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ANALOGUE SYSTEMS RS-INTEGRATOR

149

CONVERTING TEMPO (BPM) TO DELAY TIME (IN MILLISECONDS)

Tempo

Tempo

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

Crotchet

Crotchet

1333

1304

1277

1250

1224

1200

1176

1154

1132

1111

1091

1071

1053

1034

1017

Quaver

Quaver

667

652

638

625

612

600

588

577

566

556

545

536

526

517

508

Semi-quaver

Semi-quaver

333

326

319

313

306

300

294

288

283

278

273

268

263

259

254

Dotted semi-quaver

Dotted semi-quaver

444

435

426

417

408

400

392

385

377

370

364

357

351

345

339

Tempo

Tempo

60

61

62

63

64

65

66

67

68

69

70

71

72

73

74

Crotchet

Crotchet

1000

984

968

952

938

923

909

896

882

870

857

845

833

822

811

Quaver

Quaver

500

492

484

476

469

462

455

448

441

435

429

423

417

411

405

Semi-quaver

Semi-quaver

250

246

242

238

234

231

227

224

221

217

214

211

208

205

203

Dotted semi-quaver

Dotted semi-quaver

333

328

323

317

313

308

303

299

294

290

286

282

278

274

270

Tempo

Tempo

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

Crotchet

Crotchet

800

789

779

769

759

750

741

732

723

714

706

698

690

682

674

Quaver

Quaver

400

395

390

385

380

375

370

366

361

357

353

349

345

341

337

Semi-quaver

Semi-quaver

200

197

195

192

190

188

185

183

181

179

176

174

172

170

169

Dotted semi-quaver

Dotted semi-quaver

267

263

260

256

253

250

247

244

241

238

235

233

230

227

225

Tempo

Tempo

90

91

92

93

94

95

96

97

98

99

100

101

102

103

104

Crotchet

Crotchet

667

659

652

645

638

632

625

619

612

606

600

594

588

583

577

Quaver

Quaver

333

330

326

323

319

316

313

309

306

303

300

297

294

291

288

Semi-quaver

Semi-quaver

167

165

163

161

160

158

156

155

153

152

150

149

147

146

144

Dotted semi-quaver

Dotted semi-quaver

222

220

217

215

213

211

208

206

204

202

200

198

196

194

192

Tempo

Tempo

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

Crotchet

Crotchet

571

566

561

556

550

545

541

536

531

526

522

517

513

508

504

Quaver

Quaver

286

283

280

278

275

273

270

268

265

263

261

259

256

254

252

Semi-quaver

Semi-quaver

143

142

140

139

138

136

135

134

133

132

130

129

128

127

126

Dotted semi-quaver

Dotted semi-quaver

190

189

187

185

183

182

180

179

177

175

174

172

171

169

168

Tempo

Tempo

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

Crotchet

Crotchet

500

496

492

488

484

480

476

472

469

465

462

458

455

451

448

Quaver

Quaver

250

248

246

244

242

240

238

236

234

233

231

229

227

226

224

Semi-quaver

Semi-quaver

125

124

123

122

121

120

119

118

117

116

115

115

114

113

112

Dotted semi-quaver

Dotted semi-quaver

167

165

164

163

161

160

159

157

156

155

154

153

152

150

149

Tempo

Tempo

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

Crotchet

Crotchet

444

441

438

435

432

429

426

423

420

417

414

411

408

405

403

Quaver

Quaver

222

221

219

217

216

214

213

211

210

208

207

205

204

203

201

Semi-quaver

Semi-quaver

111

110

109

109

108

107

106

106

105

104

103

103

102

101

101

Dotted semi-quaver

Dotted semi-quaver

148

147

146

145

144

143

142

141

140

139

138

137

136

135

134

Tempo

Tempo

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

Crotchet

Crotchet

400

397

395

392

390

387

385

382

380

377

375

373

370

368

366

Quaver

Quaver

200

199

197

196

195

194

192

191

190

189

188

186

185

184

183

Semi-quaver

Semi-quaver

100

99

99

98

97

97

96

96

95

94

94

93

93

92

91

Dotted semi-quaver

Dotted semi-quaver

133

132

132

131

130

129

128

127

127

126

125

124

123

123

122

Tempo

Tempo

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

Crotchet

Crotchet

364

361

359

357

355

353

351

349

347

345

343

341

339

337

335

Quaver

Quaver

182

181

180

179

178

176

175

174

173

172

171

170

169

169

168

Semi-quaver

Semi-quaver

91

90

90

89

89

88

88

87

87

86

86

85

85

84

84

Dotted semi-quaver

Dotted semi-quaver

121

120

120

119

118

118

117

