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OPTIONS 

The 

MixWizard Series WZ16:2 

has a versatile architecture designed to satisfy most 

live sound or recording applications you may encounterwithout modification. However, 
the following internal options are offered to provide alternative settings for those 
applications that may demand them. These options require resoldering of circuit board 
links and should only be carried out by competent technical personnel. Further 
information is available from your service agent or the 

WZ16:2 

SERVICE MANUAL

PHANTOM POWER DISABLE

 

It is perfectly safe to connect non-phantom powered sources such as dynamic 
microphones to powered XLR sockets providing that balanced leads and sources are 
used. The +48V supply is current limited through 6.8k ohm resistors to each XLR to 
prevent damage. However, you can disable phantom power to selected channels by 
cutting out links on the rear connector circuit assembly. This work should be referred to 
your service agent. 

ST1, ST2 INPUT SENSITIVITY 

The stereo return inputs are set for nominal low level -10dBV operation as is common 
with much of the external equipment available today. The console level controls let you 
adjust for varying input levels. Most outboard equipment include output level trims. If, 
however, you wish to change the sensitivity to high level +4dBu the rear connector 
circuit can be reconfigured. This work should be referred to your service agent. 

AUX OUT AND  A-B OUT BALANCE OPTION

 

These outputs are impedance balanced on TRS jack to provide interference rejection 
when plugged into equipmentwith balanced inputs. It should not normally be necessary to 
fit the electronic balance option available. This option also increases the output level to a 
n4dBu. Refer this work to your service agent. 

CHANNEL PRE-FADE AUX SEND OPTIONS 

The pre-fade sends are set post-EQ and post-ON as standard. However, link options on 
each channel assembly allow pre-EQ and/or pre-ON if required. This is shown in  the 
diagram below. 

CHANNEL DIRECT OUTPUT SOURCE 

The direct outputs are sourced post-fader as standard. A link option is available per 
channel to select a pre-fade source. This is shown in the diagram below. 

 

Содержание WZ16:2

Страница 1: ...USER GUIDE PUBLICATION AP2917...

Страница 2: ...cidental neglect or alteration other than as described in the User Guide or Service Manual or approved by ALLEN HEATH 3 Any necessary adjustment alteration or repair has been made by ALLEN HEATH or it...

Страница 3: ...out matters audio To help us provide the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this produc...

Страница 4: ...ade for monitors or effects and 2 post fade for effects sends recording or broadcast Peak LED indicator to warn of signal overload 100mm long travel faders for smooth control 2 stereo return inputs fo...

Страница 5: ...C R speakers Dedicated Stage Monitor This example shows 4 floor wedges for the musicians and a stereo in ear monitor for the lead performer The engineer monitors the signals using a floor wedge simila...

Страница 6: ...trength We recommend you fit the bolts with plastic cup washers to protect the panel Ensure adequate ventilation by allowing a minimum clearance of 25mm around all sides for unimpeded air flow To chan...

Страница 7: ...ordingly ordisconnect the cable screens at one end usually at the destination It is useful to carry ground lift cable adaptors such as short XLR male to female leads with pin1 disconnected l Avoid run...

Страница 8: ...PANEL LAYOUT...

Страница 9: ...008 Power consumption 30W max Mains Fuse rating 100 120VAC use T630mA 20mm WEIGHT unpacked 12kg packed 14kg 220 240VAC use T315mA 20mm CONNECTIONS INPUTS Channel 1 16 IN XLR pin 2 hot 3 cold balanced...

Страница 10: ...a l a n c e d m i c s i n powered sockets without damage 48V does not feed the jack inputs You do not need to plug anything into the channel insert socket for normal operation However you may wish to...

Страница 11: ...d signal to the mix by plugging the device output into ST1 or ST2 stereo return or into a channel input These inputs can operate balanced or unbalanced For a mono return simply plug into the L input l...

Страница 12: ...F1 500Hz to 15kHz MF2 35Hz to 1kHz Use the mids to add warmth or presence to the sound or to notch out problem resonances that can result in feedback AUXILLIARY SENDS You can set up to 6 separately ba...

Страница 13: ...tput Simply turn down the amplifier or recorder level trim If none is available then insert an attenuator pad between the console and connected equipment MONITOR PFL A large red LED lights when any ch...

Страница 14: ...TY The stereo return inputs are set for nominal low level 10dBV operation as is common with much of the external equipment available today The console level controls let you adjust for varying input l...

Страница 15: ...systems or mono recording and broadcast feeds When A B is configured as a local monitor the MONO switch lets you check the mono compatibility of the selected mono source Alternatively you can feed a...

Страница 16: ......

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