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Filter Envelope 

 

ATK

 (Attack):  Sets  the  attack  time  of  the  filter  envelope.  Sets  the  time taken to reach 

peak amplitude after a note is played. 

 

DEC

 (Decay): Sets the  decay time of the filter envelope.  Sets the time taken for the amplitude 

to ramp down to the sustain level. 

 

STN

 (Sustain): Sets the sustain time of the filter envelope, as a percentage of peak amplitude. 

 

REL

  (Release):  Sets  the  release  time  of  the  filter  envelope.    Sets  the  time  taken  for  signal 

amplitude to ramp back down to zero. 

Filter Modulators 

 

VEL

 (Velocity to Filter): Sets the cutoff frequency of the sound depending on how hard the key 

is struck.  The effect of this parameter is only noticeable when the TVF Cutoff fader is set at a 
very low value. 

 

AFT

 (Aftertouch to Filter): Sets  the  amount  of  cutoff  frequency  when  pressure  is  applied  

after  the keyboard has been struck. 

 

MDW

  (Modulation  Wheel  to  Filter):  Sets    the    amount    of    cutoff    frequency    when    the  

modulation  wheel  is dragged up or down. 

Filter Main 

 

CTF

 (Cutoff): Sets  the  cutoff  frequency  of  the  dynamic  low  pass  filter.  This  filter  is 

modulated by the filter envelope. 

 

RES

 (Resonance): Sets the resonance amount  of  the  dynamic  low  pass  filter.  This  filter  is 

modulated by the filter envelope. 

 

SNS

 (Filter Envelope Sensitivity): Sets the filter envelope amount. 

 

Filter Display 

 
This  display  shows  the  type  of 
filter  that  was  selected  in  the 
Filter Type Menu.  

TIP

:  Click  in  the  middle  of  the 

waveform  display  to  open  the 
Filter Type menu. 

 

Содержание Blue Orb Trilogy

Страница 1: ......

Страница 2: ...Aftertouch Key Follow and the Modulation wheel And to top this all off you have a choice between 8 different FX Digital Reverb Digital Delay Chorus Flanger Phaser Compressor 2 Band EQ Skreamer distort...

Страница 3: ...2 Screenshots...

Страница 4: ...elope Sets the time taken for the amplitude to ramp down to the sustain level STN Sustain Sets the sustain time of the volume envelope as a percentage of peak amplitude RLS Release Sets the release ti...

Страница 5: ...Sets the time taken for the amplitude to ramp down to the sustain level STN Sustain Sets the sustain time of the pitch envelope as a percentage of peak amplitude RLS Release Sets the release time of...

Страница 6: ...AD NEUTRON Oscillator 2 01 ALIENS 02 ANALOG STAB 03 ANGELIC CHOIR 04 ASTEROIDS 05 BELLISH VOICE 06 BREATHING PAD 07 CHOIR BIRDS 08 CRYSTALLIC EP 09 DOMINION 10 FAIRYTALE FLUTE 11 FLOWING PAD 12 FLUTOL...

Страница 7: ...C BASS 1 SAFFRON Oscillator 2 01 BASS CLARINET 2 02 BASS MATTERS 03 CARVING KNIFE 2 04 CLASSY SAW 05 DEEP SINE BASS 06 DOUBLE WAVE 07 DUBSTEP BASS 08 E PIANO 09 FAT BASS 2 10 FAT SAW 11 FM BASS 3 12 F...

Страница 8: ...of this parameter is only noticeable when the TVF Cutoff fader is set at a very low value AFT Aftertouch to Filter Sets the amount of cutoff frequency when pressure is applied after the keyboard has...

Страница 9: ...always trigger a new sample 3 LEG Legato Does not trigger new samples 4 OFFST Offset Will trigger a new sample with a sample start offset determined by the length of the previous held note Offset onl...

Страница 10: ...e fat supersaw sounds used in dance music SPRD Spread Sets the panorama spreading between voices With a high setting this makes the patch sound very wide LFO A Low Frequency Oscillator LFO is a very c...

Страница 11: ...in a space gradually dying out until they are inaudible These bouncing sound waves result in a reflection pattern more commonly known as a reverberation or reverb The starting portion of a reverberat...

Страница 12: ...the effect input or output The held and delayed signal is repeated after a given time period creating a repeating echo effect Each subsequent repeat is a little q uieter than the previous one The del...

Страница 13: ...ated signal is mixed with the original dry signal You can use the Chorus effect to enrich the incoming signal and create the impression that multiple instruments or voices are being played in unison T...

Страница 14: ...wards the higher end of the flanging range while larger values sweep the effect toward the lower end FEEDB Feedback Routes the processed signal back to the module s input Higher values create a sharpe...

Страница 15: ...meaning the loud and quiet parts are now closer together in volume and the natural volume variations are less obvious The compressor boosts the overall level of a compressed signal So the end result...

Страница 16: ...edits Saffron uses a 2 Band Equalizer FRQ1 and FRQ2 Frequency Sets the frequency at which boosting or cutting will appear BW1 and BW2 Bandwidth Sets the width of the frequency band in octaves to be b...

Страница 17: ...the played note beginning with the lowest one after that it will play the next GLOBAL ARP Switching this switch on enables the arpeggiator When switched off this resets the FVEL MTHR and the HOLD swi...

Страница 18: ...rpeggiator is switched on This menu defines the pattern for the order in which notes are arpeggiated TIP Click in the middle of the waveform display to open the Note Order menu The available Note Orde...

Страница 19: ...the rhythmic pattern Default value is 16 The maximum amount of steps is 32 RHYTHM GRID This sets the rhythmic pattern of the arpeggiated notes The columns set the velocity of each note If a column is...

Страница 20: ...not reproduce distribute share sublicense lend and lease the Blue Orb Trilogy library This is a non transferable licence so when you have acquired an illegal copy of the library you are not allowed t...

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