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PLUGGING UP THE CHANNELS 

The 

MixWizard Series 

uses professional grade 3-pin XLR and 1/4" TRS jack sockets. 

We recommend that you use suitable quality cable and connectors and check your 
leads for reliable soldering and continuity before use. It is well known that most audio 
system failures are due to faulty interconnecting leads. 

 

Both microphone and line 

sources such as keyboards, replay devices and effects processors can 
be plugged into either the jack or XLR input  for convenience. The 
channel accepts a wide 70dB range of source levels. The input is a 
balanced 3-wire to provide the best immunity to interference pickup on 
long cable runs. However, you can plug in an unbalanced 2-wire source 
simply by linking the input - (cold) connection to ground (XLR pin3 to pin 
1, jack ring to sleeve) in the connector plug. 

PHANTOM POWER 

Press the underpanel 
48V switch if you are using 
m i c r o p h o n e s   w h i c h  
require phantom power. 
This feeds +48V to pins 2 
and 3 of the XLR inputs. 
Ensure that you use 
balanced leads. Note that 
you can use non powered 
b a l a n c e d   m i c s   i n  
powered sockets without 
damage. 48V does not 
feed the jack inputs. 

 

You do not need to plug anything into the channel insert socket for normal operation. 
However, you may wish to insert a signal processor such as a compressor/limiter or 
noise gate into the channel signal path to prevent excessive peaks or to cut down 
source noise. The insert lets you do this by breaking the signal path after the input pre-
amp and before the EQ. Use a Y-lead or suitable TRS jack lead to connect to the 
external processor. The insert operates at 0dBu line level. Adjust the processor input 
and output levels for optimum signal level. 

 

The channel direct output taps the signal off post-fader (pre-fader if the internal link 
options is changed) for connection to external processing or recording equipment. This 
is ideal for multitrack recording during live performance. Here each channel can be 
recorded on a separate track for mixdown later. The output is impedance balanced on 
TRS jack. That means that you get the benefit of interference immunity when 
connecting to a balanced input. You can, of course, also connect to unbalanced 
equipment. The signal operates at nominal 70dB line level. 

 

CHANNEL INPUTS 

DIRECT OUTPUT 

CHANNEL INSERT

 

Содержание WZ16:2

Страница 1: ...USER GUIDE PUBLICATION AP2917...

Страница 2: ...cidental neglect or alteration other than as described in the User Guide or Service Manual or approved by ALLEN HEATH 3 Any necessary adjustment alteration or repair has been made by ALLEN HEATH or it...

Страница 3: ...out matters audio To help us provide the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this produc...

Страница 4: ...ade for monitors or effects and 2 post fade for effects sends recording or broadcast Peak LED indicator to warn of signal overload 100mm long travel faders for smooth control 2 stereo return inputs fo...

Страница 5: ...C R speakers Dedicated Stage Monitor This example shows 4 floor wedges for the musicians and a stereo in ear monitor for the lead performer The engineer monitors the signals using a floor wedge simila...

Страница 6: ...trength We recommend you fit the bolts with plastic cup washers to protect the panel Ensure adequate ventilation by allowing a minimum clearance of 25mm around all sides for unimpeded air flow To chan...

Страница 7: ...ordingly ordisconnect the cable screens at one end usually at the destination It is useful to carry ground lift cable adaptors such as short XLR male to female leads with pin1 disconnected l Avoid run...

Страница 8: ...PANEL LAYOUT...

Страница 9: ...008 Power consumption 30W max Mains Fuse rating 100 120VAC use T630mA 20mm WEIGHT unpacked 12kg packed 14kg 220 240VAC use T315mA 20mm CONNECTIONS INPUTS Channel 1 16 IN XLR pin 2 hot 3 cold balanced...

Страница 10: ...a l a n c e d m i c s i n powered sockets without damage 48V does not feed the jack inputs You do not need to plug anything into the channel insert socket for normal operation However you may wish to...

Страница 11: ...d signal to the mix by plugging the device output into ST1 or ST2 stereo return or into a channel input These inputs can operate balanced or unbalanced For a mono return simply plug into the L input l...

Страница 12: ...F1 500Hz to 15kHz MF2 35Hz to 1kHz Use the mids to add warmth or presence to the sound or to notch out problem resonances that can result in feedback AUXILLIARY SENDS You can set up to 6 separately ba...

Страница 13: ...tput Simply turn down the amplifier or recorder level trim If none is available then insert an attenuator pad between the console and connected equipment MONITOR PFL A large red LED lights when any ch...

Страница 14: ...TY The stereo return inputs are set for nominal low level 10dBV operation as is common with much of the external equipment available today The console level controls let you adjust for varying input l...

Страница 15: ...systems or mono recording and broadcast feeds When A B is configured as a local monitor the MONO switch lets you check the mono compatibility of the selected mono source Alternatively you can feed a...

Страница 16: ......

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