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The 

WZ16:2 

offers the professional user an uncompromised feature set and 

performance for live sound engineering and recording. Built on the established 
tradition of innovative British design and manufacture you get a console that is both 
solidly reliable fora hard life on the road, and uniquely versatile to adapt to any audio 
mixing application. The 

WZ16:2 

is equally at home mixing alongside top end live 

sound consoles such as the ALLEN & HEATH 

GL4000, 

in theatres, houses of 

worship, conference and club installations, home and recording studios, or multi-
tasking in equipment hire companies. Check out the key features: 

 

16 channel inputs for microphone or line sources 

Wide 70dB gain range for loud and soft sources. 

Balanced XLR and jack both accept mic or line signals. 

+48V phantom power switchable to the XLR inputs. 4-

band EQ with 2 mid frequency sweeps. 

100Hz lo-cut filter to remove mic popping and stage rumble. 

Channel inserts for plugging in signal processors. 

Channel direct outputs for multitrack recording. 

6 Aux sends with up to 6dB boost, for 2 pre-fade monitor sends, 2 switched 
pre or post-fade for monitors or effects, and 2 post-fade for effects sends, 
recording or broadcast. 

Peak LED indicator to warn of signal overload. 

100mm long travel faders for smooth control. 

 

2 stereo return inputs for effects and replay 

With separate level to L-R and to Aux 1 for the monitor. 

 

L-R main output 

Balanced XLRs with inserts and individual 100mm faders. 

 

Extra A-B output 

For additional L-R stereo or L+R mono output selectable pre or post L-R 
faders. Unique underpanel mode switch to configure A-B as a local 
monitor output for additional stereo or mono monitoring. 

 

Engineers monitoring independent of the main outputs 

Stereo headphones output with auto PFL indicated by a large red LED 

Monitor switchbank with priority override to select each Aux, Stereo return 
or L-R (pre or post fader). Auxes can be listened to in stereo pairs. 

 

QCC Quick Change Connector system 

Simply hinge the connector pod into position for 1 9"rack or desk operation. 

 

MSP Minimum Signal Path for audio transparancy 

Carefully designed circuitry to keep the signal path from input to output 
short using high grade, low noise discrete and IC components. 

 

Rugged all metal construction 

Individual circuit assemblies with all rotaries securely bolted to the panel. 

No nonsense solid build to ensure on the road reliability. 

OVERVIEW OF THE 

 

Содержание WZ16:2

Страница 1: ...USER GUIDE PUBLICATION AP2917...

Страница 2: ...cidental neglect or alteration other than as described in the User Guide or Service Manual or approved by ALLEN HEATH 3 Any necessary adjustment alteration or repair has been made by ALLEN HEATH or it...

Страница 3: ...out matters audio To help us provide the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this produc...

Страница 4: ...ade for monitors or effects and 2 post fade for effects sends recording or broadcast Peak LED indicator to warn of signal overload 100mm long travel faders for smooth control 2 stereo return inputs fo...

Страница 5: ...C R speakers Dedicated Stage Monitor This example shows 4 floor wedges for the musicians and a stereo in ear monitor for the lead performer The engineer monitors the signals using a floor wedge simila...

Страница 6: ...trength We recommend you fit the bolts with plastic cup washers to protect the panel Ensure adequate ventilation by allowing a minimum clearance of 25mm around all sides for unimpeded air flow To chan...

Страница 7: ...ordingly ordisconnect the cable screens at one end usually at the destination It is useful to carry ground lift cable adaptors such as short XLR male to female leads with pin1 disconnected l Avoid run...

Страница 8: ...PANEL LAYOUT...

Страница 9: ...008 Power consumption 30W max Mains Fuse rating 100 120VAC use T630mA 20mm WEIGHT unpacked 12kg packed 14kg 220 240VAC use T315mA 20mm CONNECTIONS INPUTS Channel 1 16 IN XLR pin 2 hot 3 cold balanced...

Страница 10: ...a l a n c e d m i c s i n powered sockets without damage 48V does not feed the jack inputs You do not need to plug anything into the channel insert socket for normal operation However you may wish to...

Страница 11: ...d signal to the mix by plugging the device output into ST1 or ST2 stereo return or into a channel input These inputs can operate balanced or unbalanced For a mono return simply plug into the L input l...

Страница 12: ...F1 500Hz to 15kHz MF2 35Hz to 1kHz Use the mids to add warmth or presence to the sound or to notch out problem resonances that can result in feedback AUXILLIARY SENDS You can set up to 6 separately ba...

Страница 13: ...tput Simply turn down the amplifier or recorder level trim If none is available then insert an attenuator pad between the console and connected equipment MONITOR PFL A large red LED lights when any ch...

Страница 14: ...TY The stereo return inputs are set for nominal low level 10dBV operation as is common with much of the external equipment available today The console level controls let you adjust for varying input l...

Страница 15: ...systems or mono recording and broadcast feeds When A B is configured as a local monitor the MONO switch lets you check the mono compatibility of the selected mono source Alternatively you can feed a...

Страница 16: ......

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