116

116

115

114

114

113

112

112

Tempo

Tempo

180

181

182

183

184

185

186

187

188

189

190

191

192

193

194

Crotchet

Crotchet

333

331

330

328

326

324

323

321

319

317

316

314

313

311

309

Quaver

Quaver

167

166

165

164

163

162

161

160

160

159

158

157

156

155

155

Semi-quaver

Semi-quaver

83

83

82

82

82

81

81

80

80

79

79

79

78

78

77

Dotted semi-quaver

Dotted semi-quaver

111

110

110

109

109

108

108

107

106

106

105

105

104

104

103

Tempo

Tempo

195

196

197

198

199

200

201

202

203

204

205

206

207

208

209

Crotchet

Crotchet

308

306

305

303

302

300

299

297

296

294

293

291

290

288

287

Quaver

Quaver

154

153

152

152

151

150

149

149

148

147

146

146

145

144

144

Semi-quaver

Semi-quaver

77

77

76

76

75

75

75

74

74

74

73

73

72

72

72

Dotted semi-quaver

Dotted semi-quaver

103

102

102

101

101

100

100

99

99

98

98

97

97

96

96

Tempo

Tempo

210

46

47

48

49

50

51

52

53

54

55

56

57

58

59

Crotchet

Crotchet

286

1304

1277

1250

1224

1200

1176

1154

1132

1111

1091

1071

1053

1034

1017

Quaver

Quaver

143

652

638

625

612

600

588

577

566

556

545

536

526

517

508

Semi-quaver

Semi-quaver

71

326

319

313

306

300

294

288

283

278

273

268

263

259

254

Dotted semi-quaver

Dotted semi-quaver

95

435

426

417

408

400

392

385

377

370

364

357

351

345

339

Содержание RS290

Страница 1: ...es to infinity each sounding muddier and less like the original sound than the previous If you listen to the electronic music of the 1950s you ll find it awash with tape echo sometimes used to excelle...

Страница 2: ...io that have been converted into digital form by an analogue to digital converter Playing back these clips is simply a matter of reversing the process reading the information in the memory and convert...

Страница 3: ...cording Play sample Sample record menu Sample record press EDIT Record start Record stop Playback method Playback start Playback stop Sampler options menu Sampler options press EDIT Transmit sysex dum...

Страница 4: ...from memory Edit memory name Enable prog change SysEx dump memory Erase all memories Memories menu Memories press EDIT Sample rate selector Sample rate press EDIT Sample size selector Sample size pres...

Страница 5: ...Mode Sample rate and Sample size offer all their options within the sub menu itself In contrast Special Options and Memories have extensive sub sub menus Mode This menu allows you to switch between T...

Страница 6: ...Sampler modes and the value set in this menu will be used by both The time in seconds shown to the right of the sample rate is the amount of sample time available at the selected sample rate Sample si...

Страница 7: ...levels of the signals presented to the SIGNAL IN input and provided at the OUT L output respectively For optimum results the signals should lie in the range If either signal lies below this in the ra...

Страница 8: ...then press SELECT The RS290 is now calibrated Apply 0V to assign then press Edit Calibrate keyboard press EDIT Apply 3V to assign then press Edit Vx x dd mm yy Show version press EDIT Show version Di...

Страница 9: ...ut gain Repeat speed Sample start F B gain Sample end Wet Dry mix Lower row Assign Sample pitch RS295 Assign 2 if connected Note The Wet Dry mix value is only shown when the Bypass on off switch is se...

Страница 10: ...he memory locations and press it to store your current setup Warning this operation overwrites any existing settings and parameter values which will be permanently lost unless saved elsewhere beforeha...

Страница 11: ...ings and parameter values which will be permanently lost unless stored beforehand No The RS290 will not respond to MIDI program change messages Sysex dump memory Requires Analogue Systems RS295 Delay...

Страница 12: ...e then increase The Tape delay mode on the RS290 imitates this unusual behaviour thus making it possible to create all manner of unusual effects However due to the nature and complexity of the algorit...

Страница 13: ...re To help you to understand these the signal path diagrams show the three configurations Stereo delay no external feedback loop The RS290 acts as a stereo delay unit with two taps presented to the Le...

