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In some environments, it’s only important that the caller hear the in-studio host, and less urgent that the on-air
caller be able to hear automation, news reports, codecs etc. It’s possible that simply routing an amplified version of
the studio microphone signal to the “send” input will meet those needs.
Some studio telephone systems, like Comrex VH2, allow telephone callers to appear on one of two outputs (and
therefore on two, separate console faders). In this circumstance, you often have a choice of delivering a single
mix-minus with neither of the telephone audio sources present, or two distinct mix-minus feeds. In the case of two
feeds, it’s important to note that mix-minus A must include the caller audio B and vice-versa. The following figure
illustrates this concept. Many consoles with dual telephone channels are designed to work this way, and should
deliver the correct set of mixes automatically.
Содержание VH2
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