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Controls Page 

Oscillator Amp 

This section contains the Amplifier parameters of the 2 oscillators. At the top left corner of every 
oscillator section, there’s a switch that lets you switch the oscillator on or off (Mute). At the top right 

corner of the oscillator section, you will find 2 switches ‘

A

’ & ‘

P

’, A stands for ‘Amplifier’ and P for 

‘Pitch’ (more about this later). To be able to edit the parameters of the amplifier, be sure that the ‘

A

’ 

switch is turned on (lights up). 

Amp Envelope 

An Amplifier uses an Envelope to control the overall loudness (or amplitude) of the sound over 
time. Envelopes are activated by pressing the keys on a keyboard.

 

 

ATK 

(Attack): Sets the attack time of the volume envelope. Sets the time taken to reach peak 

amplitude after a note is played. 

 

DEC 

(Decay):  Sets    the  decay  time  of  the  volume  envelope.  Sets  the  time  taken  for  the 

amplitude to ramp down to the sustain level. 

 

STN 

(Sustain):  Sets    the   sustain    time of  the   volume   envelope,    as    a  percentage of peak 

amplitude. 

 

RLS 

(Release): Sets  the release time of the volume envelope.  Sets the time taken for signal 

amplitude to ramp back down to zero. 

 

Amp Modulators 

 

 

VEL 

(Velocity Sense): Sets the volume of the sound depending on how hard the key is struck. 

 

AFT 

(Aftertouch to Volume): Sets the amount of volume when pressure is applied after the 

keyboard has been struck. It raises the volume when pressure is applied after the keyboard 
has been struck. 

 

MDW 

(Modulation Wheel to Volume): Sets the volume amount when the modulation wheel 

is dragged up or down. When dragged up, It raises the volume. 

 

KFL 

(Key  Follow):  Sets  the  amount  of  volume  across  the  keyboard.  When  turned  up,    the 

volume is getting  higher the higher you play the keys on the keyboard. 

 

Amp Main 

 

LVL 

(Level): Sets the volume level of the oscillator. 

 

PAN

: Sets the placement of the oscillator in the stereo field. 

Содержание Blue Orb Trilogy

Страница 1: ......

Страница 2: ...Aftertouch Key Follow and the Modulation wheel And to top this all off you have a choice between 8 different FX Digital Reverb Digital Delay Chorus Flanger Phaser Compressor 2 Band EQ Skreamer distort...

Страница 3: ...2 Screenshots...

Страница 4: ...elope Sets the time taken for the amplitude to ramp down to the sustain level STN Sustain Sets the sustain time of the volume envelope as a percentage of peak amplitude RLS Release Sets the release ti...

Страница 5: ...Sets the time taken for the amplitude to ramp down to the sustain level STN Sustain Sets the sustain time of the pitch envelope as a percentage of peak amplitude RLS Release Sets the release time of...

Страница 6: ...AD NEUTRON Oscillator 2 01 ALIENS 02 ANALOG STAB 03 ANGELIC CHOIR 04 ASTEROIDS 05 BELLISH VOICE 06 BREATHING PAD 07 CHOIR BIRDS 08 CRYSTALLIC EP 09 DOMINION 10 FAIRYTALE FLUTE 11 FLOWING PAD 12 FLUTOL...

Страница 7: ...C BASS 1 SAFFRON Oscillator 2 01 BASS CLARINET 2 02 BASS MATTERS 03 CARVING KNIFE 2 04 CLASSY SAW 05 DEEP SINE BASS 06 DOUBLE WAVE 07 DUBSTEP BASS 08 E PIANO 09 FAT BASS 2 10 FAT SAW 11 FM BASS 3 12 F...

Страница 8: ...of this parameter is only noticeable when the TVF Cutoff fader is set at a very low value AFT Aftertouch to Filter Sets the amount of cutoff frequency when pressure is applied after the keyboard has...

Страница 9: ...always trigger a new sample 3 LEG Legato Does not trigger new samples 4 OFFST Offset Will trigger a new sample with a sample start offset determined by the length of the previous held note Offset onl...

Страница 10: ...e fat supersaw sounds used in dance music SPRD Spread Sets the panorama spreading between voices With a high setting this makes the patch sound very wide LFO A Low Frequency Oscillator LFO is a very c...

Страница 11: ...in a space gradually dying out until they are inaudible These bouncing sound waves result in a reflection pattern more commonly known as a reverberation or reverb The starting portion of a reverberat...

Страница 12: ...the effect input or output The held and delayed signal is repeated after a given time period creating a repeating echo effect Each subsequent repeat is a little q uieter than the previous one The del...

Страница 13: ...ated signal is mixed with the original dry signal You can use the Chorus effect to enrich the incoming signal and create the impression that multiple instruments or voices are being played in unison T...

Страница 14: ...wards the higher end of the flanging range while larger values sweep the effect toward the lower end FEEDB Feedback Routes the processed signal back to the module s input Higher values create a sharpe...

Страница 15: ...meaning the loud and quiet parts are now closer together in volume and the natural volume variations are less obvious The compressor boosts the overall level of a compressed signal So the end result...

Страница 16: ...edits Saffron uses a 2 Band Equalizer FRQ1 and FRQ2 Frequency Sets the frequency at which boosting or cutting will appear BW1 and BW2 Bandwidth Sets the width of the frequency band in octaves to be b...

Страница 17: ...the played note beginning with the lowest one after that it will play the next GLOBAL ARP Switching this switch on enables the arpeggiator When switched off this resets the FVEL MTHR and the HOLD swi...

Страница 18: ...rpeggiator is switched on This menu defines the pattern for the order in which notes are arpeggiated TIP Click in the middle of the waveform display to open the Note Order menu The available Note Orde...

Страница 19: ...the rhythmic pattern Default value is 16 The maximum amount of steps is 32 RHYTHM GRID This sets the rhythmic pattern of the arpeggiated notes The columns set the velocity of each note If a column is...

Страница 20: ...not reproduce distribute share sublicense lend and lease the Blue Orb Trilogy library This is a non transferable licence so when you have acquired an illegal copy of the library you are not allowed t...

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