Страница 14: ...Gain Low pass filter Damping Feedback send Feedback return Amplifier Amplifier Wet dry mix OUT L Inverter Amplifier Delay Signal Level Signal IN Amplifier Feedback Gain Low pass filter Damping Feedbac...

Страница 15: ...e knob turned fully anticlockwise the Gain is zero With the knob turned fully clockwise the Gain is unity WET DRY MIX Controls the amount of wet affected and dry original signal in the output mix With...

Страница 16: ...y above it ASSIGN CV Accepts control voltages in the range 5V to 5V The incoming voltage is added to that determined by the ASSIGN knob immediately above it TRIG1 Apply pulses in the range 1 5V to 20V...

Страница 17: ...ay modes and detail all the options available The top level of the menu heirarchy is as shown here Five sub menus are common to both the Delay and Sampler modes These are Mode Sample rate Sample size...

Страница 18: ...GRATOR 133 Delay time Delay time display Show delay time press EDIT Show delay time This sub menu displays the delay time to four decimal places i e to an accuracy of one ten thousandth of a second Th...

Страница 19: ...l the primary nature of the echo delay effect Delay range You may select from four ranges The exact nature of the ranges is dependent upon the sample rate selected in the Sample Rate sub menu At the m...

Страница 20: ...ff There is no external feedback Pre effect The F B SEND output lies before the effect in the signal path For further information refer to the diagrams earlier in this chapter Post effect The F B SEND...

Страница 21: ...iving a clock signal a star in the top right hand corner of the display will flash at half the clock frequency Clock settings This sub menu provides five sub sub menus that allow you to control other...

Страница 22: ...shown XXX XX or Waiting for clock Show BPM press EDIT x xxxx Seconds Show delay time press EDIT 1 16 Clocks per beat press EDIT Clocks per beat Determines how many clocks there are per beat If the clo...

Страница 23: ...28 12 80Hz LFO speed press EDIT Range dependent 0 100 LFO Depth press EDIT LFO Range and Speed Three LFO ranges are provided 0 0005Hz 0 128Hz 0 005Hz 1 28Hz 0 05Hz 12 8Hz Within each of these ranges y...

Страница 24: ...pplied Left Right delay The LFO signal is added to the left right delay ratio altering the timing relationship between the channels Delay time The LFO signal is added to the delay time This generates...

Страница 25: ...right delay ratio and left right pan LFO depth Affects the depth of the internal LFO allowing further CV control of the delay time left right delay ratio and left right pan Left right delay Directly a...

Страница 26: ...seconds You can sample the clip manually or use one of a selection of triggers to start and stop the sampling process If you use electronic record and playback triggers you can take samples dynamical...

Страница 27: ...t point the sample will not play WET DRY MIX Affects OUT L only Balances the audio signal being received at the SIGNAL IN input with the output of the existing sample if being played back When fully a...

Страница 28: ...The incoming voltage is added to that determined by the SAMPLE END knob immediately above it SAMPLE PITCH CV Accepts control voltages in the range 5V to 5V The incoming voltage is added to that deter...

Страница 29: ...r modes These are Mode Sample rate Sample size Special options Memories The following pages will therefore explain the functions of the remaining three sub menus Sample record Sampler Options Transmit...

Страница 30: ...p the Record start Record stop and Playback start sub sub menus in the Sampler options sub menu as shown on the next page Start recording Press the EDIT knob to start recording an audio clip Stop reco...

Страница 31: ...me way Record start Determines when a recording is initiated There are five options Trig1 high Recording starts when the signal presented to TRIG1 exceeds the trigger threshold Trig1 low Recording sta...

Страница 32: ...ards until stopped Playback start Determines when a playback is initiated There are five options Trig1 high Playback starts when the signal presented to TRIG1 exceeds the trigger threshold Trig1 low P...

Страница 33: ...nal MIDI recorder using SysEx Press the EDIT knob to initiate transfer The message Sending Sample will be displayed together with the percentage of the total data transmitted On completion the screen...

Страница 34: ...125 124 123 122 121 120 119 118 117 116 115 115 114 113 112 Dotted semi quaver Dotted semi quaver 167 165 164 163 161 160 159 157 156 155 154 153 152 150 149 Tempo Tempo 135 136 137 138 139 140 141 14...

Страница 35: ...PANDER DELAY EXPANDER DELAY EXPANDER DELAY EXPANDER RS295 The RS295 Delay Expander expands the facilities provides by the RS290 Sampler Delay It has no functionality in isolation All information relat...

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