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Flute Voices

Open:

Harmonic Flute
Melodia
flute mutation stops

Stopped:

Gedackt
Bourdon
Quintadena
Rohrflöte

Voices of lesser harmonic development than Principal.  Open
flutes somewhat imitative; stopped flutes not.  Present at all
pitch levels and in all divisions.

String Voices

Salicional
Viola
Voix céleste

Mildly imitative voices of brighter harmonic development than
Principal.  Usually appear at 8’ pitch.

Compound Voices

Mixture
Cornet

Voices produced by more than one rank sounding
simultaneously.

Hybrid Voices

Gemshorn
Erzähler
Spitzflöte

Voices that combine the tonal characteristic of two families of
sound, e.g., flutes and principals, or strings and principals.

In 

reed

 pipes, a metal tongue vibrates against an opening in the side of a metal tube

called a shallot.  The characteristic sounds of different reeds are produced through
resonators of different shapes.  The family of reeds subdivides as follows:

Reed Voices

Chorus or Ensemble:

Trumpet
Posaune
Clairon

Solo:

Hautbois
Clarinet
Krummhorn

Voices of great harmonic development; some imitative, others
not.

The Allen Digital Computer Organ provides authentic examples of various types of
voices as listed above.  Some of these are protected by copyrights owned by the Allen
Organ Company.  The voices are stored in memory devices, each having affixed to it a
copyright notice; e.g., © 1992 AOCO, © 1993 AOCO, etc., pursuant to Title 17 of the
United States Code, Section 101 et seq.

Содержание MDS-26

Страница 1: ...MDS 26 Copyright 1996 Allen Organ Company All Rights Reserved AOC P N 033 0069...

Страница 2: ...organs Only a radical technological breakthrough could improve upon the fine performance of Allen s solid state oscillator organs Such a breakthrough came in conjunction with the U S Space Program in...

Страница 3: ...ce with the instruction manual may cause interference to radio communications It has been type tested and found to comply with the limits for a Class B Computing Device in accordance with the specific...

Страница 4: ...iii Contents I Description of Stops 1 II Solo Voices and Second Voices 8 III Artistic Registration 9 IV Transposer 13 V Installation Voicing and Care of the Organ 14...

Страница 5: ...fraction and they are referred to as mutations Among these are the Nasard and Quinte 2 2 3 Tierce 1 3 5 and Quintfl te 1 1 3 Because they introduce unusual pitch relationships with respect to the fun...

Страница 6: ...und e g flutes and principals or strings and principals In reed pipes a metal tongue vibrates against an opening in the side of a metal tube called a shallot The characteristic sounds of different ree...

Страница 7: ...tfl te 8 Stopped flute tone of 8 pitch useful in adding clarity to a pedal line in combination with the Bourdon 16 or Lieblichgedackt 16 Choralbass 4 Pedal 4 principal tone Mixture IV Compound stop of...

Страница 8: ...al 4 Hybrid stop which is predominantly principal tone with a string like edge Koppelfl te 4 Distinctive stopped flute voice that works well in ensembles of flutes or strings or as a solo voice Nasat...

Страница 9: ...e stops in the Swell division MIDI on Swell Opens MIDI channel to the Swell Solo Organ Voices See separate section on Second Voices SWELL PERCUSSION VOICES Celesta Delicate percussion sound similiar t...

Страница 10: ...but affects stops in the Great and Pedal except for the bottom octave in both divisions Swell to Great Intermanual coupler connecting all Swell stops to the Great manual MIDI on Great Opens MIDI chann...

Страница 11: ...cendo B is a secondary Crescendo that can be programmed by the organist Indiscriminate use of the Crescendo pedal in lieu of careful registration should be avoided TUTTI I II The Tutti I and II are se...

Страница 12: ...t and Pedal divisions can be changed using the Classical Voicing Gt Pd control As in the Swell division the second voices in the Great and Pedal divisions are accessed from stop tablets Certain stop t...

Страница 13: ...ation was used widely in Baroque organ music but it is just as appropriate for some modern music Useful variations of the Cornet may be achieved by eliminating the 4 the 2 or both When choosing stops...

Страница 14: ...Diapason 16 Octave 8 Choralbass 4 Mixture IV Play solo on Swell These few combinations demonstrate basic techniques of solo registration In creating registrations of your own remember these three simp...

Страница 15: ...the generally fatter look of flute pipes as compared to principals The Reed chorus includes those reed tones designed to be used in the ensemble buildup Not all reed voices are ensemble tones An Haut...

Страница 16: ...edal couplers are useful in bringing clarity to the pedal line especially on softer registrations avoid the temptation to rely constantly on one or two 16 stops and a coupler Please note that the soft...

Страница 17: ...MOVED FROM THE z POSITION WHY TRANSPOSE 1 Because the range of a song will not always suit the vocal range of a particular singer By adjusting the transposer the piece can be sung more comfortably and...

Страница 18: ...within the console and are best left to an expert These adjustments are normally a part of installation and once done should not require changes unless the instrument is moved to a new location Bass...

Страница 19: ...observed Reasonable care will keep the instrument looking beautiful for years to come The wood surfaces may be cleaned using a soft cloth dampened with lukewarm water A mild solution of lukewarm water...

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