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7

Tremulants Full

When  activated  along  with one or more of the organ’s
tremulants, this control causes the tremulants to become much
deeper in their oscillation than normal classical tremulants.
Useful for Gospel music, etc.  Also known as “Vibrato.”

Reverb 

Engages reverberation system.

(Activated using toggle switch in Console Controller™ drawer.)

Main Organ Off

Used to switch off the Main Speakers.

Antiphonal Organ On This control switches on the Antiphonal speakers.

EXPRESSION PEDALS

The MDS-26 features three expression pedals.  The pedal on the left expresses the Great
and Pedal divisions, while the center expression pedal affects the Swell.  The one on the
far right is the Crescendo Pedal.

CRESCENDO PEDAL

One master Crescendo, for all divisions, gradually adds stops as this pedal is opened.
Indicator lights show the relative position of the pedal.  Crescendo B is a secondary
Crescendo that can be programmed by the organist. Indiscriminate use of the Crescendo
pedal, in lieu of careful registration, should be avoided.

TUTTI I & II

The Tutti I and II are settings of full organ registration.  Tutti II is a fuller registration
than Tutti I, most noticeably in the Pedal division.  The Tuttis are turned on by using
manual pistons located beneath the Swell manual directly above the Cancel button.  The
pistons are reversible, meaning that pressing them will turn the corresponding Tutti on or
off.  The Cancel button will also turn off the Tuttis.  Pressing Tutti II will cancel Tutti I.
Red signal lights, appropriately labeled and located on the right side of the console to the
left of the expression indicators, turn on when Tutti I or II is in operation.  A second set
of Tuttis can be programmed by the organist. Like the Crescendo, indiscriminate use of
these devices should be avoided.

RECALL PISTON

The “R” Piston, when activated, will recall the last combination set prior to using any
general or divisional piston.

Содержание MDS-26

Страница 1: ...MDS 26 Copyright 1996 Allen Organ Company All Rights Reserved AOC P N 033 0069...

Страница 2: ...organs Only a radical technological breakthrough could improve upon the fine performance of Allen s solid state oscillator organs Such a breakthrough came in conjunction with the U S Space Program in...

Страница 3: ...ce with the instruction manual may cause interference to radio communications It has been type tested and found to comply with the limits for a Class B Computing Device in accordance with the specific...

Страница 4: ...iii Contents I Description of Stops 1 II Solo Voices and Second Voices 8 III Artistic Registration 9 IV Transposer 13 V Installation Voicing and Care of the Organ 14...

Страница 5: ...fraction and they are referred to as mutations Among these are the Nasard and Quinte 2 2 3 Tierce 1 3 5 and Quintfl te 1 1 3 Because they introduce unusual pitch relationships with respect to the fun...

Страница 6: ...und e g flutes and principals or strings and principals In reed pipes a metal tongue vibrates against an opening in the side of a metal tube called a shallot The characteristic sounds of different ree...

Страница 7: ...tfl te 8 Stopped flute tone of 8 pitch useful in adding clarity to a pedal line in combination with the Bourdon 16 or Lieblichgedackt 16 Choralbass 4 Pedal 4 principal tone Mixture IV Compound stop of...

Страница 8: ...al 4 Hybrid stop which is predominantly principal tone with a string like edge Koppelfl te 4 Distinctive stopped flute voice that works well in ensembles of flutes or strings or as a solo voice Nasat...

Страница 9: ...e stops in the Swell division MIDI on Swell Opens MIDI channel to the Swell Solo Organ Voices See separate section on Second Voices SWELL PERCUSSION VOICES Celesta Delicate percussion sound similiar t...

Страница 10: ...but affects stops in the Great and Pedal except for the bottom octave in both divisions Swell to Great Intermanual coupler connecting all Swell stops to the Great manual MIDI on Great Opens MIDI chann...

Страница 11: ...cendo B is a secondary Crescendo that can be programmed by the organist Indiscriminate use of the Crescendo pedal in lieu of careful registration should be avoided TUTTI I II The Tutti I and II are se...

Страница 12: ...t and Pedal divisions can be changed using the Classical Voicing Gt Pd control As in the Swell division the second voices in the Great and Pedal divisions are accessed from stop tablets Certain stop t...

Страница 13: ...ation was used widely in Baroque organ music but it is just as appropriate for some modern music Useful variations of the Cornet may be achieved by eliminating the 4 the 2 or both When choosing stops...

Страница 14: ...Diapason 16 Octave 8 Choralbass 4 Mixture IV Play solo on Swell These few combinations demonstrate basic techniques of solo registration In creating registrations of your own remember these three simp...

Страница 15: ...the generally fatter look of flute pipes as compared to principals The Reed chorus includes those reed tones designed to be used in the ensemble buildup Not all reed voices are ensemble tones An Haut...

Страница 16: ...edal couplers are useful in bringing clarity to the pedal line especially on softer registrations avoid the temptation to rely constantly on one or two 16 stops and a coupler Please note that the soft...

Страница 17: ...MOVED FROM THE z POSITION WHY TRANSPOSE 1 Because the range of a song will not always suit the vocal range of a particular singer By adjusting the transposer the piece can be sung more comfortably and...

Страница 18: ...within the console and are best left to an expert These adjustments are normally a part of installation and once done should not require changes unless the instrument is moved to a new location Bass...

Страница 19: ...observed Reasonable care will keep the instrument looking beautiful for years to come The wood surfaces may be cleaned using a soft cloth dampened with lukewarm water A mild solution of lukewarm water...

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