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range. Sonically, phasing is used to create whooshing, sweeping sounds that wander through the 
frequency spectrum. It is a commonly used guitar effect, but it is suitable for a range of signals. 

DEPTH 

Determines  the  amount  of  LFO  modulation.  Higher  values make the phaser effect stranger. 

SPEED 

Sets the speed of the LFO modulating the signal. 

PHASE 

Adjusts  the  phase  difference  between  the  two  LFO's  that drive the left and right stereo channels. 

FEEDB 

Feedback

: Routes  the processed signal back to the module's input. Higher values create a sharper, 

more intense effect. 

LEVEL 

Sets the effect mix going to the main output. Turning the knob completely counterclockwise, turns 
the effect off. 

COMPRESSOR 

Compression reduces the dynamic range of your recording by bringing down the level of the loudest 
parts, meaning the loud and quiet parts are now closer together in volume and the natural volume 

variations  are  less  obvious.The 
compressor  boosts  the  overall 
level  of  a  compressed  signal.  So 
the end result is that the quieter 
parts  sound  like  they've  been 
boosted in volume to be closer to 
the louder parts. 

The dynamic volume changes of a recording are now under more control, and a knock-on effect is 
that the overall level of the compressed recording can be increased inside your mix. The recording 
will also sit inside your whole mix much more easily. 

THRSH 

Threshold

: Sets a level above which the compressor starts reducing peaks. Only signals above the 

threshold are affected by the compression ratio, signals below are unaffected. 

RATIO 

Determines the mount of compression. 1:1 means no compression at all, while 2:1 means that a 2dB 
increase at the input will raise the output by only 1 dB. 

ATTCK 

Attack

: Sets how low it takes for compression to kick in after an input signal exceeds the threshold 

level. 

Содержание Blue Orb Trilogy

Страница 1: ......

Страница 2: ...Aftertouch Key Follow and the Modulation wheel And to top this all off you have a choice between 8 different FX Digital Reverb Digital Delay Chorus Flanger Phaser Compressor 2 Band EQ Skreamer distort...

Страница 3: ...2 Screenshots...

Страница 4: ...elope Sets the time taken for the amplitude to ramp down to the sustain level STN Sustain Sets the sustain time of the volume envelope as a percentage of peak amplitude RLS Release Sets the release ti...

Страница 5: ...Sets the time taken for the amplitude to ramp down to the sustain level STN Sustain Sets the sustain time of the pitch envelope as a percentage of peak amplitude RLS Release Sets the release time of...

Страница 6: ...AD NEUTRON Oscillator 2 01 ALIENS 02 ANALOG STAB 03 ANGELIC CHOIR 04 ASTEROIDS 05 BELLISH VOICE 06 BREATHING PAD 07 CHOIR BIRDS 08 CRYSTALLIC EP 09 DOMINION 10 FAIRYTALE FLUTE 11 FLOWING PAD 12 FLUTOL...

Страница 7: ...C BASS 1 SAFFRON Oscillator 2 01 BASS CLARINET 2 02 BASS MATTERS 03 CARVING KNIFE 2 04 CLASSY SAW 05 DEEP SINE BASS 06 DOUBLE WAVE 07 DUBSTEP BASS 08 E PIANO 09 FAT BASS 2 10 FAT SAW 11 FM BASS 3 12 F...

Страница 8: ...of this parameter is only noticeable when the TVF Cutoff fader is set at a very low value AFT Aftertouch to Filter Sets the amount of cutoff frequency when pressure is applied after the keyboard has...

Страница 9: ...always trigger a new sample 3 LEG Legato Does not trigger new samples 4 OFFST Offset Will trigger a new sample with a sample start offset determined by the length of the previous held note Offset onl...

Страница 10: ...e fat supersaw sounds used in dance music SPRD Spread Sets the panorama spreading between voices With a high setting this makes the patch sound very wide LFO A Low Frequency Oscillator LFO is a very c...

Страница 11: ...in a space gradually dying out until they are inaudible These bouncing sound waves result in a reflection pattern more commonly known as a reverberation or reverb The starting portion of a reverberat...

Страница 12: ...the effect input or output The held and delayed signal is repeated after a given time period creating a repeating echo effect Each subsequent repeat is a little q uieter than the previous one The del...

Страница 13: ...ated signal is mixed with the original dry signal You can use the Chorus effect to enrich the incoming signal and create the impression that multiple instruments or voices are being played in unison T...

Страница 14: ...wards the higher end of the flanging range while larger values sweep the effect toward the lower end FEEDB Feedback Routes the processed signal back to the module s input Higher values create a sharpe...

Страница 15: ...meaning the loud and quiet parts are now closer together in volume and the natural volume variations are less obvious The compressor boosts the overall level of a compressed signal So the end result...

Страница 16: ...edits Saffron uses a 2 Band Equalizer FRQ1 and FRQ2 Frequency Sets the frequency at which boosting or cutting will appear BW1 and BW2 Bandwidth Sets the width of the frequency band in octaves to be b...

Страница 17: ...the played note beginning with the lowest one after that it will play the next GLOBAL ARP Switching this switch on enables the arpeggiator When switched off this resets the FVEL MTHR and the HOLD swi...

Страница 18: ...rpeggiator is switched on This menu defines the pattern for the order in which notes are arpeggiated TIP Click in the middle of the waveform display to open the Note Order menu The available Note Orde...

Страница 19: ...the rhythmic pattern Default value is 16 The maximum amount of steps is 32 RHYTHM GRID This sets the rhythmic pattern of the arpeggiated notes The columns set the velocity of each note If a column is...

Страница 20: ...not reproduce distribute share sublicense lend and lease the Blue Orb Trilogy library This is a non transferable licence so when you have acquired an illegal copy of the library you are not allowed t...

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