Behringer ULTRA-CURVE PRO DSP8024, Руководство пользователя

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the use of several ULTRA-CURVE PRO in a multiway monitor application.
The AFL output from the monitor mixing desk is normally used to feed a loudspeaker at the mixing position.
You can feed this output through the analyzer line input. The ULTRA-CURVE PRO will then switch its display
from microphone to line, and the output signal from the AFL will be present at the line input to be analyzed.
Fig. 3.3: Several ULTRA-CURVE PROs in a multiway monitor application
3.3 Using the ULTRA-CURVE PRO in the recording studio
There are countless uses for the ULTRA-CURVE PRO in the studio. The only limits are those set by your own
imagination. Here are a few examples:
As the equalizer for the studio monitor system. In addition to the usual graphic EQ use, you can use the
parametric filters to eliminate narrow band room resonances, standing waves etc.
As mastering equalizer. By using the STEREOLINK function you need only set one channel of the equalizer to
achieve the desired EQ setting. The parametric filters are also very useful for this purpose. By using the
optional AES/EBU digital inputs and outputs you can treat material working solely in a digital environment.
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The STEREOLINK function does not apply to the parametric filters!
As a sound tool for any purpose. If you are working with a sequencer, you can program the equalizer, via MIDI,
to give you a “moving EQ” automation - you can control individual graphic faders, and store their movements per
MIDI, enabling you to reproduce the EQ mix settings at any time.
3.4 The ULTRA-CURVE PRO as part of a keyboard setup
The MIDI features of the ULTRA-CURVE PRO offer a wide variety of uses in a keyboard setup.
You can improve your sounds with the equalizer using program change commands. If you have a master
keyboard with user-definable controllers, you could, for example, control the ULTRA-CURVE PRO master
faders (controllers 95 and 127).
3. APPLICATIONS
All manuals and user guides at all-guides.com