming. This is also where you select to interface with the
JoeCoRemote Hardware
interface for controlling the BBR from the JoeCoRemote
iPad app (either using
WiFi Control
or as a
Wired Pad
).
Local Control
is used to disable the front panel when remotely controlling the BBR.
Footswitch:
The ring of the LTC/F.sw TRS jack socket can accept a momentary
footswitch. The software can use the footswitch to press
RECORD (
starting a
recording or a new song)
;
Insert a
MARK;
toggling between
RECORD/STOP;
or
toggling between
PLAY/STOP
. If you need to use this facility with LTC timecode you’ll
need to make up a special cable, but if you’re just using a standard TS jack footswitch
you can just push the jack in half way or get an adapter cable from your supplier.
Link Mode, Link Preroll and Slave Tracks:
Used for linking multiple BlackBox Recorders together: see section later in this
manual on page 31.
TC Format
allows you to set the timecode frame rate. The BlackBox will then flash
the timecode display (bottom right of main screen) if the incoming timecode is at a
different rate to that which you have chosen.
TC Trim
allows for very fine adjustment in “timecode bits” of the offset between the
incoming timecode and the internal time. Usually only relevant in post production