6
Superoctave 2’
An open metal stop that produces foundation tone at the 2’ pitch
level.
Waldflöte 2’
Open flute tone at 2’ pitch level.
Mixture IV
A compound stop of principal tones. Four notes in octave and
fifth relationships sound together when a single key is depressed.
As pitches progress upward, they “break” back to the next lower
octave or fifth. Used to cap the Great principal chorus, adding
brilliance and pitch definition throughout the entire compass.
Krummhorn 8’
The tone quality of the shawm, a medieval ancestor of the
clarinet, is the basis for this light, bright, nasal reed. It can be
used alone as a solo or combined with light flues for a somewhat
rounder reed solo effect.
Chimes
Typical Tubular Chimes.
Tremulant
Same as Tremulant in Swell, but affects stops in the Great and
Pedal, except for the bottom octave in both divisions.
Swell to Great
Intermanual coupler connecting all Swell stops to the Great
manual.
MIDI on Great
Opens MIDI channel to Great.
Classic Voicing Gt-Pd See separate section on Second Voicing.
GENERALS:
Bass Coupler
When this coupler is used, the lowest note played on the Great
manual will automatically key the appropriate Pedal note,
playing those stops that have been drawn in the Pedal division as
well as those in the Great division.
Melody Coupler
When used, with an appropriate Swell stop, such as Trompette or
Basson, this feature will automatically key the highest note
played on the Great, allowing accentuation of the melody.
Alternate Tuning On
When activated, the organ’s tuning will change to the alternate
tuning selected from the Console Controller™. See Section I.B.
of the Console Controller™ Guide in this manual for more
information about alternate tunings.
